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HOW TO PLAY HIGHEST TRILLS BRASS - (by Pete Bax)  Year: 2010
Pete Bax Lip Trills: Begin trills in the middle register, approximately C4. Trills should be practiced with a metric acceleration, each section should consist of 2 measures of 4/4 time at 60 bpm. Begin with quarter notes, then 8th notes, 8th note triplets, sixteenth notes. Continue into the highest range. Instrumental, Cartoon, Cartoon Fun Time
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Bed - Cartoon, Cartoon Fun Time  
377745 0:54 Med Fast 143   


Track Summary
Music Track Title: How to Play Highest Trills Brass
Catalog ID: 377745  ISRC: US5UL1002233
Description: Lip Trills: Begin trills in the middle register, approximately C4. Trills should be practiced with a metric acceleration, each section should consist of 2 measures of 4/4 time at 60 bpm. Begin with quarter notes, then 8th notes, 8th note triplets, sixteenth notes. Continue into the highest range.

Social Media Link: http://www.audiosparx.com/sa/archive/Cartoon/Cartoon-Fun-Time-Music/How-to-Play-Highest-Trills-Brass/377745

Artist or Group: Pete Bax

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Keywords: Trombone Brass High Altisimo Trill Altissimo highest how to play pressure your feet not your lips

Music Genre > Sub-genre
    Cartoon Music
       Cartoon Fun Time Music
Extended Properties
  Duration: 0:54   Tempo: Med Fast   BPM: 143
   Arrangement: Band / Ensemble
   Instruments: Drum Kit, Electic Piano, Trombone, Double Bass
   Vocal Mix: Instrumental
   Language:
Moods: Brave, Bright, Celebratory, Fun, Groovy, Gutsy, Hot, Jolly, Lively, Motivational, Rhythmic, Soaring, Stimulating, Street-Smart, Successful, Swinging, Thrilling, Triumphant, Uplifting, Vibrant

Styles: 1940s (Forties), 1950s (Fifties), 1960s (Sixties), 1970s (Seventies), 1980s (Eighties), Dramatic Soundtrack, Film Instrumental, Indie, Soundscape, Western

Extended Keywords: There are several books on trombone technique that provide examples of lip slurs and flexibility studies, but it is important to recognize one's own weaknesses and develop specific exercises to address those weaknesses. A flaw with many exercises is that they tend to progress from one extreme to the other, i. e. very low to very high. It is often easier to begin in the middle of a desired range and then progress upwards and then downwards and back to the original note. A visual aid for this concept is to imagine walking down the aisle of a grocery store. If one walks close to one side or the other, it is easy to take items from the shelf that one is close to and difficult to reach across the aisle. But if one walks down the center of the aisle, one can reach to either side with the same level of exertion.
I have found playing altissimo lip trills it is necessary to use the balls of the feet like a boxer user pressure your feet not your lips.


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