Steve E. Williams is a Los Angeles Film, TV, and Ad composer. His credits include featurettes for Disney/Marvel Ant-Man and WB’s The 33. He’s composed trailers for Arrow, Reign, Elementary, NCIS, Nashville, music for 48 Hours, CBS Sports Spectacular, Discovery, Nat Geo, ESPN, CNN, BBC, and ads for Saab, Mattel, Sears, Levi's, Nokia/Vertu, Nissan, PF Changs, Dr. Phil, and Chevrolet. Steve works with platinum artists and songwriters, has Billboard Top 100 singles, Top 10 club remixes, and was awarded five ADDY and two Communicator Awards.
Steve E. Williams studied Berklee School of Music. His Film/TV credits include: TriStar, NBC's Life, Jeff Probst Show, Investigation Discovery's Deadly Women and Beauty Queen Murders, National Geographic's Dead or Alive, MSNBC's Your Business, BBC's From Harris With Love, Caught Red Handed, Rescue: Code One & Dileab Thormoid (Smile Please), NBC's The Dan Patrick Show, Jeff Probst Show (Survivor), CNN Voices of Auschwitz, AFL Game Day and Today (AU), La Riera & Crackovia (ES), Discovery Civilization, trailers for Tele5 (DE), Lorimar, CBS, and KTLA News. His documentaries include BBC's Trawlermen's Lives and the award-winning WMD, plus music at the Carnegie Science Center.
Steve's advertising clients include PricewaterhouseCoopers, Baskin-Robbins, 20th Century Fox, Prevalin, Lucozade Sport (UK), Mitsubishi, Ryobi, U-Haul, Family Feud, CBS/KNX1070 news themes, and Rick Dees National Weekly Top 40. He has developed music and sound for the exclusive Nokia/Vertu line of cell phones and was part of the music team for SeaWorld and Cypress Gardens theme parks. His remix of "I Don't Want To Sleep Alone" (Mette) was a Top 10 club hit in the US.
American Beauty, Road to Perdition, Cinderella Man, Revolutionary Road. A distinctive poignant sound. Emotional, ambient style with piano, strings, french horns, blended with an ethereal pad bringing a deeply passionate dramatic underscore to your scene. Moving, heartfelt and atmospheric for drama. Instrumental, Dramatic, Ethereal Music
Big High-Fidelity large, low, deep, subwoofer pounding drone with intense, frightening quality. Mastered hot, loud & proud. Ear-Piercing Sonics delivers another winner for movie trailers, Film/TV effects, multi-media, animation, sound logos, radio promos, and production elements. Instrumental, Dangerous, Dark Music
Metro, looming, dark, edgy drum loops with many percussive accents over bass hits for editing to action and getting attention. Street scenes, Sports, Fashion, edgy Advertising, Transition music for TV production. Use other production elements over this track to build a custom cue for video editing. Instrumental, UK Bass, DnB
Metro, looming, dark, edgy drum loops with many percussive accents over bass hits for editing to action and getting attention. Street scenes, Sports, edgy Advertising, Fashion, Transition music for TV production. Use other production elements over this track to build a custom cue for video editing. Instrumental, Action, Thriller Electronic
Like Batman-The Dark Knight Rises score starting with booming ambient sweeps then building into a huge industrial drum groove with bass drones. Ends with a Transformer like rising drone. Stops throughout and alternate mixes for editing trailers and cutting to picture. Intense, driving, & pulsating, Instrumental, Action, Intense Electro-Orch
Depicts death, darkness, demonic, hell, destruction, mourning, apocalypse. Slow, solemn, pounding tympani and anvil, eerie choir, low strings, brass hits, and military like trumpet melody set a requiem type mood. Constant rhythmic tympani hits, brass accents and effects allow for great editing, Vocal Samples, Dangerous, Dark Music
Big Hollywood sound: heavy rock guitar invades the orchestra. Iron Man, Die Hard, Mission Impossible, Skyfall. Dramatic driving 8th note strings, large Hits, Swells & breakdowns. Action/Adventure/Chase usage for exhilarating intensity, a sense of the unknown, or approaching trouble. Heavy drum beats, Instrumental, Action, Orchestral Action
An intense Sound Designed Soundscape (Inception, Book of Eli, 24) ambient effect bed with digitally manipulated atmospheric sounds, watery other-worldly spacial EFX that build over time. Contains no pitch & can be used under other music like Inception score. Creates a distorted, dreamy, reality. Instrumental, Dangerous, Edgy Music
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Steve E. Williams