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Top 100 Classical Vocal Music Tracks
Take a listen here to the top 100 Classical Vocal tracks at AudioSparx! The tracks below feature both
veterans and new emerging vocalists as well as amazing choirs from around the world. From Opera,
Traditional and Romantic, to Neo-Classical, Modern and Avant Garde Classical music, this music is
both soaring and sublime and, for many tracks, timeless and world-reknown.
An aria from the final act of Turandot, by Puccini. Warm and sophisticated Italian tenor vocal, in the style of Pavarotti. Male Vocals, Classical Music, Classical Opera, Giacomo Puccini
Bortnyansky/1751-1825/ was, in his day, the most famous composer in the Russian Empire and was named the "Russian Mozart"-ironic as he was born in Glukhovo of Ukraine. He studied in Italy and based his music on national traditions and European musical technique, connecting the features of the baroqu, A Capella, Classical Music, Classical Choral
The Vespers have been praised as Rachmaninoff's finest achievement It was one of his two favorite compositions and the composer requested that one of its movements be sung at his funeral. When in 1915 Rachmaninoff had turned to the church music, he was living through a hard period of his life... Mixed Vocals, Classical Music, Classical Choral, Sergei Rachmaninoff
The Flower Duet from the opera Lakme. This is the most familiar music from the opera because of its use in advertisements. Classical, Stirring, Vocals, Rousing, Majestic, and Touching. Magnificent, heartwarming and romantic. Female Vocals, Classical Music, Classical Opera, Leo Delibes
Gregorian chant punctuated by an occasional bell. great for a church scene, like a confessional dialog. Although this track is not a loop it is easily loopable, by cutting the last phrase off and cross-fading with the beginning. A Capella, Classical Music, Medieval Period
MOZART'S INCOMPARABLE REQUIEM the Lacrimosa section. Want a well known and passionately loved piece of Mozart's musical heritage for your production? The orchestra starts quietly and builds with the choir to a climax + BONUS of a little bit of free film score at the end to use as you wish, enjoy. Mixed Vocals, Classical Music, Classical Choral, Wolfgang Amadeus Mozart
From Puccini's opera, Gianni Schicchi, in which the soprano begs her Babbo (Daddy) to let her marry her boyfriend. If not, she will throw herself in the river. NOTE: Licensable for commercial use in US only, until 2040. Female Vocals, Classical Music, Classical Opera, Giacomo Puccini
Originally written for castrato voice, this sorrowful romantic aria full of regret and pity got new radiance in Origen's rendition. "Let me weep over my cruel fate and that I long for freedom!". This is one of the best example of classical crossover. Female Vocals, Classical Music, Classical Opera, George Frideric Handel
The chant begins with original church bells sound of Kiev Pechersk Monastery Bell tower. The Washington Post wrote: ".. choir has only 20 singers, but what singers they are - big, marvelously focused voices, the kind that might easily hold their own on the opera stage. A Capella, Classical Music, Classical Choral, Sergei Rachmaninoff
Beautiful, well-known Italian aria from Puccino's opera Gianni Schicchi. Performed by soprano, harp and acoustic bass. Sung in Italian, the singer is begging her father for permission to marry the man she loves. Imagine an afternoon on the Italian Riviera! Licensable in US only, until 2040. Female Vocals, Classical Music, Classical Opera, Giacomo Puccini
Symphonic orchestral opera with full Italian vocals. After an epic, fast and intricate opening, this leads into the popular theme. Bold, brilliant, exciting, and ultra dramatic! Wonderful, rousing and memorable. Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
Pavane is a slow processional dance common in Europe during the 16th century. This orchestral work & chorale ebbs and flows from a series of harmonic and melodic climaxes invoking a haunting elegance. A heavenly choir & lyrics present a lighthearted fare perfect for romance or historic documentary. Mixed Vocals, Classical Music, Romantic Period, Gabriel Faure
Chanting monks and angelic spiritual healing choir. The holy sacred temple of life singing heavenly choral vocals of peaceful & tranquil light in church. Religious wonders, blessings from religious healers and priests, a wondrous spiritual angel prayer to God in heaven from the monastery cathedral. Mixed Vocals, Classical Music, Classical Choral
A large composition, consisting of many moods, for full orchestra and male choir. Haunting Gregorian male choruses at the beginning, two medieval sounding variations on a theme leading to large climaxes in the middle. Suitable for epic fantasy, RPG videogames, historic pieces, religious epics... Male Vocals, Classical Music, Medieval Period
This fourth movement was rearranged into what is known as the offical anthem of the European Union (Ode to Joy). This is a vocal section of the full track. Mixed Vocals, Classical Music, Romantic Period, Ludwig van Beethoven
Beautiful rendition of classic aria! !! Rich and evocative! !! Featuring piano and gorgeous female voice. Ideal for soundtracks, television, film scores, websites, advertising, and more. In the form of habanera, there is a famous aria from the opera Carmen by Georges Bizet. See multiple variations! Female Vocals, Classical Music, Classical Opera, Georges Bizet
Opera music from Traviata. Bold and dramatic, grand glorious and marching. Verdi Opera at it's finest. Beautiful regal and moving. Mixed Vocals, Classical Music, Classical Opera, Giuseppe Verdi
Carmen's famous mezzo-soprano aria with piano accompaniment. Here is a simple yet enticing rendition of the famous seduction aria. The voice is pure and ringing. Use this to increase the sexual tension in your film. Female Vocals, Classical Music, Romantic Period, Georges Bizet
Familiar piece bounces along with light combined with more powerful sections of male and female soloists and choruses. The Drinking Song from La Traviata, Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
"The Bishop"'s long version. Starts with a gregorian chant punctuated by an occasional bell. great for a church scene, like a confessional dialog. Then it blossoms into a full mixed choir and regal orchestra, with pizzicato basses and cellos, ideal score for the entrance of a king or a queen. Mixed Vocals, Classical Music, Medieval Period
Aria from Barber of Seville, used in many movies and cartoons, including a classic starring Bugs Bunny and Elmer Fudd. Associated with the familiar cry "Figaro, Figaro, Figaro." Male Vocals, Classical Music, Romantic Period, Gioacchino Rossini
Up-Tempo: Creating a unique atmosphere, this vocal fugue evokes a dignified, yet slightly festive ambience as beautifully smooth lines alternate with staccato passages. A Capella, Classical Music, Classical Miscellaneous
From Shakespeare’s “The tempest”, this catchy little tune has brilliant lyrics which capture the charm of living right in the heart of mother nature herself. Performed with female vocal and theorbo. Perfect for CD compilations, ad campaigns for natural products. Female Vocals, Classical Music, Renaissance Period
Elegant operatic waltz with flute, orchestra and female vocal. Flamenco tinged piece as element of Spain surfaces, Female Vocals, Classical Music, Classical Opera, Georges Bizet
Duettino, or a short duet, from Mozart's opera The Marriage of Figaro, to a libretto by Lorenzo Da Ponte. In the duettino, Countess Almaviva (a soprano) dictates to Susanna (also a soprano) the invitation to a tryst addressed to the countess' husband in a plot to expose his infidelity. Female Vocals, Classical Music, Classical Opera, Wolfgang Amadeus Mozart
Haunting musical soundtrack with dynamic, piano solo with the mermaid passionately bemoaning in melody the sadness of a life at sea and achingly lonely. For scenes of sadness, loss, futility, sad farewells or ominous discoveries about life or a loved one. Female Vocals, Classical Music, Classical Miscellaneous
Italian Romantic Pop/Opera Performed by Gabriele Previtera, Grand Melody, Elegant Full Symphony Orchestra. Full Of Sweet and Powerful Moments, The Promise Of Love. Dramatic, passionate, emotional, beautiful, tender and gentle. Everlasting love & devotion. Epic romance, TV, Film soundtrack or credits, Male Vocals, Classical Music, 21st Century
Bathed in 16th Century Minstrel music with harpsichord, glockenspiel, lier and harp, the male vocals sing a Fairy Tale story of a guy who meets the love of his life in a recurring nightly dream, only to have to leave each time to return to reality. Sweet and loving. Great for medieval productions. Male Vocals, Classical Music, Baroque Period
Schubert never composed the song Ave Maria. Originally it was "Ellens dritter Gesang" (Ellen's third song) with lyrics from Walter Scott's poem The Lady of the Lake. The first part of the song is traditional Ave Maria and the second part is original Schubert song "Ellens dritter Gesang" on German, Female Vocals, Classical Music, Romantic Period, Franz Schubert
Poem, voice-overs, Contemporary modern Opera chamber music soprano singer, cello and electronic. Relaxed atmosphere evocative, intimate and nostalgic.
children choirs, children lullabies, Mixed Vocals, Classical Music, Classical Opera
Mezzo-soprano with piano accompaniment. Melancholy lullaby, with the rocking feel of the ocean as the boats sail away. Sung in the original French. This is a haunting song of longing as the singer feels the impending departure of her beloved. The waves of the ocean can be heard as the melody rises. Female Vocals, Classical Music, 20th Century, Gabriel Faure
Beautiful rendition of this Italian classic by Friedrich von Flotow, from the opera "Marta", sung by Italian tenor Beniamino Giggli in 1923. Flow and warm, elegant and inviting, this track will warm your heart and light a passionate fire in your soul. Male Vocals, Classical Music, Classical Opera
Beautiful chant by Russian church composer Pavel Chesnokov /1888-1944/. He was a devout follower of the Russian Orthodox Church and was inspired to write most of his works for worship in that faith. Great vocals, interesting style, unusual music. Solid Performance Of Female Voices That Work Together, Female Vocals, Classical Music, 20th Century
An ethereal soprano and real acoustic piano in a church setting. Sung in Latin. A gentle and caring requiem after the death of his father, and then mother 2 years later. Beautiful and soaring. Great for any church or wake scene involving family or friends. Female Vocals, Classical Music, Classical Opera, Gabriel Faure
Dramatic soundtrack for the big screen. Full orchestra with brass section and dynamic choral phrases contribute to a powerful result, suitable for dramatic, energetic, powerful or battle and crusade scenes. Mixed Vocals, Classical Music, Classical Opera
A particularly demanding aria (The vengeance of Hell boils in my heart), referred to as Queen of the Night aria. It reaches a high F6, very rare in opera. Female Vocals, Classical Music, Classical Period, Wolfgang Amadeus Mozart
Nabucco established Verdi's reputation as a composer. This follows the plight of the Jews as they were assaulted and exiled from their homeland by King Nabucco, Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
Rousing and well known Anvil or Gypsy Chorus from Il Trovatore, depicts Spanish gypsies striking their anvils at dawn and singing the praises of hard work, good wine and gypsy women. Mixed Vocals, Classical Music, Classical Opera, Giuseppe Verdi
Soaring rendition of Italian Art Song with female vocal, featuring piano. This passionate and romantic classic is ideal for soundtracks, film scores, commercials, television, websites, and more. Female Vocals, Classical Music, Classical Opera, Christoph Willibald Gluck
Messiah is an oratorio by Handel based on a libretto by Charles Jennens. Composed in 1741 and premiered in Dublin in 1742, Messiah is Handel's most famous creation and is among the most popular works in Western choral literature. Comfort Ye is a serene orchestral track with male vocal. Male Vocals, Classical Music, Baroque Period, George Frideric Handel
Classic art song from 1877 by Arthur Sullivan, composed for his brother shortly before his death, sung by Caruso in 1912 at the Metropolitan Opera House as part of a benefit for victims of the Titanic disaster. This version features Paul Bezanson on vocals, and Suz Doyle on piano, strings, organ. Male Vocals, Classical Music, Classical Opera
The fourth movement of Faures Requiem. Pie Jesu is the title given to musical settings of the final couplet or the Dies Irae, a part of the Requiem Mass. Female Vocals, Classical Music, Romantic Period, Gabriel Faure
Carmen's famous aria with piano accompaniment. Carefree, swinging, lovely vocal building to high note at the end. A drinking song! The nineteenth century version of "come, let's have a drink!" a French Drinking Song! Female Vocals, Classical Music, Romantic Period, Georges Bizet
