Hymn to the Forsaken

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Hymn to the Forsaken

Home > Music Genre > Electronic Music > Ambient (pending) > Track Summary >

Hymn to the Forsaken
By: Rhett Brewer

Hotel de Ville - other-worldly, atmospheric, introspective tracks recorded at 60 bpm. Perfect for Dramatic scenes, dynamic moments that call for classical instrumentation and gentle beats.

HYMN TO THE FORSAKEN (by Rhett Brewer )

Hotel de Ville - other-worldly, atmospheric, introspective tracks recorded at 60 bpm. Perfect for Dramatic scenes, dynamic moments that call for classical instrumentation and gentle beats. Mixed Vocals, Electronic Music, Ambient (pending)

Type

Play

Track Info

Catalog ID

Min:Sec

Tempo & BPM

Price

Control

Full Track - Electronic, Ambient (pending)

333096

3:44

Med Slow 86

USD $85.95±

Track Summary
Music Track Title: Hymn to the Forsaken
Catalog ID: 333096

Description: Hotel de Ville - other-worldly, atmospheric, introspective tracks recorded at 60 bpm. Perfect for Dramatic scenes, dynamic moments that call for classical instrumentation and gentle beats.

Artist or Group: Rhett Brewer

Keywords: Dramatic, Atmospheric, Moody, Pensive, Introspective, Ethereal, Emotional, Instrumental, Lisa Gerrard, Enya, Goldfrapp, Trip-Hop, Intense, Dynamic, New Age

Music Genre > Sub-genre
Electronic Music
Ambient (pending categorization)

Extended Properties
Duration: 3:44 Tempo: Med Slow BPM: 86

   Arrangement: Band / Ensemble
   Instruments: Bells, Drum Kit, Piano
   Vocal Mix: Mixed Vocals
   Language: Non-Specific

Moods: Abstract, Anticipating, Atmospheric, Beautiful, Calm, Caring, Comforting, Delicate, Dramatic, Dreamy, Easy, Ecstatic, Eerie, Elated, Elegant, Emotional, Enchanted, Hypnotic, Mysterious, Mystical

Styles: Arabic / Islam, Documentary, Dramatic Soundtrack, Fairy Tale, Fantasy, Film Instrumental, Mystery, Romantic Passion, Spa & Relaxation, TV Instrumental

Extended Keywords: Hotel de Ville was released in 2006 and tracks have ben used in 9 films and an advertising campaign for Fernet Branca. All of the tracks share the same 60 bpm base rate, which makes them very easy to edit together into a cohesive score. Instrumental versions also exist as do variations. The album was placed in the top 10 albums that year by KCRW host Tricia Halloran.

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