Composed in 1935. The reed trio ensemble became popular in the early twentieth century. In part the popularity of the reed trio was due to the formation of the Trio d’anches de Paris (Paris Reed Trio). The blend of the oboe, clarinet and bassoon became popular with twenty century composers. Instrumental, Classical, 20th Century
The tambourin is a Provençal dance accompanied by lively duple meter music. In this version the the bassoon is the downbeat that propels the group. The oboe is the playful melody on top and the clarinet a melodic motif that adds to the overall interest of the piece. Instrumental, Classical, 20th Century
Fernende Decruck French women composer born in 1896. Her more popular works are for saxophone. Although Capriccio is a lesser known work, it is a charming piece. Playful and a bit mischievous in the way the eighth notes weave their way through the oboe, clarinet and bassoon. Instrumental, Classical, 20th Century
The Sarabande is stately counrt dance form from the 17th and 18th in a slow triple meter with the accent on the second beat. The oboe starts the melody to be answered by the bassoon, the clarinet not to be left out, it makes it contribution to the on going dialogue of this beautiful music, Instrumental, Classical, 20th Century
A peaceful, serene and spacious piece for oboe, clarinet and bassoon. Perfect for relaxing and tranquil moments. Just wistful enough to also accompany memories, looking back on life, a sepia-tinged retrospective of a time or place. A versatile track that seems to imply mood of any visual scene. Instrumental, Classical, 20th Century
Mozart’s, the Five Divertimenti K.229 Anh/439b languish in obscurity. They were composed sometime between 1783 and 1785. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Mozart’s Five Divertimenti K.229 Anh/439b languish in obscurity. They were composed sometime between 1783 and 1785. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Mozart’s Five Divertimenti K.229 Anh/439b languish in obscurity. They were composed sometime between 1783 and 1785. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Mozart’s Five Divertimenti K.229 Anh/439b languish in obscurity. They were composed sometime between 1783 and 1785. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Mozart’s Five Divertimenti K.229 Anh/439b languish in obscurity. They were composed sometime between 1783 and 1785. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Mozart’s Five Divertimenti K.229 Anh/439b languish in obscurity. They were composed sometime between 1783 and 1785. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Mozart’s Five Divertimenti K.229 Anh/439b languish in obscurity. They were composed sometime between 1783 and 1785. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Mozart’s Five Divertimenti K.229 Anh/439b languish in obscurity. They were composed sometime between 1783 and 1785. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Trio for oboe, violin and harp. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar pick-up, The French court adapted the bourrée, like many such dances, for the purposes of concerts, Instrumental, Classical, Classical, George Frideric Handel
Inspired by the music of G. F. Handel I composed this Trio, for oboe, violin and harp. In the Baroque style of the gavotte. The trio is in double time and often has a dactylic rhythm. The phrases start with a quarter-bar pick-up, The gavotte can also be compared with the rigaudon and the bourrée. Instrumental, Classical, Baroque
Solo acoustic fingerstyle guitar. Played very smooth and peaceful. A poignant, thoughtful, nostalgic, emotional and comforting track for good underscore, introspective mood, personal and intimate feelings. Perfect for relaxation, spa & wellness, music healing, easy listening. Instrumental, Classical, Classical Guitar
An uplifting classical piece featuring a bright and intricate 8-string acoustic guitar solo. Perfect for Renaissance and Old World settings. Instrumental, Classical, Classical Guitar
Gentle Pop/Orchestral piece featuring piano, harp, french horn and strings. Perfect underscore for advertising, TV intros and outros, radio VO's and corporate videos. Instrumental, Classical, Classical
Wonderful solo piano track that captures the beauty of a fast waltz. Classical European sounding gallop. Sounds like a court dance from the movie Pride and Prejudice. Magical and fun. Instrumental, Classical, Classical Piano
Piano with a string trio in a yearning, emotional transition piece composed for a production of Harold Pinter's "Betrayed" Instrumental, Classical, 20th Century
A sad, poignant arrangement for string ensemble. Intimate, gentle and melancholic, this music suggests loss, grief, solace, affection, sympathy, and resolution. A very slow-paced work that is ideally suited for serious subjects. Instrumental, Classical, Baroque
The beginning of the grand ball at the palace. All royalty in attendance, while valets wait with carriages at the entrance. A Grand entrance, featuring beautiful gowns. Instrumental, Classical, Romantic
A restless and intriguing minimalist fusion track for string quartet and drumkit in the style of Steive Reich and Phillip Glass that would work well for documentaries, dramas, commercials and scenes involing science, culture, technology, society and business. Instrumental, Classical, 20th Century
Sweeping Drama. An ever changing dramatic orchestra & insistent synthesizer line give this piece an anachronistic feel, being timeless & contemporary at once. Suggested uses are modern films covering topics like Ballet, War & Magic. Like the feel? Then try David's other version with an epic choir. Instrumental, Classical, 21st Century
The current trend for using well known classical music for film and advertising shows no sign of stopping. You too can instantly add class and sophistication to your production by choosing a well loved classic such as this stirring piece that is sure to move your audience. EMOTIONAL STRINGS. Instrumental, Classical, Romantic, Gustav Mahler
A romantic and sweet Christmas ballad with lyrics singing about coming home for Christmas. This track is part of a collection of tracks which includes various edits and mixes, including full, instrumental, 60 second, 30 second, 15 second and a short stinger, all to make your life easier when creatin, Instrumental, Classical, Classical Electronic
A short, minimal string and woodwind arrangement in a classic chamber music style. Regal & majestic, fit for royalty, kings & queens, PBS Specials, cultural themes for TV like Charles Kurault or museum exhibits. Elegant sophisticated background music for upscale product lines and period pieces. Instrumental, Classical, Classical
A simple, reflective, and dramatic track featuring pizzicato violin, viola, cello, bass, string section, shakers, tambourine, and percussion. Universal underscore vibe works well with many types of media, including drama, romance, comedy, reality, and documentary pieces. Also great for advertising. Instrumental, Classical, Renaissance
Piano and Cello piece tells the story of a lost love or broken heart but also the strength to carry on. A Melancholy Cello Accompanied by a roaming Piano. Perfect for picking up the pieces of a broken Heart, Lost in a Dream, Guilty Pleasures, or anything needing a Sophisticated High Brow feel. Instrumental, Classical, 21st Century
A Classical String Quartet that is Fun and Lighthearted yet Classy and Sophisticated. Would be perfect for anything Jane Austen or Period RomComs. Also nice for Slapstick and Sweet Highbrow Shenanigans not to mention Frolicking Cute Animals or Mischievous Children. Instrumental, Classical, 21st Century
Mozart styled brisk, uplifting traditional piano with muted chamber ensemble strings background for sophisticated, traditional, elitist moments. Easy, seamless looping for happy game play. Instrumental, Classical, Classical
Very simple, airy and spacious piano piece consisting of minimal melodic theme interspersed with chords, drenched in deep reverb. Gentle and beautiful. Evokes trust, reassurance, care, well-being and contenment. For child, beauty, care, insurance and finance product commericials & romantic scenes. Instrumental, Classical, Classical Piano
