Ori Vidislavski is an Israeli composer who graduated from the music academy in Tel-Aviv. He has been composing music for films, theatre and dance for over 20 years producing music for 150 different projects including full scores, music for theatre in classical, contemporary and original styles, spanning a number of genres. Ori's education and experience enable him to create classical and jazz or contemporary film/tv music with equal grace and ease.
Historical, waltz rhythm with piano and orchestra. European or Hebrew cultural history. Period 1900-1940 approx. Also nice for silent film. Instrumental, European, France
Acoustic drum'n'relax music with distinctive tribal flavour. Builds slowly from simple and smooth drum groove with occasional men chanting up to dense, almost trance like finale of ethnic flute. With no distinct melody, this works nicely for travel, wide panorama themes, safari or travel montage. Instrumental, Middle East, Algeria
Slowly moving track with a mood of regret and misery, but also of hope. Monotonous harp and disonant ponderous pads in the background with accordion theme repeating its wailing melody. Although the track is hard to categorise, one can find here a slight feel of Middle Eastern, Semitic melody vibe. Instrumental, Middle East, Contemporary Dramatic
A joyful 'farmers wife' type song composed with the meaning of women doing laundry at the river. The track has a world, ethnic feel with perhaps a sense of Eastern Europe or Israel. Female vocal vocalizing (no actual words) sets in at about 50 seconds. Also available as an instrumental version. Female Vocals, Middle East, Israel
Softly played, mysterious underscore with harp and ethnic flute. A feel of the Middle East or North Africa. Exotic, repetitive, pulsating underscore with a slight nerve. Perpaps, Egypt, Sahara or other desert landscape. Mythology, mystery, ancient cultures, far-away places, adventure and discovery. Instrumental, Middle East, Contemporary Dramatic
A solemn female vocal with subtle drones, ethnic percussion and flute. Middle Eastern, North African, Palestinian or other world/ethnic content. Ominous, foreboding. Sorrow, loss, pain or anguish. Sad, emotional, heart-breaking music. Builds in intensity after about 01:45. Female Vocals, Middle East, Middle-East
Ethnic, exotic underscore track featuring Oud, pads, Middle Eastern or North African percussion and soprano sax. Foreboding and ominous, with a nerve. Deep, emotional and serious. Good as underscore for adventure, discovery, exploration, history and mythology. Instrumental, Middle East, Middle-East
Atmospheric, exotic, ethnic track featuring female vocal choir and the middle-eastern, north african plucked string, instrument, Oud. Great for travel, discovery, adventure as well as fantasy and dream worlds. The choir gives it an angelic feel, juxtapositioned against the serious, somewhat ominous, Mixed Vocals, Middle East, Middle-East
A melancholic piece with a slight Eastern European or Hebrew feel. The composition is actually rather complex and goes through various stages, some very mournful and others more hopeful. Features ethnic flutes, ethnic percussion, bells and some soprano sax. Waltz rhythm, emotional melodies and const, Instrumental, Middle East, Israel
Emotional, slightly dreamy, track featuring a small, all female vocal choir with the North African / Middle Eastern plucked instrument Oud and ethnic percussion. Builds in intensity towards the 2-minute mark and features an ethnic flute in the closing section. Can be jewish/Israeli, as well as Middl, Instrumental, Middle East, Contemporary Dramatic
A sorrowful and bittersweet ballad available with Hebrew vocals, or as an instrumental. A summary of the lyrics; a queen is singing her lament and sorrow, what good are all my riches, when I am so sad? The track has a Middle Eastern or Hebrew, Israeli feel and background. Lament, loss, sorrow, regre, Female Vocals, Middle East, Israel
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