Mark Knox’s music has been covered by Norman Conners, Grover Washington Jr., Gerald Veasley, Bob Thompson, and others. He’s been involved in world-class productions including Motown, The Philadelphia Orchestra, and Heads Up International Records. Mark's compositions appear in TV commercials, films, CD albums, and corporate events and campaigns. As a composer, arranger, keyboardist, producer, and audio engineer, his unique perspective on "both sides of the glass" is evident in his Jazz, Funk, Pop, Cinematic, Orchestral, and World music.
On the other side of that glass, Mark was the recording engineer on two Grammy-nominated albums and has produced TV and radio commercials for Coca-Cola, Budget, Ford, Kia, Comcast, and Yuengling Bros. Brewery. He has mixed and mastered over 100 various CD's for many well-known recording artists.
Mark has been involved with well-known projects and organizations, including “Standing in the Shadows of Motown,” “You Bet Your Life with Bill Cosby,” The Philadelphia Orchestra, The Philly Pops, The Opera Company of Philadelphia, "The Hamster Factor and Other Tales of Twelve Monkeys," and many other high-profile productions, publications and events.
Mark's CD of original compositions entitled "Places" was released world-wide in 2006 and garnered many positive reviews from Jazz critics. As Keyboardist, Composer and Co-Producer, Mark has appeared on 9 of Gerald Veasley's CD releases. As an established arranger, MIDI programer, and virtual orchestra arranger, his realistic acoustic and orchestral arrangements stand out in his various works as well as other artists projects including composing and arranging a "virtual pit orchestra" for several theater companies.
A funky beat and funky playin’ make this the perfect retro music track. Gated reverb snare drum, cheesy synth, funky clav and slappin’ bass lines all under a great synth horn melody. Reminiscent of those cool Stevie Wonder or Sly and the Family Stone instrumentals. Try not to bob your head too much, Instrumental, Action, Theme RnB Retro Kitsch
A fast, driving theme for sports or other high-energy presentation. Perfect for a sports opening theme or extreme activity show. Similar to the "old school" TV sports themes with rockin' rhythm section, brass, piano and string section. Easily edited with the music bed for customized theme. Instrumental, Action, Theme Power Play
Composed specifically as an open theme along the lines of “Survivor” or “Amazing Race.” Can also be used for any situation calling for an earthy, outback atmosphere. Think “Crocodile Dundee” or “Romancing the Stone.” Exotic flavor of Africa, Australia, New Zealand or any other remote wilderness. Instrumental, Action, Thriller Tribal
A log drum starts the rhythm as the rest of the forest joins in with bass flute, bass guitar, soprano sax & an elegant woodsy symphony of percussion. Great for deep forest nature theme, travel montage. With a warm lush undertone, New Age romance, jazzy upbeat playful and fun. Rhythmic exciting jazzy, Instrumental, World Fusion, African World Fusion
A fast-paced cue for a chase scene or high energy action. Car chase, foot chase, running, hiding, pursuing, fight scene or a game of ‘Beat the Clock. ’ Jazzy and orchestral with a sense of urgency. A percussion loop at the end of the full mix makes editing easy. The 1 min. mix has a hard ending. Instrumental, Action, Intense Orchestral
Whether you’re self-propelled or using a machine, flying is fun. Soaring through the clouds, diving down towards the ground only to pull yourself up at the last moment, climbing even higher. Also a great track for racing, sailing, gliding, riding, running or taking off! Long tail for a custom fade. Instrumental, Action, Adventure Orchestral
A fast, driving theme for sports or other high-energy presentation. Perfect for a sports opening theme and includes full mix, 5 second stinger, 60 second and bed edits. Similar to the "old school" TV sports themes with rockin' rhythm section, brass, piano, electric guitar, bass and string section. Instrumental, Sports, Sports Symphonic Rock
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