Wesley's (or Wez, as he prefers) has loved music since his childhood. His house was always filled with music - from Motown and Soul to Simon & Garfunkel. He became a house music Dj in the nineties and got into recording and producing from there. Over the past 12 years or so Wez has worked on various projects including recording and producing a major label rock album for BMG and a world-wide dance-floor smash, 'Black is the Colour,' by 2Devine/Cara Dillon. His main style is a combination of hard edge break-beat rock, chilled-out grooves with horns, and really funky dance music.
A sneaky, downtempo funk track in the style of 1980s cop films like Beverly Hills Cop and many others. Synth bass, gated drums, wah-wah guitar. Suitable for scenes of investigating, stalking, sneaking around, stakeout and more. Instrumental, Hip Hop, Hip Hop
A pumping, chopped-up, mashed-up, grinding and gritty Rock, Electro crossover. Sizzling and thumping beats, as though just about to burst out. Biting hard guitar chops and industrial style synth bass. At breaking point, stuttering and pulsating. Instrumental, Electronic, Industrial Metal
Sizzling deep funk. Rough, dark, pumping and oozing. Subtle, foreboding, like something dark and powerful simmering under the surface. Downtempo, with a funky hip hop feel. A little bit otherworldly, weird, not quite of this world. Also available as an Underscore version. Instrumental, Electronic, Industrial Metal
A melancholy and otherworldly violin and brass melody rides over an ambient soundscape to start. The rhythm becomes apparent when the military style Tom Tom drum loop drops in. Cello phrases complete the groove later in the track and a tinkling piano stab echoes throughout. Works well for post-batt, Instrumental, Action, Impending Orchestral