Elizabeth C. Axford has had over 2,500 usages of her tracks in films, TV shows and commercials, bumpers, promos, videos, and new media projects, including The Chosen One starring Rob Schneider and Steve Buscemi, Sol LeWitt: Wall Drawings, The Sacred Bee, and many other indie films. Her tracks have been used during multiple episodes of 525+ TV programs including new episodes, syndicated reruns, and movies shown on TV on 48 networks. Liz's music can also be heard on CDs, digital compilations, websites, video games, apps, ringtones, greeting cards, and gift bags.
Liz is an active member of ASCAP, NARAS, NSAI, NAMM, MTNA, and MTAC. She has voted on and attended The Grammys since 2000 and numerous industry events in LA, Nashville, and Miami since 1989. During her 20-year tenure as NSAI Regional Workshop Coordinator in Miami and San Diego Liz was responsible for over 300 monthly workshops, songwriter showcases, and special events. She has received service awards from NSAI, songwriting awards, and six ASCAP PLUS Awards.
Liz has an M. A. in Music from SDSU and a B. A. in Music from the University of Illinois. She currently facilitates music and arts courses for the University of Phoenix online. During her 30 years of teaching studio piano and voice she has held numerous recitals with her students. Her teaching studio received the Best of Del Mar award seven years in a row for 2008-2014. Liz is the author of Traditional World Music Influences in Contemporary Solo Piano Literature, Song Sheets to Software - A Guide to Print Music, Software, Instructional Media, and Web Sites for Musicians, and Music Apps for Musicians and Music Teachers, published by Rowman & Littlefield Publishers.
Shalom Chaverim or "L’hitraot" is an all-time favorite; means “hope to see you again soon,” like au revoir; haunting melody in a unique arrangement; keyboard/synth instrumental. Instrumental, Middle East, Jewish Folk
Hatikva (The Hope) is the national anthem of Israel; music composed by Samuel Cohen in 1888; harmony of Hatikvah is arranged modally and mostly follows a minor scale, often perceived as mournful in tone and is rarely encountered in national anthems, but the title and words suggest optimism. Instrumental, Middle East, Israel
Hebrew folk song; title means "let us rejoice" and is a song of celebration; especially popular in Jewish and Romani communities; this familiar ethnic melody is a staple of band performers at Jewish festivals. Instrumental, Middle East, Jewish Folk
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Elizabeth C. Axford