A perky, traditional-sounding harpsichord creates an authentic tone for this somewhat solemn Christmas carol. Supposedly set to the same tune as "Greensleeves," this song can be traced back to 14th century England. Instrumental, Classical, Harpsichord
Cheerfully performed on a traditional, plucky harpsichord, this catchy tune is also known as "Here We Come A-Wassailing." It's an "Olde English" song full of holiday cheer. Historically a non-religious, secular New Year's song, "Wassail" means to go caroling door-to-door. How fun! Instrumental, Classical, Harpsichord
This harpsichord solo cue has a lovely lilt to it which is ideal for transitions within film or TV. It ends with a mystical electronic chime which gives it a bit of cheeky yet slightly mysterious edge to it. It leaves us wondering whats going to happen next. Instrumental, Classical, Harpsichord
A very regal waltz and lilting solo harpsichord in the style of classical music circa 12th to end 18th century.Great for comedies,slapstick style comedy,king arthur,travel shows,dinner and ceremonies at the royal castle,the imperial guard,internet campaigns,product branding for all sorts of products, Instrumental, Classical, Harpsichord
Meet Bach-meets-Phamtom of the Opera. Creepy, campy harpsichord tune. This tune is perfect for all those wacky comedies and cartoons with a goofy, creepy character, TV commercials and web presentations with a touch of whimsy. Instrumental, Classical, Harpsichord
All's well that ends well - with an air of sophistication, this 60 sec full track makes a great postlude for PBS type program, travel documentary, advertising or commercial production media. Instrumental, Classical, Classical Piano, Johann Sebastian Bach
A bit of confusion in the Pumpkin Patch. Dad says which pumpkin would you like? and a little girl replies "Witch Pumpkin sounds good to me". A comical halloween song. Also available as an instrumental with a campy harpsichord and creepy pipe organ. Childrens Vocals, Horror, Halloween Whimsical
A minstrel's song played by a guitar and flute duo invites you to journey with them back to the Renaissance or Medieval times. This melody of the troubadour expresses longing for his true love to answer the call of his heart. Instrumental, Classical, Renaissance
Bach Preludium in E major, a bright happy melodic instrumental baroque piece. Played in 160 Bpm with a soft approach. Suitable for moment where someone is playing classics on piano or harpsichord. Also perfect for making a baroque mood. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
Disconcerting melodies and a haunting vibe permeate this highly unusual instrumental by Ahmed AlQarawi. Perfect for all film, television and commercial productions seeking the eerily unusual. Instrumental, Classical, Harpsichord
Music in the style of a baroque in modern processing. Can be used to accompany the documentary and other films or to dance bands. Clavecin, harpsichord, piano, violin and rhythm-group. Instrumental, Classical, Harpsichord
The game is afoot! A touch of intrigue and suspense with sophistication of Royalty and High Society. An ebb and flow of a PBS mystery in a 60 second track - piano foreshadows scandal and deception in the Victorian upper class! Instrumental, Dramatic, Contemplative Music
One of the most well known Bach's pieces in a Harpsichord version. Great for ringtones, phone on hold, web presentations, historical period films, commercials for jewellry, perfume, cosmetics, luxury cars, fashion, runway, Royal events, travel. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
This jolly, popular "Olde English" Christmas carol is performed on a bouncy, traditional harpsichord for added "authencity"! This song is about a king who helps a poor peasant man on the Feast of Stephen the second day of Christmas, December 26. Instrumental, Classical, Harpsichord
A plucky harpsichord is featured in this "Olde English" 19th century Christmas carol. This song is associated with the Charles Dickens story (play and film) "A Christmas Carol" about Ebenezer Scrooge and the Ghosts of Christmas Past, Present and Future. Instrumental, Classical, Harpsichord
This traditional 16th century English Christmas carol features a light and peppy harpsichord. The song is about the carolers who sing door-to-door looking for treats like "figgy pudding" and bringing holiday cheer to those who will listen. Instrumental, Classical, Harpsichord
A perky harpsichord brings this traditional favorite to life. This song of French origin celebrates the 12 days after Christmas until Jan. 6, the Feast of Epiphany, also known as "Twelfth Night," made popular by Shakespeare. The challenge of this song is remembering, in order, all of the 12 gifts. Instrumental, Classical, Harpsichord
Need something very traditional-sounding? This is a well-known Welsh Yuletide Christmas carol is performed on a classical harpsichord for authenticity. This delightful Christmas carol has been around since the mid-19th century and is still popular today. Instrumental, Classical, Harpsichord
A simple, joyful harpsichord logo. Perfect for any presentation or website that emphasizes music lessons or classical music history. Instrumental, Classical, Harpsichord
If you were a fan of the "Addams Family" TV show theme, you'll love this piece. Features an eerie old creaky harpsichord and, of course, finger snaps on the full version. Vampires, werewolfs, Halloween and Horror flicks, TV specials, and campy kids shows, opening theme. Spooky funny hilarious! Instrumental, Classical, Harpsichord
Invention II is a solo harpsichord piece reminiscent of JS Bach. Would be a great placement for a Historical film/tv placement or use on a Travel channel production. Instrumental, Classical, Harpsichord
A slow, elegant instrumental Baroque chamber work for solo harpsichord. Poised and graceful, this is a continuo in a traditionally ornate Baroque style. Rich, authentic resonance from a Flemish harpsichord. Instrumental, Classical, Harpsichord
This solo harpsichord piece begins as a sort of minor baroque sounding piece that transforms into a more haunting and aggressive evocation of violent madness. This work is inspired by The Fall of the House of Usher and would be well suited to a project based on the works of Poe or similar setting. Instrumental, Classical, Harpsichord
A gothic waltzer track, grotesque and fabulous waltzer. A bit evil and scary but always magical and intriguing, with a deep sense of motion and anxiety. Available in multiple versions. Instrumentation: Music Box, Glockenspiel, Toy Piano, Piano, Harpsichord, Choir, String quartet. BPM: 60 (180). (Em), Instrumental, Classical, Harpsichord
3 pieces for classical harpsichord. 1st one by Andre Campra (1660-1744) - PASSEPIED in G (1697), 2nd 1:03 RIGAUDONS in B flat (1694) by Henry Desmarets (1662-1741), 3rd one 02:11 MUSETTE in C (1716) by Michel de Monteclair (1666-1737). All tracks are combined into one sound file. Instrumental, Classical, Harpsichord
Prelude No. 3 from Book I of Johann Sebastian Bach's Well-Tempered Clavier, composed in 1722. Atmospheric, energetic, will enhance any film, commercial or transition. Instrumental. Harpsichord solo. Instrumental, Classical, Harpsichord
Joseph Bodin de Boismortier (23 December 1689 – 28 October 1755) was a French baroque composer of instrumental music, cantatas, opéra-ballets, and vocal music. Boismortier was one of the first composers to have no patrons: he made enormous sums of money by publishing his music for sale to the public, Instrumental, Classical, Harpsichord
For solo harpsichord. It was composed between 1725 and 1730 or 1731. Typical of Baroque piano music, this has a lot of notes and a lot of counterpoint. It is fast, upbeat, cheerful, and actually is toe-tapping music. It is played cleanly and with energy. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical piano music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
One of the 2-part inventions by Johann Sebastian Bach. Listen to the mastery of his counterpoint. Any of these inventions would work perfectly for any situation that calls for elegant classical music. They each have their own character, so give them all a listen. Instrumental, Classical, Harpsichord, Johann Sebastian Bach
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Classical Harpsichord
