Slee is a South Carolina composer who works in several genres, including Dramatic, World, New Age, Pop, Rock, Electronic, and Childrens music. To achieve her compelling sounds, she works with a well-chosen palette of real and virtual instruments, high quality pads and percussion loops. "Spaces West" and "Unsub Hunt" work well for crime, mystery or edgy Spaghetti Westerns. We particularly like the hauntingly beautiful, cinematic "Didn't Get to Maine" and "Gentle Strings," elegant examples of Slee's tranquil guitar tracks, perfect for romantic drama or calm introspection.
Christmas Eve in the crime lab. Gritty, edgy, dark, urban. Life on the mean streets. NYC, Miami, Baltimore, Los Angeles, Detroit, Chicago, Washington DC. CSI crime labs. A menacing vibe to "God Rest Ye Merry, Gentlemen." Synth, percussion, tubular bells. Perfect to sync with crime lab scenes. Instru, Instrumental, Electronic, Electro-Industrial
Brilliant person of Asian / Chinese origin analyzes evidence in high tech CSI crime lab. Or Pacific Rim cop cooly and methodically tracks thugs. Sneaking around Chinatown, bad guys lurking, gang activity. High tech, futuristic, space age sound good for themes about advancing technology, science. Instrumental, Electronic, Robotronica
Machines wiping out humans. Darkness & cold threaten. The world our greed created crushes us to bits. All about the dominance of creepy machinery, Transformers. Creepy crime, nightmare, factory or industrial wasteland. Relentless distorted guitars, chilly keyboards, scary pounding freaky FX. Instrumental, Electronic, Industrial (pending)
Sneaky and mysterious fun- catch me if you can! Shifting tempos, minimal instrumentation with synthesizer and acoustic upright bass. Works for tracking-the- -criminal scenes, hunting someone down. Tongue-in-cheek mystery themes. TV, film, investigative or mystery productions. Instrumental, Electronic, Electro Ambient
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