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RFCM Symphony Orchestra
The 1st movement of Beethoven's 30th Piano Sonata. Vivace, ma non troppo - Adagio espressivo. Surprisingly brief for a Beethoven opening movement. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
One of only 2 minor key symphonies Mozart wrote, the first movement begins darkly with accompaniment, played by the lower strings with divided violas, Instrumental, Classical Music, Classical Period, Wolfgang Amadeus Mozart
This last movement maintains just as much fire as the first movement, full of musical suprises, such as three beats of silence following the brisk opening. Instrumental, Classical Music, Classical Period, Wolfgang Amadeus Mozart
After a leisurely exposition by the orchestra, the soloist takes over the triplets and shares the melody with the ensemble. There are moments of sadness but the overall tone is bright and calm. Theme from "Elvira Madigan". Instrumental, Classical Music, Classical Period, Wolfgang Amadeus Mozart
This second--Andante-- movement uses a beautiful theme and gentle light atmosphere to present contrast to the ecstatic first movement. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
The 3rd movement of Beethoven's 30th Piano Sonata. Andante, molto cantabile ed espressivo. Teh basic tempo remains constant throughout the movement. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
The 2nd movement of Beethoven's 30th Piano Sonata. Prestissimo. This movement, though not fugal in nature, comprises the counterpoint that was part of Beethovens late works. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
Three musicians intone the insistent theme of Death in pursuit of the Maiden with the violin expressing the fragility and rising panic she feels, Instrumental, Classical Music, Classical Period, Franz Schubert
The structure of the sonata is unconventional in that the piece opens with a relatively slow movement in the format of theme and variations. Light piano, stirring. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
From the Tempest, this third movement is very moving, flowing with emotion, then reaching the climax, before moving to an extended section and then the coda, which is quite substantial. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
The first movement opens with repeated chords, played pianissimo then forward to a hectic collection of notes as it changes to a sweet chordal theme in E major. The movement ends in a heavy coda. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
Beethoven's Symphony 1 first movement, the labeled "andante" of the second movement is played considerably faster than the general concept of that tempo, Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
A lyrical 3/4 introduction precedes a highly rhythmic main section in 6/8 time. The first movement is written in monothematic form. Instrumental, Classical Music, Classical Period, Franz Joseph Haydn
Beethoven's third symphony part 4 - dynamic, creeping, flowing. Known as Eroica meaning heroic marking the beginning of musical Romanticism and the end of the Classical Era, Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
First movement is in 3/4 tempo soundingly mysteriously agitated and restless and was described by Beethoven as a contest between head and heart, Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
Composed in 1888 to commemorate the fortieth anniversary of the accession to throne of his monarch, Emperor Franz Josef who commissioned the waltz in order to celebrate the progress of Vienna and the prosperity of Austria and its colonies in the Balkan. Instrumental, Classical Music, Classical Period, Johann II Strauss
Quiet peaceful piano, described as one of the most exceptionally balanced and movingly exquisite movements in Chamber literature. Instrumental, Classical Music, Classical Period, Franz Schubert
This sonata is known as "Cuckoo" for its frequent jumping around and is one of Beethovens shorter sonatas. First movement is forceful and ecstatic, Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
This is the Scherzo movement of the symphony, depicting country folk dancing and reveling. The movement ends abruptly when the country folk notice that rain is falling, Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
The andante movement is more forlorn and subdued. A sense of quiet solitude, but never menacing or overemotional. A personal favorite of Beethoven's, Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
The first movement, Allegro, begins with a repetitive monotone bass line with the simple theme of the movement on top. Progressing to a more tense melody, ever more dramatic, then back to the sweet theme of the beginning. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
Cosi fan tutte--All women act that way--is the last of Mozarts three "da Ponte" operas. It has come to be regarded as among the composers finest. Instrumental, Classical Music, Classical Period, Wolfgang Amadeus Mozart
This concerto is notable for its delicate interplay between clarinet and orchestra, and the lack of overly extroverted display on the part of the soloist. Instrumental, Classical Music, Classical Period, Wolfgang Amadeus Mozart
