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LATIN RAGS THE ENTERTAINER - (by Pete Bax)  Year: 2013
Pete Bax I have been challenged by a classical pianist to turn the North American Rags into Latin American Rags and you can chose which you prefer. My first efforts wound up in the bin to get the sound quality I have used the Marimba instead of the piano as it makes the Rags more earthy less refined, better. Instrumental, World Fusion, Latin World Fusion
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Full Track - World Fusion, Latin World Fusion  
573571 2:46 Med Fast 140   


Track Summary
Music Track Title: Latin Rags the Entertainer
Catalog ID: 573571  ISRC: US5UL1304789
Description: I have been challenged by a classical pianist to turn the North American Rags into Latin American Rags and you can chose which you prefer. My first efforts wound up in the bin to get the sound quality I have used the Marimba instead of the piano as it makes the Rags more earthy less refined, better.

Social Media Link: http://www.audiosparx.com/sa/archive/World-Fusion/Latin-World-Fusion/Latin-Rags-the-Entertainer/573571

Artist or Group: Pete Bax

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Keywords: Samba tango Cuba conga bossa nova jazz blues afro-american slaves Brazil South America USA Spain Portugal England dance Africa Caribbean drums parades

Music Genre > Sub-genre
    World Fusion
       Latin World Fusion
Extended Properties
  Duration: 2:46   Tempo: Med Fast   BPM: 140
   Arrangement: Percussion Ensemble
   Instruments: Guitar, Drum Kit, Indigenous Drums, Marimba, Double Bass
   Vocal Mix: Instrumental
   Language:
Moods: Animated, Atmospheric, Bouncy, Brave, Bright, Dancing, Energetic, Festive, Heartening, Heartwarming, Joyful, Lively, Marching, Nostalgic, Pulsating, Retro, Rhythmic, Spirited, Street-Smart, Swinging

Styles: 1920s (Roaring Twenties), African, Afro-American, Carnival Season, Chicano / Urban Latin, Latin Flavor, Mardi Gras, Video Games, World Harmony, Worldbeat

Regions: Africa, Brazil, Caribbean, Cuba, USA

Extended Keywords: Nazareth’s first “tango brazileiro, ” Brejeiro, was written in 1893, six years before Scott Joplin’s first big ragtime hit, the Maple Leaf. What an amazing coincidence that two young pianist/composers, writing at the same time in places as far apart geographically and culturally as Rio de Janeiro and Saint Louis, would write music so much alike. Or was it coincidence? In fact, although thousands of miles apart, Saint Louis and Rio were linked by a well-traveled water route. Goods, people, and, inevitably, musicians traveled up and down the Mississippi, through New Orleans to the Caribbean islands – Cuba in particular – and along the coast of South America to Rio and Buenos Aires and beyond. The Rags of North America became different dances in all Latin Countries more gutsy.

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