Étude Op. 10, No. 1 in C major is a study for solo piano composed by Frédéric Chopin in 1829. It was first published in 1833 as the first piece of his Études Op. 10. This study in reach and arpeggios focuses on stretching the fingers of the right hand. Its harmonies resemble a chorale and its, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 4, in C-sharp minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 as the fourth piece of his Études Op. 10. This passionate study, a very fast Presto con fuoco, features continuous sixteenth notes (semiquavers), in perpetuum mobile, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 5, in G-flat major, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, Germany, and England as the fifth piece of his Études Op. 10. The so-called "Black Key Etude" is one of the most popular. It presents a cascade of ‘pearly’,, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 6, in E-flat minor, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 as the sixth piece of his Études Op. 10. This étude focuses on expressiveness and chromatic structuring of the melody as well as polyphonic texture. The piece has the, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 7, in C major, is a solo piano technical study composed by Frédéric Chopin around 1830 - 1832 and published in 1833. The tempo Vivace indicates a lively playing speed. In order to be melodically pleasing, Étude Op. 10, No. 7 demands a special technique, as the interpretation of its, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 8 in F major is a technical study composed by Frédéric Chopin. It has been nicknamed the "Sunshine" étude. This work is concerned with counterpoint. The principal melody is in the left hand, the secondary being embedded in the arpeggios of the right hand. The main difficulty is, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 11, in E-flat major, is a technical study composed by Frédéric Chopin. It is sometimes given the tiles Arpeggio-Study, and Guitar-Study. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch, Instrumental, Classical, Classical Piano
Étude Op. 10, No. 12 in C minor, known as the Revolutionary Étude or the Étude on the Bombardment of Warsaw, is a solo piano work by Frédéric Chopin written circa 1831, and the last in his first set, Etudes Op.10, dedicated to his friend Franz Liszt. Unlike études of prior periods (works designed to, Instrumental, Classical, Classical Piano
Étude Op. 25, No. 1 in A-flat major is a solo piano work composed by Frédéric Chopin in 1836, and published in 1837. The work consists entirely of rapid arpeggios and harmonic modulations based on A-flat major. Alternatively, it is known as "Aeolian Harp" and "The Shepherd Boy." This étude comprises, Instrumental, Classical, Classical Piano
The Etude in F minor, Op. 25, No. 2, is colored in subtle, pastel shades, but it is also splendidly disturbed, as two different meters – alla breve (expressed through quaver triplets) and 6/4 – meet in each bar. The two meters are wonderfully attuned, though their disturbance remains audible. As if, Instrumental, Classical, Classical Piano
The first movement of Piano Sonata No. 1 in F minor, Op. 2 by Ludwig van Beethoven is entitled Allegro. A tense, agitated feel is ubiquitous throughout the movement. Within the entire movement there are two primary themes: the first theme is driven by an ascending arpeggiated figure and the second, Instrumental, Classical, Classical Piano, Ludwig van Beethoven
The second movement of Piano Sonata No. 1 in F minor, Op. 2 by Ludwig van Beethoven is entitled Adagio. The second movement opens with a highly ornamented lyrical theme followed by a more agitated transitional passage and a return to a more embellished form of the initial theme. Instrumental, Classical, Classical Piano, Ludwig van Beethoven
The third movement of Piano Sonata No. 1 in F minor, Op. 2 by Ludwig van Beethoven is entitled Menuetto. Allegretto – Trio. The minuet is characterized by syncopations, dramatic pauses and sharp dynamic contrast, and like many minor-key minuets has a somewhat melancholy tone spanning major and minor, Instrumental, Classical, Classical Piano, Ludwig van Beethoven
The fourth movement of Piano Sonata No. 1 in F minor, Op. 2 by Ludwig van Beethoven is entitled Prestissimo. The first theme gives the impression of an energetic and frantic pursuit of something elusive. A transitional passage leads to a more lyrical but still agitated theme. Instrumental, Classical, Classical Piano, Ludwig van Beethoven
“Grave – Allegro di molto e con brio” is the first movement of Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique. It has remained one of his most celebrated compositions. The movement consists of three themes, ranging from aggressive and virtuosic to, Instrumental, Classical, Classical Piano, Ludwig van Beethoven
“Adagio cantabile” is the second movement of Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique. It has remained one of his most celebrated compositions. This movement exemplifies the expressive “Adagio” style of many slow movements in the classical, Instrumental, Classical, Classical Piano, Ludwig van Beethoven
“Rondo: Allegro” is the third movement of Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique. It has remained one of his most celebrated compositions. Instrumental, Classical, Classical Piano, Ludwig van Beethoven
“Adagio sostenuto” is the first movement of Ludwig van Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27, commonly known as Moonlight Sonata. The piece is one of Beethoven's most popular compositions for the piano. Instrumental, Classical, Classical Piano, Ludwig van Beethoven
“Allegretto” is the second movement of Ludwig van Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27, commonly known as Moonlight Sonata. The piece is one of Beethoven's most popular compositions for the piano. Instrumental, Classical, Classical Piano, Ludwig van Beethoven
“Presto agitato” is the third movement of Ludwig van Beethoven’s Piano Sonata No. 14 in C-sharp minor, Op. 27, commonly known as Moonlight Sonata. The piece is one of Beethoven's most popular compositions for the piano. Instrumental, Classical, Classical Piano, Ludwig van Beethoven
Fantasia No. 3 in D minor, K. 397/385g (Fantasy in English, Fantasie in German) is a piece of music for solo piano composed by Wolfgang Amadeus Mozart in 1782. Despite being unfinished at Mozart's death, the piece is nonetheless one of his more popular compositions for the piano. Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Andante amoroso E-flat major constitutes the second movement of Wolfgang Amadeus Mozart's Piano Sonata No. 3 in B-flat major, K 281 (189f) (1774). The sonata is one of the most virtuosic pieces Mozart ever composed, written during the visit Mozart paid to Munich for the production of La finta, Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Menuetto. Trio constitutes the second movement of Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331 (300i), most likely composed in Vienna or Salzburg around 1783. The second movement of the sonata is a standard minuet and trio movement in A major. The minuet is 40 measures long, and, Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Rondo alla turca constitutes the last (third) movement of Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K. 331 (300i), most likely composed in Vienna or Salzburg around 1783. The last movement, "Alla turca," popularly known as the "Turkish March," is often heard on its own and is one of, Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Allegro constitutes the first movement of Wolfgang Amadeus Mozart's Piano Sonata No. 16 in C major, K. 545, described by Mozart himself in his own thematic catalogue as "for beginners." The sonata is sometimes known by the nickname Sonata facile or Sonata semplice. The first movement is written in, Instrumental, Classical, Classical Piano, Wolfgang Amadeus Mozart
Claude Debussy’s “Pour l’égyptienne” (“For the Egyptian Women”) belongs to “Six épigraphes antiques” (“Six Antique Epigraphs”), a suite of six pieces for piano duo. Much of the music is taken from the musical accompaniments he had written for his friend Pierre Louÿs’s erotic lesbian poems “Les, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “La fille aux cheveux de lin” (“The Girl with the Flaxen Hair”) is the eighth piece in the composer’s first book of “Préludes.” The piece, known for its musical simplicity reminiscent of a pastoral folk-like tune, is one of the most recorded pieces of Debussy’s, both in its original, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Prélude” constitutes the first movement of his famous piano suite “Suite bergamasque.” In the key of F and marked tempo rubato, it is full of dynamic contrasts with a vigorous beginning and ending. It is a festive piece, which holds much of the Baroque style that is commonly found, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Menuet” constitutes the second movement of his famous piano suite “Suite bergamasque.” In A minor, its playful main theme contrasts with an alternatively mysterious and dramatic middle section. The piece is particularly original, as it does not conform to the particular style that, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Clair de lune” (“Moonlight”) constitutes the third and most famous movement of his popular piano suite “Suite bergamasque.” In D flat major and marked “andante très expressif,” it is played mostly pianissimo. Musically, Debussy’s “Clair de lune” belongs to French Impressionism. Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Passepied” (a type of dance which originated in Brittany) constitutes the final movement of his famous piano suite “Suite bergamasque.” In F sharp minor and marked “allegretto ma non troppo,” it is a happy, strangely medieval, piece, which is surprisingly faster than its Baroque, Instrumental, Classical, Classical Piano, Claude Debussy
Claude Debussy’s “Ballade slave” (“Slavic Ballad”) is a piece for the solo piano that rests on a single theme and the repetition of its basic motifs. It is tangibly Russian in character, constructed around the principles of variation technique. Despite its Russian flavor, the piece contains a clear, Instrumental, Classical, Classical Piano, Claude Debussy
Ballade No. 1 in G minor, Op. 23, composed in 1831 during Frédéric Chopin's early years in Vienna, was a reflection about his loneliness in the city far away from home, where a war was happening against the Russian Empire's oppression. Once finished, it wasn't published until his move to Paris,, Instrumental, Classical, Classical Piano
Ballade No. 2 in F major, Op. 38, was composed from 1836 to 1839 in Nohant, France and on the Spanish island of Majorca. Robert Schumann, who had dedicated his Kreisleriana, Op. 16, to Frédéric Chopin, received the dedication of this Ballade in return. There is some degree of disagreement as to its, Instrumental, Classical, Classical Piano
Ballade No. 3 in A-flat major, Op. 47, dating from 1841, is dedicated to Pauline de Noailles. The inspiration for this Ballade is usually claimed to be Adam Mickiewicz's poem Undinė, but sometimes reported to be Mickiewicz's Świtezianka; There are structural similarities with the "Raindrop Prelude" Instrumental, Classical, Classical Piano
Ballade No. 4 in F minor, Op. 52, was composed in 1842 in Paris and Nohant and revised in 1843. The work was dedicated to Baroness Rothschild, wife of Nathaniel de Rothschild, who had invited Frédéric Chopin to play in her Parisian residence, where she introduced him to the aristocracy and nobility. Instrumental, Classical, Classical Piano
The Barcarole in F-sharp major, Op. 60 is a grand, expansive work from the late period in the oeuvre of Frédéric Chopin. Written in the years 1845-46, it was published in 1846. Chopin refers in this work to the convention of the barcarola - a song of the Venetian gondoliers which inspired many, Instrumental, Classical, Classical Piano
The Fantasy in F minor, Op. 49 was completed and published in 1841. It is one of the pinnacles of Frédéric Chopin's creative art. Generally regarded as a masterpiece, it has received a number of brilliant pianistic interpretations. It is a work that has fascinated successive generations of listeners, Instrumental, Classical, Classical Piano
The Impromptu No. 3 in G-flat major, Op. 51 was composed in 1842 and published in 1843. It carries within it something of the atmosphere of Frédéric Chopin’s salon – an exceptional salon, not conventional and snobbish, but as poetic as it is elegant, transporting its denizens into another dimension. Instrumental, Classical, Classical Piano
Frédéric Chopin's Fantaisie-Impromptu in C-sharp minor, Op. posth. 66, is a solo piano composition. It was composed in 1834 and dedicated to Julian Fontana, who published the piece despite Chopin's request not to do so. These are the closing arpeggios of the middle section, reminiscent of a wistful, Instrumental, Classical, Classical Piano
The F sharp minor became one of Chopin’s best loved mazurkas. This is the first theme of the mazurka that dominates the whole of this lyrical-dance miniature with a character of a rhythmically capricious and melodically refined folk tune. Instrumental, Classical, Classical Piano
The B flat major Mazurka has the form of a rondo. The refrain, of unconventional design, thrusts its way upwards, swinging and swaggering, before falling back down in a delicate scherzando. The Mazurka is one of the few that could be danced; indeed, it seems to pull the listener up onto the, Instrumental, Classical, Classical Piano
A dramatic instrumental track in the genres of cinematic and indie-rock, expansive and powerful in mood, well-suited for visual scenarios imbued with heroic overcoming of larger-than-life obstacles, existential courage, triumphant patience, strong resolute character. Instrumental, Indie Rock, Alt Rock
A dramatic instrumental track in the genres of alternative and hard rock, intense and threatening in mood, well-suited for visual scenarios imbued with a daunting sense of overwhelming challenge, the dark forces of destiny, extreme natural disasters, the heroic, yet tragic efforts to overcome, Instrumental, Indie Rock, Alt Rock
A cheerful instrumental track in the genre of corporate pop-rock, energetic, yet lyrical in mood, well-suited for visual scenarios imbued with joy, playfulness, fun, happiness. Instrumental, Country, Country Rock
A sensitive instrumental track in the genres of country and pop-rock, hopeful and reflective in mood, well-suited for visual scenarios imbued with innocence, benevolence, love and care coupled with a strong sense of justice and fairness. Instrumental, Country, Country Rock
A romantic instrumental track in the genre of corporate pop-rock, fond and affectionate in mood, well-suited for visual scenarios imbued with inspiration, relaxation, calm mellow idyllic moods. Instrumental, Country, Country Pop
An aggressive instrumental track in the genre of alternative rock, wild and raging in mood, well-suited for visual scenarios imbued with stamina, fury, extreme risk-taking, raw show of alpha male dominant power. Instrumental, Rock, Hard Rock
A furious instrumental track in the genres of punk and hard rock, raw and aggressive in mood, well-suited for visual scenarios imbued with violence, heavy power, massive unleash of ferocious energy. Instrumental, Rock, Hard Rock
A vivacious instrumental track in the genre of corporate pop-rock, optimistic and playful in mood, well-suited for visual scenarios imbued with energy, motivation, positive thinking, enjoyment of life, happy preoccupation and business. Instrumental, Indie Rock, Punk
