If you were a fan of the "Addams Family" TV show theme, you'll love this piece. Features an eerie old creaky harpsichord and, of course, finger snaps on the full version. Vampires, werewolfs, Halloween and Horror flicks, TV specials, and campy kids shows, opening theme. Spooky funny hilarious! Instrumental, Classical, Harpsichord
A perky, traditional-sounding harpsichord creates an authentic tone for this somewhat solemn Christmas carol. Supposedly set to the same tune as "Greensleeves," this song can be traced back to 14th century England. Instrumental, Classical, Harpsichord
Invention II is a solo harpsichord piece reminiscent of JS Bach. Would be a great placement for a Historical film/tv placement or use on a Travel channel production. Instrumental, Classical, Harpsichord
Cheerfully performed on a traditional, plucky harpsichord, this catchy tune is also known as "Here We Come A-Wassailing." It's an "Olde English" song full of holiday cheer. Historically a non-religious, secular New Year's song, "Wassail" means to go caroling door-to-door. How fun! Instrumental, Classical, Harpsichord
This harpsichord solo cue has a lovely lilt to it which is ideal for transitions within film or TV. It ends with a mystical electronic chime which gives it a bit of cheeky yet slightly mysterious edge to it. It leaves us wondering whats going to happen next. Instrumental, Classical, Harpsichord
This solo harpsichord piece begins as a sort of minor baroque sounding piece that transforms into a more haunting and aggressive evocation of violent madness. This work is inspired by The Fall of the House of Usher and would be well suited to a project based on the works of Poe or similar setting. Instrumental, Classical, Harpsichord
A very regal waltz and lilting solo harpsichord in the style of classical music circa 12th to end 18th century.Great for comedies,slapstick style comedy,king arthur,travel shows,dinner and ceremonies at the royal castle,the imperial guard,internet campaigns,product branding for all sorts of products, Instrumental, Classical, Harpsichord
A slow, elegant instrumental Baroque chamber work for solo harpsichord. Poised and graceful, this is a continuo in a traditionally ornate Baroque style. Rich, authentic resonance from a Flemish harpsichord. Instrumental, Classical, Harpsichord
A gothic waltzer track, grotesque and fabulous waltzer. A bit evil and scary but always magical and intriguing, with a deep sense of motion and anxiety. Available in multiple versions. Instrumentation: Music Box, Glockenspiel, Toy Piano, Piano, Harpsichord, Choir, String quartet. BPM: 60 (180). (Em), Instrumental, Classical, Harpsichord
Disconcerting melodies and a haunting vibe permeate this highly unusual instrumental by Ahmed AlQarawi. Perfect for all film, television and commercial productions seeking the eerily unusual. Instrumental, Classical, Harpsichord
Bach Preludium in E major, a bright happy melodic instrumental baroque piece. Played in 160 Bpm with a soft approach. Suitable for moment where someone is playing classics on piano or harpsichord. Also perfect for making a baroque mood. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
3 pieces for classical harpsichord. 1st one by Andre Campra (1660-1744) - PASSEPIED in G (1697), 2nd 1:03 RIGAUDONS in B flat (1694) by Henry Desmarets (1662-1741), 3rd one 02:11 MUSETTE in C (1716) by Michel de Monteclair (1666-1737). All tracks are combined into one sound file. Instrumental, Classical, Harpsichord
Prelude No. 3 from Book I of Johann Sebastian Bach's Well-Tempered Clavier, composed in 1722. Atmospheric, energetic, will enhance any film, commercial or transition. Instrumental. Harpsichord solo. Instrumental, Classical, Harpsichord
Joseph Bodin de Boismortier (23 December 1689 – 28 October 1755) was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: he made enormous sums of money by publishing his music for sale to the public, Instrumental, Classical, Harpsichord
For solo harpsichord. It was composed between 1725 and 1730 or 1731. Typical of Baroque piano music, this has a lot of notes and a lot of counterpoint. It is fast, upbeat, cheerful, and actually is toe-tapping music. It is played cleanly and with energy. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical piano music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
Meet Bach-meets-Phamtom of the Opera. Creepy, campy harpsichord tune. This tune is perfect for all those wacky comedies and cartoons with a goofy, creepy character, TV commercials and web presentations with a touch of whimsy. Instrumental, Classical, Harpsichord
A baroque piece featuring solo harpsichord. Perfect for period film and TV shows. Baroque 1600s, 1700s, Classical, Harpsichord, Positive, Confident, Serious, Weddings, Historical productions, History, Pompous, Big wigs, Period documentary, Royal, Regal, Period costumes, Palaces, Instrumental, Classical, Harpsichord
A JS Bach style Prelude played on Solo Harpsichord. This Prelude has a Gothic darker and more sinister side. While in the Baroque style there are deviances from true period harmonic representation... Instrumental, Classical, Harpsichord
Sophisticated but playful, light and bright, bouncy and fun, perfect for children's programs, animated features, historic documentaries, dramas and comedies. Whimsical, joking, fun and funny while retaining class and sophistication. Feel-good and upbeat, playful, vivacious, happy and high-spirited. Instrumental, Classical, Baroque
Sophisticated but playful, light and bright, bouncy and fun, perfect for children's programs, animated features, historic documentaries, dramas and comedies. Whimsical, joking, fun and funny while retaining class and sophistication. Feel-good and upbeat, playful, vivacious, happy and high-spirited. Instrumental, Classical, Baroque
Sophisticated but playful, light and bright, bouncy and fun, perfect for children's programs, animated features, historic documentaries, dramas and comedies. Whimsical, joking, fun and funny while retaining class and sophistication. Feel-good and upbeat, playful, vivacious, happy and high-spirited. Instrumental, Classical, Baroque
Relaxing, sublime, and sophisticated, perfect for romance, drama, and historical documentaries. Feel-good romance, lovers reunite and share a touching embrace. Sit back, relax, and unwind - lazy days and summer afternoon naps. Childhood innocence - wonder and amazement, new experiences and curiosity, Instrumental, Classical, Baroque
All's well that ends well - with an air of sophistication, this 60 sec full track makes a great postlude for PBS type program, travel documentary, advertising or commercial production media. Instrumental, Classical, Classical Piano, Johann Sebastian Bach
A bit of confusion in the Pumpkin Patch. Dad says which pumpkin would you like? and a little girl replies "Witch Pumpkin sounds good to me". A comical halloween song. Also available as an instrumental with a campy harpsichord and creepy pipe organ. Childrens Vocals, Horror, Halloween Whimsical
A minstrel's song played by a guitar and flute duo invites you to journey with them back to the Renaissance or Medieval times. This melody of the troubadour expresses longing for his true love to answer the call of his heart. Instrumental, Classical, Renaissance
One of Bach's masterful fugues, beautiful but with a hint of mystery. Perfect for suspenseful scenes; thoughtful, intelligent, complicated situations; has an air of loftiness and intrigue throughout. The harpsichord version of this track sounds more classical, the organ version slower/more ominous. Instrumental, Classical, Harpsichord
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Classical Harpsichord
