Composer, Arranger and Producer Greg Patmore began his musical life in the brass band tradition of NW England, playing, conducting and composing for brass before going to Goldsmith's College, London, to study composition with Edward Gregson, Stanley Glasser and Melanie Daiken. His music has always drawn upon combined influences, traditions and cultures, and he has a true passion for live theatre, having produced scores for many of London’s West End/Fringe productions. Greg also writes and arranges for professional artists, TV and Film.
Greg Patmore's exciting, adventurous James Bond, aka Agent 007, Spy cue, "Secret Service," was just honored as our Editor's Choice Award for August! The track is perfect for action thrillers, espionage films, branding, and tough new product launch. Check it out!
Greg Patmore's sound design projects include the 2009/10 UK and US tour of The African Company Presents Richard III written by Carlyle Brown and directed by Chuck Mike; Grand Slam at Kings Head Theatre, London; the Fear installation at the Urbis Museum, Manchester; public address idents for the 2002 Commonwealth Games; The Diary of Anne Frank; Brassed Off.
Film and TV credits include Rent-a-Mate, Mummy’s Boys, La Patisserie, Antlers of Reason, Secret Agent, The Antique (UK/LA), Another Life (UK/LA), End of the Line. Music for Wigan Pier Theatre Company ‘The Way We Were’, 20th Century Liner (Discovery Channel), A Place by The Sea (Channel 4).
Live Theatre credits include Midsummer Night's Dream, Christopher Luscombe's adaptation of ‘Star Quality' by Noel Coward, the musical ‘Dorothy's Friends', and Martin McDonagh's ‘Beauty Queen of Leenane,' and has always had a true passion for music inspired by theatre. His most acclaimed scores include those produced for London’s West End/Fringe productions including ‘Spring Awakening' at the Courtyard Theatre and ‘The Shadowmaster' at the Kings Head Theatre.
Published works include ‘The Agitator’ for Double Bass
Solo female artist. Slow, haunting and beautiful pop song to reach out to young romance. Great for setting the mood - it's the slow dance at the end of the evening - to bring back fond memories. Piano lead with cello, violin, guitar and drum kit. Female Vocals, Pop, Lilith Fair
Hauntingly beautiful piano music reminiscent of Ludovico Eninaudi & Ennio Morriconi. Contemporary classical with piano blending with oboe into powerful orchestra chorus & lilting vocals at 58 sec. Can be edited to use piano without chorus or both for a great TV theme tune, contemporary folk dance. Mixed Vocals, Pop, Alt Pop
Sound alike of 'Just can't get enough' by Nouvelle Vague. Original by Depeche Mode and sung by The Saturdays. Upbeat sunny song with no lyrics. Light female vocal oooh's and la la la's make this a refreshing little piece enough to quench anyone's thirst. Ideal for TV Commercial advertising. Female Vocals, Pop, Acoustic Pop
Light contemporary rock. Looking back over the years - did you dream of what you wanted to become? Did you achieve your dreams and make it? Did you not listen to your loved one and did she walk out on you? You want her back - you plead for her to come home as you don't want to be alone. Male Vocals, Pop, Pop Ballad
Male solo style about wanting to trust his partner who throws it all back in his face. He wanted to believe in her but she destroyed the relationship. It wasn't what she said but what she did. There is nowhere else to go - he wanted to trust her and wanted all their dreams to turn out real. Male Vocals, Pop, Pop Ballad
80's sound alike of song 'She's a Maniac'. Pure electronic and synthesized disco - think Starsky and Hutch mixed with psychedelic sci fi with a bit of 'Fame' thrown in.'Cheesy pop' with male vocal and leg warmers. Great for comedy disco dance routine or comedy romance. Male Vocals, Pop, 80's Pop
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