Steve E. Williams is a Los Angeles Film, TV, and Ad composer. His credits include featurettes for Disney/Marvel Ant-Man and WB’s The 33. He’s composed trailers for Arrow, Reign, Elementary, NCIS, Nashville, music for 48 Hours, CBS Sports Spectacular, Discovery, Nat Geo, ESPN, CNN, BBC, and ads for Saab, Mattel, Sears, Levi's, Nokia/Vertu, Nissan, PF Changs, Dr. Phil, and Chevrolet. Steve works with platinum artists and songwriters, has Billboard Top 100 singles, Top 10 club remixes, and was awarded five ADDY and two Communicator Awards.
Steve E. Williams studied Berklee School of Music. His Film/TV credits include: TriStar, NBC's Life, Jeff Probst Show, Investigation Discovery's Deadly Women and Beauty Queen Murders, National Geographic's Dead or Alive, MSNBC's Your Business, BBC's From Harris With Love, Caught Red Handed, Rescue: Code One & Dileab Thormoid (Smile Please), NBC's The Dan Patrick Show, Jeff Probst Show (Survivor), CNN Voices of Auschwitz, AFL Game Day and Today (AU), La Riera & Crackovia (ES), Discovery Civilization, trailers for Tele5 (DE), Lorimar, CBS, and KTLA News. His documentaries include BBC's Trawlermen's Lives and the award-winning WMD, plus music at the Carnegie Science Center.
Steve's advertising clients include PricewaterhouseCoopers, Baskin-Robbins, 20th Century Fox, Prevalin, Lucozade Sport (UK), Mitsubishi, Ryobi, U-Haul, Family Feud, CBS/KNX1070 news themes, and Rick Dees National Weekly Top 40. He has developed music and sound for the exclusive Nokia/Vertu line of cell phones and was part of the music team for SeaWorld and Cypress Gardens theme parks. His remix of "I Don't Want To Sleep Alone" (Mette) was a Top 10 club hit in the US.
Big Hollywood sound: heavy rock guitar invades the orchestra. Iron Man, Die Hard, Mission Impossible, Skyfall. Dramatic driving 8th note strings, large Hits, Swells & breakdowns. Action/Adventure/Chase usage for exhilarating intensity, a sense of the unknown, or approaching trouble. Heavy drum beats, Instrumental, Action, Orchestral Action
Like National Treasure, Mission Impossible, a hot blockbuster theme. Brave, bold, exhilarating Hollywood dramatic orchestral music. Driving 8th note strings, large Hits, Swells, and an Americana, adventurous feel. Builds in intensity. Great for Reality Shows, Sports, News, Docudrama, Trailer, Ads, Instrumental, Action, Orchestral Action
Like Batman-The Dark Knight Rises score starting with booming ambient sweeps then building into a huge industrial drum groove with bass drones. Ends with a Transformer like rising drone. Stops throughout and alternate mixes for editing trailers and cutting to picture. Intense, driving, & pulsating, Instrumental, Action, Intense Electro-Orch
Don't miss this exciting retro '70's, '80's music, similar to Daft Punk Random Access, that breaks out of the same old mold and brings freshness to your project. This track really moves, featuring fast R&B rhythmic guitar, brass, organ, and a distinct bass line that propels the groove forward. Instrumental, RnB, Funk
Metro, looming, dark, edgy drum loops with many percussive accents over bass hits for editing to action and getting attention. Street scenes, Sports, edgy Advertising, Fashion, Transition music for TV production. Use other production elements over this track to build a custom cue for video editing. Instrumental, Action, Thriller Electronic
An intense Sound Designed Soundscape (Alias, 24, Book of Eli, Matrix) ambient effect bed with digitally manipulated atmospheric sounds, watery other-worldly spacial EFX that build over time. Creates a distorted reality. Contains no pitch & can be used under other music like Inception score. Instrumental, Action, Thriller Soundscape
Big High-Fidelity subwoofer pounding digital sound designed 5 sec. swell into a massive metal, drum, & explosive hit. Mastered hot, loud & proud. Ear-Piercing Sonics delivers another winner for Movie Trailers, Film/TV effects, multi-media, animation, sound logos, radio promos, and production. Instrumental, Action, Impending Pending Music
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Steve E. Williams