Colorado composer Les Konley combines acoustic, orchestral, and synthesized elements to create a uniquely cinematic style. He published his first CD of synth-acoustic instrumental music in 2003, and he currently utilizes a 165-track instrument template to create extensively layered arrangements. Les is currently a student with ThinkSpace Education, where he is learning cinematic orchestration under the tutelage of Emmy-Nominated composer Charles Fernandez. As an ASCAP member, he is also being mentored by Emmy Winning composer Ryan Shore.
A peaceful, elegant and thoughtful 30-second queue with delicate piano backing a prominent cello section playing a long melody arc which resolves in a hopeful button ending. Hints of choir risers accent the peak of the build. Instrumental, Corporate, Corporate Piano
Capturing both electronic and acoustic elements, featuring a pumping, dancing synth, a Flamenco guitar, and subtle ambient textures together in a heart-racing, suspenseful rhythm with two builds into release. Instrumental, Corporate, Corp. New Age Electronic
An orchestral hybrid perfect for a 60-second television commercial. A brooding guitar/piano intro crescendos into a powerful transition for an uplifting, bouncy second half with strings, horns, bells and percussion leading to a playful, happy-feeling ending. Instrumental, Corporate, Corporate Orchestral
This song is intended to represent a perfect background track for technical video productions needing a driving beat with rhythmic progressions using electronic and ambient synths. The wide variety of breaks, beats and cuts offers plenty of inspiration for video editors. Instrumental, Corporate, Electronic Progressive
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