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This SP of shattering glass and splintered fragments will shatter your nerves harder than that time you stuck the spoon in the toaster. With 72 tracks of glass bulbs, bottles, and cars crashing and shattering on any type of surface from wood to concrete, you’ll be sure to achieve the effect you need
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This package contains 58 files (WAV, 16-bit, 44.1 khz, stereo) of Snow and Ice material sounds. Scratching in ice, ice grind, snow grind, footsteps on ice, footsteps in snow, ice skate grind, skiing, snowboarding, downhill, ice hockey skating slides and grinds, ice crystals cracking, etc.
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A package of 58 Snow and Ice sounds effects, including ice scraping, ice grind, snow slide, snow scrape, ice cracking, ice break, snowball hit, skiing, snowboarding, winter sports, ice skating, ice skate slide/grinds, ice hockey, ice pick hit, etc. (c) 2008 Lynne Publishing. Package LYN069.
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The glass is pretty good, in the middle I move individual pieces around from left to right and it sounds freaky kinda ghostly, cool stuff for sound design have fun and play it LOUD. The office chair is ok and the rest is basic stuff.
Thanks for Listening,
Tom s
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Collection of 12 tracks of glass crystal ambience sfx, electronic musical sound efects. Acoustic recording, transformed and processed with digital edition tools: pitch, resonance, reverb, etc
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This series consists of one night,one DAT,some odd places and good friend. The stuff was mainly recorded around the railroad tracks but we did try recording some ocean waves which was ok. All The samples where recorded on a Sony pro II with VP88 at 16/44.1 but all mastering was done at 24/48
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Metalhead? You'll enjoy these 28 high quality recorded metal hitting sound effects!!
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This series consists of one night,one DAT,some odd places and good friend. The stuff was mainly recorded around the railroad tracks but we did try recording some ocean waves which was ok. All The samples where recorded on a Sony pro II with VP88 at 16/44.1 but all mastering was done at 24/48
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This series consists of one night,one DAT,some odd places and good friend. The stuff was mainly recorded around the railroad tracks but we did try recording some ocean waves which was ok. All The samples where recorded on a Sony pro II with VP88 at 16/44.1 but all mastering was done at 24/48
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