Mark Knox’s music has been covered by Norman Conners, Grover Washington Jr., Bob Thompson, Gerald Veasley and others. He’s been involved in such world-class associations as The Philadelphia Orchestra, Standing in the Shadows of Motown, Kang & Lee Advertising, Clear Channel, and Carsey-Werner. Mark's compositions appear in many commercials, films, CD's, and corporate campaigns. As a composer, arranger, keyboardist, producer, and audio engineer, his unique perspective on "both sides of the glass" is evident in his remarkably diverse music.
On the other side of that glass, Mark was the recording engineer on two Grammy-nominated albums and has produced TV and radio commercials for Coca-Cola, Budget, Ford, Kia, Comcast, and Yuengling Bros. Brewery. He has mixed and mastered over 100 various CD's for many well-known recording artists.
Mark has been involved with well-known projects and organizations, including “Standing in the Shadows of Motown,” “You Bet Your Life with Bill Cosby,” The Philadelphia Orchestra, The Philly Pops, The Opera Company of Philadelphia, "The Hamster Factor and Other Tales of Twelve Monkeys," and many other high-profile productions, publications and events.
Mark's CD of original compositions entitled "Places" was released world-wide in 2006 and garnered many positive reviews from Jazz critics. As Keyboardist, Composer and Co-Producer, Mark has appeared on 9 of Gerald Veasley's CD releases. As an established arranger, MIDI programer, and virtual orchestra arranger, his realistic acoustic and orchestral arrangements stand out in his various works as well as other artists projects including composing and arranging a "virtual pit orchestra" for several theater companies.
A sound–alike of Sergei Prokofiev’s “Troika” from “Lieutenant Kije Suite, Op. 60” which became a Christmas favorite because it envisioned a snowy sleigh ride. In Russian, Troika means a 3-horse sleigh. A perfect track for the Christmas holidays or a feel-good winter underscore–sleigh bells and all. Instrumental, Classical, 20th Century
A feel-good orchestral track reminiscent of a DeBussy classic. Warm and tonally pleasing, this track is perfect for a romantic underscore, a lush soundtrack or serene situation. Melodic and glittering using woodwinds and strings. This full mix version has a looped ending for easy editing. Instrumental, Dramatic, Ethereal Music
Romantic & elegant orchestral waltz for a stand-alone track or beautiful underscore for a love scene, flashback or tender dance scene. Picture Fred Astaire and Ginger Rogers swirling around a ballroom dance floor. Great trailer, opening credits, main theme. Sophisticated, poignant, rich lifestyles, Instrumental, Classical, Romantic
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