Composer, Arranger and Producer Greg Patmore began his musical life in the brass band tradition of NW England, playing, conducting and composing for brass before going to Goldsmith's College, London, to study composition with Edward Gregson, Stanley Glasser and Melanie Daiken. His music has always drawn upon combined influences, traditions and cultures, and he has a true passion for live theatre, having produced scores for many of London’s West End/Fringe productions. Greg also writes and arranges for professional artists, TV and Film.
Greg Patmore's exciting, adventurous James Bond, aka Agent 007, Spy cue, "Secret Service," was just honored as our Editor's Choice Award for August! The track is perfect for action thrillers, espionage films, branding, and tough new product launch. Check it out!
Greg Patmore's sound design projects include the 2009/10 UK and US tour of The African Company Presents Richard III written by Carlyle Brown and directed by Chuck Mike; Grand Slam at Kings Head Theatre, London; the Fear installation at the Urbis Museum, Manchester; public address idents for the 2002 Commonwealth Games; The Diary of Anne Frank; Brassed Off.
Film and TV credits include Rent-a-Mate, Mummy’s Boys, La Patisserie, Antlers of Reason, Secret Agent, The Antique (UK/LA), Another Life (UK/LA), End of the Line. Music for Wigan Pier Theatre Company ‘The Way We Were’, 20th Century Liner (Discovery Channel), A Place by The Sea (Channel 4).
Live Theatre credits include Midsummer Night's Dream, Christopher Luscombe's adaptation of ‘Star Quality' by Noel Coward, the musical ‘Dorothy's Friends', and Martin McDonagh's ‘Beauty Queen of Leenane,' and has always had a true passion for music inspired by theatre. His most acclaimed scores include those produced for London’s West End/Fringe productions including ‘Spring Awakening' at the Courtyard Theatre and ‘The Shadowmaster' at the Kings Head Theatre.
Published works include ‘The Agitator’ for Double Bass
Warm contemporary upbeat and motivational solo piano piece which works great as an intro or end sequence or underscore to describe the romance on screen. Ideal for TV drama or film, or a point to ponder and reminisce. Thought provoking and contemplative describing ideas, hope and love. Instrumental, Classical, Classical Piano
Magical orchestral with Piano, strings, oboe, brass and woodwind with magical percussion. It introduces a quirkly discordant theme which is playful and impish. A memorable theme tune for light entertainment. Think Miss Marple meets Jonathan Creek meets Sherlock Holmes: hysterical historical! Instrumental, Classical, Classical Piano
Tender Piano Solo - taking you through feeling all alone into the realization that there are friends and family around to help you through your troubles. It literally burst out from a feeling of loss and foreboding into warmth, joy of life and living. Ideal piano score to describe hope & new life, Instrumental, Classical, Classical Piano
A beautiful light and romantic piece of music -a journey of love and hope. A simple piano solo yet so passionate. The world and all its elements are drawn together, swirling and wondrous. The result is a climax of cascading notes like a waterfall tumbling down. Joy simply bursts through. Instrumental, Classical, Classical Piano
This harpsichord solo cue has a lovely lilt to it which is ideal for transitions within film or TV. It ends with a mystical electronic chime which gives it a bit of cheeky yet slightly mysterious edge to it. It leaves us wondering whats going to happen next. Instrumental, Classical, Harpsichord
An amazing full-on organ and choral piece. Dramatic yet heavenly as high soprano voices fill a huge auditorium in chant and song. It starts quite calm and serene and builds up to a crescendo as the magnificent organ gives power. Fabulous sound track for cathedral, historic, period, dramatic themes, Vocal Samples, Classical, Classical Choral