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Dvořák said "I found that the music of the negroes and of the Indians was practically identical". Obviously he had no idea about rhythm. The complexities of African Rhythm's is beyond most classical musicians. I have tried to get a true American feel. Keywords: new world USA guitar classic symphony melody tune harmony composition song arrangement rhythm time pulse sequence goin home In a 2008 article in the Chronicle of Higher Education, prominent musicologist Joseph Horowitz asserts that African-american spirituals were a major influence on the 9th symphony, quoting Dvorák from an 1893 interview in the New York Herald as saying, "In the negro melodies of America I discover all that is needed for a great and noble school of music."
It has been claimed that the theme from the Largo was adapted into a spiritual-like song "Goin' Home", by composer Harry Burleigh who borrowed it from the Negroes.
Despite all this, it is generally considered that, like other Dvorák pieces, the work has more in common with folk music of his native Bohemia than with that of the United States. Leonard Bernstein said that the work was truly multinational in its foundations.
I think like many composers Dvorak and most Europeans, can't even clap their hands in time.
Flamenco dancers are the exception.
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Keywords:New World USA, royalty-free song, corporate music, royalty free music library, commercial music, stock music, royalty-free stock music, music library, royalty free music, music for tv, royalty-free music, television music, commercial stock music, film music, world music, website music, royalty free audio, royalty free music loops, music for video, royalty free sounds, stock music downloads, independent music, music wav, company music, music licensing, download stock music, stock music tracks, download music, music loops, royalty free sound, piano music download royalty free, blyth stock music, audio stock, new world USA guitar classic symphony melody tune harmony composition song arrangement rhythm time pulse sequence goin home In a 2008 article in the Chronicle of Higher Education, prominent musicologist Joseph Horowitz asserts that African-american spirituals were a major influence on the 9th symphony, quoting Dvorák from an 1893 interview in the New York Herald as saying, "In the negro melodies of America I discover all that is needed for a great and noble school of music"
It has been claimed that the theme from the Largo was adapted into a spiritual-like song "Goin' Home", by composer Harry Burleigh who borrowed it from the Negroes
Despite all this, it is generally considered that, like other Dvorák pieces, the work has more in common with folk music of his native Bohemia than with that of the United States Leonard Bernstein said that the work was truly multinational in its foundations
I think like many composers Dvorak and most Europeans, can't even clap their hands in time
Flamenco dancers are the exception
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