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Top 100 Classical Vocal Music Tracks
Take a listen here to the top 100 Classical Vocal tracks at AudioSparx! The tracks below feature both veterans and new emerging vocalists as well as amazing choirs from around the world. From Opera, Traditional and Romantic, to Neo-Classical, Modern and Avant Garde Classical music, this music is both soaring and sublime and, for many tracks, timeless and world-reknown.

Top 100 Vocal Tracks by Genre
All Vocals | Indie Rock | Pop | R&B | Rock | Jazz | Classical | World | Country

TURANDOT - NESSUN DORMA [PUCCINI]   (by RFCM Symphony Orchestra )
An aria from the final act of Turandot, by Puccini. Warm and sophisticated Italian tenor vocal, in the style of Pavarotti. Male Vocals, Classical Music, Opera, Giacomo Puccini
MESSIAH PART III NO. 53B. AMEN [HANDEL]   (by RFCM Symphony Orchestra )  Composed: 1741
Glorious chorale vocal with symphony orchestra, Mixed Vocals, Classical Music, Baroque Period, George Frideric Handel
MESSIAH PART II NO. 27. ALL THEY THAT SEE HIM [HANDEL]   (by RFCM Symphony Orchestra )  Composed: 1741
Deep and passionate male tenor vocal with rousing symphony orchestra, Male Vocals, Classical Music, Baroque Period, George Frideric Handel
MISERERE MEI [ALLEGRI]   (by RFCM Symphony Orchestra )  Composed: 1620
Haunting almost Gregorian a capella choral piece with men and boys singing this hymn set to Psalms 50 and 51, Male Vocals, Classical Music, Renaissance Period, Gregorio Allegri
THE BISHOP   (by Tempero )  Composed: 2004
Gregorian chant punctuated by an occasional bell. great for a church scene, like a confessional dialog. Although this track is not a loop it is easily loopable, by cutting the last phrase off and cross-fading with the beginning. A Capella, Classical Music, Medieval Period
FLOWER DUET (FROM LAKME), FULL VERSION [DELIBES]   (by RFCM Symphony Orchestra )  Composed: 1882
The Flower Duet from the opera Lakme. This is the most familiar music from the opera because of its use in advertisements. Classical, Stirring, Vocals, Rousing, Majestic, and Touching. Magnificent, heartwarming and romantic. Female Vocals, Classical Music, Opera, Leo Delibes
O MIO BABBINO CARO   (by Donna Marie )  Composed: 1918
Beautiful, well-known Italian aria from Puccino's opera Gianni Schicchi. Performed by soprano, harp and acoustic bass. Sung in Italian, the singer is begging her father for permission to marry the man she loves. Imagine an afternoon on the Italian Riviera! Female Vocals, Classical Music, Opera, Giacomo Puccini
SYMPHONY #9 4TH MOVEMENT   (by RFCM Symphony Orchestra )  Composed: 1824
This fourth movement was rearranged into what is known as the offical anthem of the European Union. (Ode to Joy), Mixed Vocals, Classical Music, Romantic Period, Ludwig van Beethoven
MADAME BUTTERFLY - ONE FINE DAY [PUCCINI]   (by RFCM Symphony Orchestra )  Composed: 1903
Female aria from Act 2 of Madame Butterfly, Female Vocals, Classical Music, Opera, Giacomo Puccini
O MIO BABBINO CARO [PUCCINI]   (by RFCM Symphony Orchestra )  Composed: 1920
From Puccini's opera, Gianni Schicchi, in which the soprano begs her Babbo (Daddy) to let her marry her boyfriend. If not, she will throw herself in the river. Female Vocals, Classical Music, Opera, Giacomo Puccini
ADDIO NEL PASSATO   (by Thames Symphony Orchestra )
Opera music from Traviata, Female Vocals, Classical Music, Opera, Giuseppe Verdi
EPIC FANTASY   (by Matthew Reid )  Composed: 2009
A large composition, consisting of many moods, for full orchestra and male choir. Haunting Gregorian male choruses at the beginning, two medieval sounding variations on a theme leading to large climaxes in the middle. Suitable for epic fantasy, RPG videogames, historic pieces, religious epics... Male Vocals, Classical Music, Medieval Period
REQUIEM - IN PARADISUM [FAURE]   (by RFCM Symphony Orchestra )
The seventh and last movement of Faure's Requiem, Mixed Vocals, Classical Music, 20th Century, Gabriel Faure
ZADOK THE PRIEST   (by Apollo Symphony Orchestra )
A soft introduction builds to a choir in full voice. Joyful celebration. Mixed Vocals, Classical Music, Baroque Period, George Frideric Handel
ALLELULIAH EXULTATE JUBILATE [MOZART]   (by RFCM Symphony Orchestra )  Composed: 1773
Bouncy and joyful orchestral with operatic female alto, Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
HABANERA (FROM CARMEN)   (by Regina Smoler )  Composed: 1875
Beautiful rendition of classic aria!!! Rich and evocative!!! Female Vocals, Classical Music, Opera, Georges Bizet
FLOWER DUET (FROM LAKME), SHORT VERSION [DELIBES]   (by RFCM Symphony Orchestra )  Composed: 1882
Short version of Flower Duet from Lakme, beautiful soprano, Female Vocals, Classical Music, Romantic Period, Leo Delibes
UN DI FELICE ETEREA   (by Thames Symphony Orchestra )
Opera music from Traviata, Mixed Vocals, Classical Music, Opera, Giuseppe Verdi
O SOAVE FANCIULLA   (by Thames Symphony Orchestra )
Classical music from Boheme, Mixed Vocals, Classical Music, Opera, Giacomo Puccini
LA TRAVIATA BRINDISI [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1853
Brindisi, the opening scene from La Taviata is a sparkling duet and chorus. Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
NOI SIAMO ZINGARELLE   (by Thames Symphony Orchestra )
Opera music from Traviata. Bold and dramatic, grand glorious and marching. Verdi Opera at it's finest. Beautiful regal and moving. Mixed Vocals, Classical Music, Opera, Giuseppe Verdi
DON GIOVANNI - LA CI DAREM LA MANO [MOZART]   (by RFCM Symphony Orchestra )  Composed: 1787
Seductive duet when Don Giovanno and Zerlina are together, Mixed Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
HABANERA   (by Wendy Mullen )  Composed: 1875
Carmen's famous mezzo-soprano aria with piano accompaniment. Here is a simple yet enticing rendition of the famous seduction aria. The voice is pure and ringing. Use this to increase the sexual tension in your film. Female Vocals, Classical Music, Romantic Period, Georges Bizet
HALLELULIAH CHORUS [HANDEL]   (by RFCM Symphony Orchestra )  Composed: 1741
The famous chorus from Handel, sung at Christmas, Mixed Vocals, Classical Music, Baroque Period, George Frideric Handel
LA BOHEME MUSETTAS WALTZ [PUCCINI]   (by RFCM Symphony Orchestra )  Composed: 1896
Well known aria from La Boheme, operatic soparano in Musetta's Waltz, Female Vocals, Classical Music, Opera, Giacomo Puccini
VOICE REDO--SOFT FEMALE OPERA   (by Dewey Dellay )
Elegant opera beauty inspiring atmosphere, Female Vocals, Classical Music, Opera
COSI FAN TUTTE - SOAVE SIA IL VENTO [MOZART]   (by RFCM Symphony Orchestra )  Composed: 1789
"Women are like that" Mixed chorus with soprano lead from Opera Cosi, Mixed Vocals, Classical Music, Classical Period, Wolfgang Amadeus Mozart
THE BISHOP AND THE KING   (by Tempero )  Composed: 2004
"The Bishop"'s long version. Starts with a gregorian chant punctuated by an occasional bell. great for a church scene, like a confessional dialog. Then it blossoms into a full mixed choir and regal orchestra, with pizzicato basses and cellos, ideal score for the entrance of a king or a queen. Mixed Vocals, Classical Music, Medieval Period
SOLDIER'S CHORUS (IL TROVATORE) [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1853
A bold start to this piece, it then features a soloist before calming towards the end. Male Vocals, Classical Music, Romantic Period, Giuseppe Verdi
LA TRAVIATA - BRINDISI [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1853
Familiar piece bounces along with light combined with more powerful sections of male and female soloists and choruses. The Drinking Song from La Traviata, Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
HABANERA (FROM CARMEN) [BIZET]   (by RFCM Symphony Orchestra )  Composed: 1874
From opera Carmen, dramatic pouncing orchestral, with operatic female vocal, classic opera, Female Vocals, Classical Music, Romantic Period, Georges Bizet
SYMPHONY #9 4TH MOVEMENT ODE TO JOY   (by RFCM Symphony Orchestra )  Composed: 1824
This fourth movement was rearranged into what is known as the offical anthem of the European Union (Ode to Joy). This is a vocal section of the full track. Mixed Vocals, Classical Music, Romantic Period, Ludwig van Beethoven
ANVIL CHORUS (IL TROVATORE) [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1853
Symphonic orchestral opera with full Italian vocals. After a fast and intricate opening, this leads into the popular theme. Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
CLASSICAL VOICES 3:02   (by The Music Bakery )
Up-Tempo: Creating a unique atmosphere, this vocal fugue evokes a dignified, yet slightly festive ambience as beautifully smooth lines alternate with staccato passages. A Capella, Classical Music, Classical Miscellaneous
FOR UNTO US A CHILD IS BORN (FROM THE MESSIAH)   (by Apollo Symphony Orchestra )
Cheerful and thankful from Handel's Messiah. Mixed Vocals, Classical Music, Baroque Period, George Frideric Handel
AVE MARIA (HARP, VIOLIN AND CHOIR)   (by Darren W. Chamberlain )
Harp, Violin, Strings & Choir, Mixed Vocals, Classical Music, Romantic Period, Franz Schubert
E LUCEVAN LE STELLE (FROM TOSCA)   (by Apollo Symphony Orchestra )
A subdued tenor solo in this moving work from Puccini's opera Tosca. Male Vocals, Classical Music, Romantic Period, Giacomo Puccini
RECONDITA ARMONIA (FROM TOSCA)   (by Apollo Symphony Orchestra )
A song of love from the opera Tosca performed by a male tenor voice. Male Vocals, Classical Music, Romantic Period, Giacomo Puccini
EERIE OPERA   (by Dan Radlauer )  Composed: 2003
Mystery Opera, Female Vocals, Classical Music, Opera
AIDA CELESTE AIDA [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1871
Celeste Aida (Radiant Aida) from Aida. Strong male vocals with orchestra professing love for Aida, Male Vocals, Classical Music, Romantic Period, Giuseppe Verdi
FANTASY (ORCHESTRAL WITH DARK CHOIR)   (by Dynamedion GbR )  Composed: 2005
Sounds like Danny Elfman, beautiful dark orchestral ensemble, Mixed Vocals, Classical Music, 20th Century
MUSETTA'S WALTZ (FROM LA BOHEME)   (by Apollo Symphony Orchestra )
A famous melody features a solo soprano with a calm orchestral background. Female Vocals, Classical Music, Opera, Giacomo Puccini
WHERE THE BEE SUCKS   (by Amy Elizabeth Wheeler / Jaroslaw Lipski )  Composed: 1600
From Shakespeare’s “The tempest”, this catchy little tune has brilliant lyrics which capture the charm of living right in the heart of mother nature herself. Performed with female vocal and theorbo. Perfect for CD compilations, ad campaigns for natural products. Female Vocals, Classical Music, Renaissance Period
RIGOLETTO - LA DONNA E MOBILE [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1851
The aria La donna e mobile, full of elegant ease and striking in rhythm, from Rigoletto, by Verdi, Male Vocals, Classical Music, Romantic Period, Giuseppe Verdi
AND HE SHALL PURIFY (FROM THE MESSIAH)   (by Apollo Symphony Orchestra )
Fast and intricate choral work from Handel's Messiah. Mixed Vocals, Classical Music, Baroque Period, George Frideric Handel
HARD BY A CRYSTAL FOUNTAIN   (by Darren W. Chamberlain )
Angelic cathedral choir, Mixed Vocals, Classical Music, Renaissance Period
LARGO AL FACTOTUM [ROSSINI]   (by RFCM Symphony Orchestra )  Composed: 1816
Aria from Barber of Seville, used in many movies and cartoons. Male Vocals, Classical Music, Romantic Period, Gioacchino Rossini
MADAME BUTTERFLY - HUMMING CHORUS [PUCCINI]   (by RFCM Symphony Orchestra )  Composed: 1903
Long orchestral passage with choral humming--the humming chorus--as the actors in the opera fall asleep. Mixed Vocals, Classical Music, Romantic Period, Giacomo Puccini
ANVIL CHORUS (FROM IL TROVATORE)   (by Apollo Symphony Orchestra )
After a fast and intricate opening, this leads into the popular theme. Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
SEGUIDILLA (FROM CARMEN) [BIZET]   (by RFCM Symphony Orchestra )  Composed: 1874
Elegant operatic waltz with flute, orchestra and female vocal. Flamenco tinged piece as element of Spain surfaces, Female Vocals, Classical Music, Opera, Georges Bizet
DIES IRAE [VERDI'S REQUIEM]   (by David C. Hëwitt )  Composed: 1900
This is instantly recognizable ... A scary, ominous & famous choir cue! Big drums and thrilling strings add to the power in this piece, if you need to scare your audience then look no further. Great for a blockbuster trailer and regularly heard on shows like the 'X Factor' this is THE requiem. Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
SULL'ARIA ... CHE SOAVE ZEFFIRETTO   (by RFCM Symphony Orchestra )  Composed: 1786
Duettino, or a short duet, from Mozart's opera The Marriage of Figaro, to a libretto by Lorenzo Da Ponte. In the duettino, Countess Almaviva (a soprano) dictates to Susanna (also a soprano) the invitation to a tryst addressed to the countess' husband in a plot to expose his infidelity. Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
RADLAUERS REQUIEM   (by Dan Radlauer )  Composed: 2003
Classical Requiem, Mixed Vocals, Classical Music, Renaissance Period
MERMAIDS ONLY SING IN MINOR KEYS   (by Robson dos Santos )  Composed: 2002
Haunting musical soundtrack with dynamic, piano solo with the mermaid passionately bemoaning in melody the sadness of a life at sea and achingly lonely. For scenes of sadness, loss, futility, sad farewells or ominous discoveries about life or a loved one. Female Vocals, Classical Music, Classical Miscellaneous
THE BARBER OF SEVILLE OUVERTURE [VOCAL VERSION]   (by Caneline Concept )  Composed: 2009
A vocal adaptation of Rossini's "The Barber of Seville" ouverture. A Capella, Classical Music, Opera, Gioacchino Rossini
PEDER OG LITEN KIRSTEN   (by Bartok Music )
Medieval Norwegian music, Female Vocals, Classical Music, Medieval Period
VILLEMANN OG MAGNHILD   (by Bartok Music )
Medieval Norwegian music, Mixed Vocals, Classical Music, Medieval Period
LA PROMESSA ( THE PROMISE)   (by Max DiCarlo )  Composed: 2008
Italian Romantic Pop/Opera Performed by Gabriele Previtera, Grand Melody, Elegant Full Symphony Orchestra. Full Of Sweet and Powerful Moments, The Promise Of Love. Dramatic, passionate, emotional, beautiful, tender and gentle. Everlasting love & devotion. Epic romance, TV, Film soundtrack or credits, Male Vocals, Classical Music, 21st Century
MISLAID HEAVEN--FEMALE ANGST   (by Dewey Dellay )
Cinematic orchestra, Female Vocals, Classical Music, 20th Century
REFLECTS OF SLEEP WATER   (by Juan Pablo Zaragoza )  Composed: 2009
Poem, voice-overs, Contemporary modern Opera chamber music soprano singer, cello and electronic. Relaxed atmosphere evocative, intimate and nostalgic. children choirs, children lullabies, Mixed Vocals, Classical Music, Opera
FAIRY TALE BALL (VOCAL VERSION)   (by Theodore Frederickson )  Composed: 2010
Bathed in 16th Century Minstrel music with harpsichord, glockenspiel, lier and harp, the male vocals sing a Fairy Tale story of a guy who meets the love of his life in a recurring nightly dream, only to have to leave each time to return to reality. Sweet and loving. Great for medieval productions. Male Vocals, Classical Music, Baroque Period
SULL'ARIA ... CHE SOAVE ZEFFIRETTO (SLOW VERSION)   (by RFCM Symphony Orchestra )  Composed: 1786
Duettino, or a short duet, from Mozart's opera The Marriage of Figaro, to a libretto by Lorenzo Da Ponte. In the duettino, Countess Almaviva (a soprano) dictates to Susanna (also a soprano) the invitation to a tryst addressed to the countess' husband in a plot to expose his infidelity. Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
MAGIC FLUTE - QUEEN OF THE NIGHT ARIA [MOZART]   (by RFCM Symphony Orchestra )  Composed: 1791
A particularly demanding aria (The vengeance of Hell boils in my heart), referred to as Queen of the Night aria. It reaches a high F6, very rare in opera. Female Vocals, Classical Music, Classical Period, Wolfgang Amadeus Mozart
SLEEPERS AWAKE [BACH]   (by RFCM Symphony Orchestra )  Composed: 1731
Lutheran Hymn compose by Bach in 1731. A noted chorale cantata commonly performed in churches on the 26th Sunday after Pentecost. Male Vocals, Classical Music, Baroque Period, Johann Sebastian Bach
NABUCCO - CHORUS OF THE HEBREW SLAVES [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1841
Nabucco established Verdi's reputation as a composer. This follows the plight of the Jews as they were assaulted and exiled from their homeland by King Nabucco, Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
HEROIC (ORCHESTRAL WITH DARK CHOIR)   (by Dynamedion GbR )  Composed: 2005
Majestic dark orchestral, Mixed Vocals, Classical Music, 20th Century
IL TROVATORE - ANVIL CHORUS [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1853
Rousing and well known Anvil or Gypsy Chorus from Il Trovatore, depicts Spanish gypsies striking their anvils at dawn and singing the praises of hard work, good wine and gypsy women. Mixed Vocals, Classical Music, Opera, Giuseppe Verdi
FIGARO - VOI CHE SAPETE [MOZART]   (by RFCM Symphony Orchestra )
Female Italian opera, with bouncy whimsical orchestration, longing and a bit anguished, Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
TORREADOR (FROM CARMEN) [BIZET]   (by RFCM Symphony Orchestra )  Composed: 1874
From French opera Carmen, Soaring full-orchestra brassy opera track with male vocal and chorus, Mixed Vocals, Classical Music, Opera, Georges Bizet
COSI FAN TUTTE - ARIA DESPINA [MOZART]   (by RFCM Symphony Orchestra )  Composed: 1789
Aria from Despina, the maid in Act 1 of Cosi fan tutte. Soprano vocals, Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
BIST DU BEI MIR   (by Henrik Skanfors )
"Bist du bei mir" by J.S Bach / Gottfried Heinrich Stölzel Organ, strings and vocals (german lyrics), Male Vocals, Classical Music, Baroque Period, Johann Sebastian Bach
THE PEARL FISHERS   (by RFCM Symphony Orchestra )  Composed: 1863
Melancholy French opera, male vocals, Male Vocals, Classical Music, Opera, Georges Bizet
DON GIOVANNI CATALOGUE ARIA [MOZART]   (by RFCM Symphony Orchestra )  Composed: 1787
The catalog of Giovannis lovers from his travels, Male Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
ZADOK THE PRIEST [HANDEL]   (by RFCM Symphony Orchestra )  Composed: 1727
Symphonic orchestral choral. Soft intro builds to a choir in full voice. Joyful celebration. Mixed Vocals, Classical Music, Baroque Period, George Frideric Handel
COMFORT YE (FROM MESSIAH) [HANDEL]   (by RFCM Symphony Orchestra )  Composed: 1741
Messiah is an oratorio by Handel based on a libretto by Charles Jennens. Composed in 1741 and premiered in Dublin in 1742, Messiah is Handel's most famous creation and is among the most popular works in Western choral literature. Comfort Ye is a serene orchestral track with male vocal. Male Vocals, Classical Music, Baroque Period, George Frideric Handel
O SACRED HEAD SORE WOUNDED - BACH   (by RFCM Symphony Orchestra )  Composed: 1600
Symphonic orchestral choral, famous hymn sung here in German, also known as the Passion Chorale 7676D, Mixed Vocals, Classical Music, Baroque Period, Johann Sebastian Bach
FIGARO - PORGI AMOR [MOZART]   (by RFCM Symphony Orchestra )
Elegant female Italian opera, orchestral with serious, serene yet warm strings, brass and winds, Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
O DEL MIO DOLCE ADOR   (by Regina Smoler )
Soaring rendition of Italian Art Song with female vocal, Female Vocals, Classical Music, Opera, Christoph Willibald Gluck
RODELINDA VIVI TIRANNO [HANDEL]   (by RFCM Symphony Orchestra )  Composed: 1725
This aria is from Handel's opera Rodelinda, performed 1725, Female Vocals, Classical Music, Baroque Period, George Frideric Handel
AVE MARIA   (by Bree Noble )
Beautiful, soaring vocal version of this classic used for movies, commercials, weddings & funerals, Female Vocals, Classical Music, Baroque Period, Johann Sebastian Bach
THE LOST CHORD   (by Suzannah Doyle )  Composed: 2008
Classic art song from 1877 by Arthur Sullivan, composed for his brother shortly before his death, sung by Caruso in 1912 at the Metropolitan Opera House as part of a benefit for victims of the Titanic disaster. This version features Paul Bezanson on vocals, and Suz Doyle on piano, strings, organ. Male Vocals, Classical Music, Opera
PAVANE [FAURE]   (by RFCM Symphony Orchestra )  Composed: 1887
The Pavane is a slow processional dance common in Europe during the 16th century. This orchestral work and chorale ebbs and flows from a series of harmonic and melodic climaxes invoking a haunting elegance, Mixed Vocals, Classical Music, 20th Century, Gabriel Faure
MAGIC FLUTE - DUET OF PAMINA AND PAPAGENO [MOZART]   (by RFCM Symphony Orchestra )  Composed: 1791
Duet from Magic Flute, Mixed Vocals, Classical Music, Classical Period, Wolfgang Amadeus Mozart
REQUIEM - AGNUS DEI [FAURE]   (by RFCM Symphony Orchestra )
The beautiful Agnus Dei from Gabriel Faure's requiem, Mixed Vocals, Classical Music, 20th Century, Gabriel Faure
NABUCCO - GLI ARREDI FESTIVI [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1842
Dynamic orchestral music with full operatic chorus, Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
REQUIEM - PIE JESU [FAURE]   (by RFCM Symphony Orchestra )  Composed: 1888
The fourth movement of Faures Requiem. Pie Jesu is the title given to musical settings of the final couplet or the Dies Irae, a part of the Requiem Mass. Female Vocals, Classical Music, Romantic Period, Gabriel Faure
SHEPHERD'S FAREWELL [BERLIOZ]   (by RFCM Symphony Orchestra )  Composed: 1849
The centerpiece of the Childhood of Christ, this passage signifies the farewell to the Holy Family by the Shepherds. Gentle chorus, Mixed Vocals, Classical Music, Romantic Period, Hector Berlioz
DER FREISCHUTZ-HUNTSMANS CHORUS [VON WEBER]   (by RFCM Symphony Orchestra )  Composed: 1821
Chorus of the Huntsmans from Der Freischutz male chorus, Male Vocals, Classical Music, Romantic Period, Carl Maria von Weber
SOLDIER'S CHORUS (FROM FAUST) [GOUNOD]   (by RFCM Symphony Orchestra )  Composed: 1858
From the opera, in five acts. A chorus of students and soldiers and villagers sing a drinking song. Male Vocals, Classical Music, Romantic Period, Charles Gounod
COSI FAN TUTTE (ACT 2) DUET DORABELLA FIORDILIGI [MOZART]   (by RFCM Symphony Orchestra )
Act 2 from Cosi fan Tutte, the duet Dorabella Fiordiligi, Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
SAMSON LET THE BRIGHT SERAPHIM [HANDEL]   (by RFCM Symphony Orchestra )  Composed: 1742
This Oratorio along with The Messiah, was to form the staple of twelve performances at Covent Garden in London during the Lent season. It was revised adding several themes. The finale was reworked to add the ending of the opera with the joyful trumpet aria. Female Vocals, Classical Music, Baroque Period, George Frideric Handel
AND THE GLORY OF THE LORD (FROM THE MESSIAH)   (by Apollo Symphony Orchestra )
Light and bouncy, almost pompous from Handel's Messiah. Mixed Vocals, Classical Music, Baroque Period, George Frideric Handel
SEGUIDILLA   (by Wendy Mullen )  Composed: 1875
Carmen's famous aria with piano accompaniment. Carefree, swinging, lovely vocal building to high note at the end. A drinking song! The nineteenth century version of "come, let's have a drink!" a French Drinking Song! Female Vocals, Classical Music, Romantic Period, Georges Bizet
A BRITISH TAR   (by Thames Symphony Orchestra )
Opera music from HMS Pinafore, Male Vocals, Classical Music, Opera, Gillbert and Sullivan
HALLELULIAH CHORUS (FROM THE MESSIAH) [HANDEL]   (by RFCM Symphony Orchestra )  Composed: 1741
From Messiah, Handels most famous work, this is the most famous part of that creation. Full chorus, majestic and rousing, Mixed Vocals, Classical Music, Baroque Period, George Frideric Handel
MARQUEES, MATINEES AND MARIONETTES   (by Leland Thomas Faegre )  Composed: 2004
As the title and production suggests, this composition is an aural gift of nostalgia, and reminiscent of what a child would find entertaining. Orchestrally exciting with tympani and triangle, the puppets almost walk off on their own... Female Vocals, Classical Music, 21st Century
DIE FLEDERMAUS (CZARDAS) [STRAUSS]   (by RFCM Symphony Orchestra )  Composed: 1874
"Sounds from home" during a ball, strong female vocals, Female Vocals, Classical Music, Romantic Period, Johann II Strauss
SICILIAN VESPERS BOLERO [VERDI]   (by RFCM Symphony Orchestra )  Composed: 1855
Verdi's opera for the Paris Opera, Bolero Act 5, Soprano with orchestra, Female Vocals, Classical Music, Romantic Period, Giuseppe Verdi
NABUCCO CHORUS OF THE HEBREW SLAVES [VERDI]   (by RFCM Symphony Orchestra )
The Hebrew slaves thanking God for saving their people. Dynamic and bold chorus. Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
COSI FAN TUTTE (ACT 1) DUET DORABELLA FIORDILIGI [MOZART]   (by RFCM Symphony Orchestra )  Composed: 1789
Duet between Dorabella and Fiordiligi, in Act 2 of Cosi fan tutte, Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart



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