Since the 1980s, US artist Jim Ragland has been composing and producing incidental, scene change and underscoring music for the professional theater. Projects have included tiny fringe theaters as well as The Kennedy Center. Credits include the Pulitzer Prize-winning Broadway production, "The Kentucky Cycle," and 100s of other shows - like Shakespeare, Chekhov, August Wilson, and Sam Shepard. With dozens of Spotlight Awards from The Seattle Times, a Lifetime Achievement Award from Theater Puget Sound, Variety says: “[Jim Ragland] creates worlds that capture the imagination."
A sexy, slow but strong, vampy transition, ending, or dramatic turn with a sqwaking trumpet in the lead, piano, bass & drums. Composed for a production of an August Wilson play, Instrumental, Blues, East Coast Blues
Slow, sexy trade between sax and trumpet leads over piano chords. The last tune of the night while the slightly drunken couple weaves out of the club, Instrumental, Blues, Chicago Blues
Old-fashioned non-resonator finger-picked banjo with stiff acoustic guitar and gritty slide, evokes a simple cheerful hobo on a country road, Instrumental, Blues, Country Blues
Passionate, swaggering slow blues shuffle with a searing lead guitar. Composed for a production of August Wilson's "Fences" Instrumental, Blues, Chicago Blues
Down home Louisiana, Mississippi, Delta Blues... Good ole boy music, pickup trucks, bar fights, beefing, possum hunting, going fishing, mischievous teens, tweens. Instrumental, Blues, Country Blues
Joyful gospel-flavored hand-clapper with great trumpet (Pink Martini's Gavin Bondy) & organ solos. Easy to edit to feature your favorite solos. Same feel as "Jesus Be a Fence" Old fashioned 1940s 1950s, slick, fun, bouncy, lively, exciting, foot-stomping music. African American commercial, romcom, Instrumental, Blues, Chicago Blues
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