Composer, Arranger and Producer Greg Patmore began his musical life in the brass band tradition of NW England, playing, conducting and composing for brass before going to Goldsmith's College, London, to study composition with Edward Gregson, Stanley Glasser and Melanie Daiken. His music has always drawn upon combined influences, traditions and cultures, and he has a true passion for live theatre, having produced scores for many of London’s West End/Fringe productions. Greg also writes and arranges for professional artists, TV and Film.
Greg Patmore's exciting, adventurous James Bond, aka Agent 007, Spy cue, "Secret Service," was just honored as our Editor's Choice Award for August! The track is perfect for action thrillers, espionage films, branding, and tough new product launch. Check it out!
Greg Patmore's sound design projects include the 2009/10 UK and US tour of The African Company Presents Richard III written by Carlyle Brown and directed by Chuck Mike; Grand Slam at Kings Head Theatre, London; the Fear installation at the Urbis Museum, Manchester; public address idents for the 2002 Commonwealth Games; The Diary of Anne Frank; Brassed Off.
Film and TV credits include Rent-a-Mate, Mummy’s Boys, La Patisserie, Antlers of Reason, Secret Agent, The Antique (UK/LA), Another Life (UK/LA), End of the Line. Music for Wigan Pier Theatre Company ‘The Way We Were’, 20th Century Liner (Discovery Channel), A Place by The Sea (Channel 4).
Live Theatre credits include Midsummer Night's Dream, Christopher Luscombe's adaptation of ‘Star Quality' by Noel Coward, the musical ‘Dorothy's Friends', and Martin McDonagh's ‘Beauty Queen of Leenane,' and has always had a true passion for music inspired by theatre. His most acclaimed scores include those produced for London’s West End/Fringe productions including ‘Spring Awakening' at the Courtyard Theatre and ‘The Shadowmaster' at the Kings Head Theatre.
Published works include ‘The Agitator’ for Double Bass
A very polite chap telling you to pick up your mobile phone. He is very very persistant and it gets very embarrasing the longer you leave the phone ringing. But he is awfully good about it in a stiff English upper lip tone. Ringtone, Novelty
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