Harpist extraordinaire Phyllis Sparks of Nashville, TN, is a dynamic live performer, savvy composer, recording artist, and in-demand session player. A former member of the famous Mantovani Orchestra, she has worked for many notable artists such as Josh Groban, Natalie Cole, Dennis DeYoung, Trey Anastasio, Kip Winger, and Ray Charles. Stretching the boundaries of harp music, Phyllis displays incredible versatility working in the Classical, Jazz, Celtic, New Age, and Pop genres, among others. Her bright, lyrical compositions have achieved radio airplay and worldwide distribution.
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point or at the final point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
A real harp playing an upward swish on a DOMINANT 7 chord. That means this is the PERFECT segue sound from one event to another. It leaves you hanging! Beautiful full resonant harp tone is unmistakable. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point or at the final point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point or at the final point of an event to show forward motion. Strings,
Real upward glissando featuring pedal harp using gut strings. Perfect for use as a segue from one event to another. This chord is often used at the half way point of an event to show forward motion. Strings,
