Rob Cawley is a talented screenwriter, game designer, and composer based in Dublin, Ireland. Combining disparate genres and instruments with a Cinematic feel, Rob's approach is to evoke emotion and narrative first. His music has been used in high-end TV, film, promos, and in games. Rob also writes and produces film, TV shows, and games, which gives him a unique insight into what directors and producers are looking for when it comes to the appropriate music to accompany and enhance their individual projects.
If Blade Runner had been hunting E. T. what would it have sounded like? Romantic, nostalgic, big and bold and yet with an underlying darkness. Our dystopian future is filled with adventure. Or, maybe our utopian future is not what it seems. You decide. It's big and brassy and slightly synthy... Vocal Pads, Science Fiction, First Contact
Fear and dread but with a hint of wonder. Why do these people insist on going into these creepy places. Curiosity! They just can't help themselves. Low pizzicato basses and creepy chorals. This is the tension before the fright. The introduction to a place of horror. Be afraid. Mixed Vocals, Horror, Horror Edgy
Oooh. It's the season to be jolly. This slightly cheesy (aren't all Christmas tracks supposed to be) features some choral oohing an ahhing, some orchestral builds and lots of warming goodness. Also y'know... tubular bells, sleigh bells and eggnog (no not really - who drinks that stuff anymore?), Vocal Samples, Christmas, Xmas Orch Voc
There's something very scary coming this way. Why aren't you frightened? Oh, you are now. Good. Human voices. Children and adults and ghostly chanting. Rhythms of suspense. This track comes in multiple parts, with builds and scares and jumps. Run away you fool. THEY are going to get you. Childrens Vocals, Horror, Horror Edgy
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