UK bassist Mick Paul is perhaps best known for his touring, writing, and production work with King Crimson violinist David Cross, and recent tours of Europe with Mr. Big vocalist Eric Martin. His first big success was with the band The Hotshots, which had a number 7 single, and during the 80's he was produced by Soft Machine's Mike Ratledge and Carl Jenkins. 1987 saw Mick write the labour party campaign song, and in '94 he played bass on a David Hasselhoff single. Mick joined The David Cross band in '95, releasing the album Exiles in '98, and he has since toured Japan and Europe.
Mick Paul has done session work for Littleboots, Aviv Geffin, Snap, Stevie Hoaung, Snap, Warner Brothers, and Sony Records.
Are you there, Tense pulsating Cello and Double bass fading into ghostly ambient sounds, ideal for Halloween party or event, Radio play or film clip, feeling lost or not knowing where to turn, what's hidden behind the door or under the bed, Instrumental, Horror, Horror Ambience
The Dark Side, heavily processed long bass notes with a spine tingling cold Glassy melody over the top, making the listener feel that their in a place they don't wan to be,, Instrumental, Horror, Horror Electronica
Mummy where are, ideal for Halloween or horror clip for segment of film or radio play or theatre production, low pulsating Cello and double bass giving way to erie empty ambient noises (the little girls voice is my daughter) adding to the tension, Instrumental, Horror, Horror Psychological
Hallow My Ween is a 2 minute fun sound experience to get you in the spooky mood for Halloween night, combing music, sound effects and voices. You can use this in a variety of ways, radio introduction for spook-night, competition - best interpretation of the sound clips, guess the animals or fx, Instrumental, Horror, Halloween Horror
Pacs Lucy, sinister bat noises with religeous chants, backwards voices, Gongs and wind combine to create a disturbing scene, The Omen, The Exorcist, Religion, The afterlife, Instrumental, Horror, Halloween Horror
driving drum loops with dissonant synth sounds, Chaos has an ideal spooky mood to get you in the mood for Halloween, it can be used as a radio introduction or background music for an event or party or underscore for TV or film atmosphere of impending doom, final judgement or disaster, Instrumental, Horror, Halloween Horror
Graveyard Walk conjours up an eerie walk through a misty cemetery with graves opening, or entering a dark large old haunted house with creaky floorboards, uncomfortable piano with ghostly tune developing into nightmare gongs. Instrumental, Horror, Halloween Horror
Dance of the Dead is ideal for a backdrop to a Horror party or contemporary modern dancing, featuring voices playing an attractive melody in 6/8 that always ends on an uncomfortable resolution with a bitter sweet feel Musically melodius symphonic, Instrumental, Horror, Dance Contemporary
An Odd Place, Floating wondering solo Piano, suit Contemporary Dance, ideal for contemplative scene in a film creating a disturbed atmosphere just with solo piano, The Go Between, Night porter, The Omen, Instrumental, Horror, Dance Contemporary
Lost, Horror Modern Dance, Surreal Piano short reference to the film 'The Sting' ominous Troubled soul, Rosemary's baby, empty foreboding feel, cold Piano melody with ominous end, Instrumental, Horror, Dance Contemporary