Take a listen here to the top 100 Classical Vocal tracks at AudioSparx! The tracks below feature both
veterans and new emerging vocalists as well as amazing choirs from around the world. From Opera,
Traditional and Romantic, to Neo-Classical, Modern and Avant Garde Classical music, this music is
both soaring and sublime and, for many tracks, timeless and world-reknown.
An aria from the final act of Turandot, by Puccini. Warm and sophisticated Italian tenor vocal, in the style of Pavarotti. Male Vocals, Classical Music, Opera, Giacomo Puccini
Gregorian chant punctuated by an occasional bell. great for a church scene, like a confessional dialog. Although this track is not a loop it is easily loopable, by cutting the last phrase off and cross-fading with the beginning. A Capella, Classical Music, Medieval Period
The Flower Duet from the opera Lakme. This is the most familiar music from the opera because of its use in advertisements. Classical, Stirring, Vocals, Rousing, Majestic, and Touching. Magnificent, heartwarming and romantic. Female Vocals, Classical Music, Opera, Leo Delibes
Beautiful, well-known Italian aria from Puccino's opera Gianni Schicchi. Performed by soprano, harp and acoustic bass. Sung in Italian, the singer is begging her father for permission to marry the man she loves. Imagine an afternoon on the Italian Riviera! Female Vocals, Classical Music, Opera, Giacomo Puccini
From Puccini's opera, Gianni Schicchi, in which the soprano begs her Babbo (Daddy) to let her marry her boyfriend. If not, she will throw herself in the river. Female Vocals, Classical Music, Opera, Giacomo Puccini
A large composition, consisting of many moods, for full orchestra and male choir. Haunting Gregorian male choruses at the beginning, two medieval sounding variations on a theme leading to large climaxes in the middle. Suitable for epic fantasy, RPG videogames, historic pieces, religious epics... Male Vocals, Classical Music, Medieval Period
Opera music from Traviata. Bold and dramatic, grand glorious and marching. Verdi Opera at it's finest. Beautiful regal and moving. Mixed Vocals, Classical Music, Opera, Giuseppe Verdi
Carmen's famous mezzo-soprano aria with piano accompaniment. Here is a simple yet enticing rendition of the famous seduction aria. The voice is pure and ringing. Use this to increase the sexual tension in your film. Female Vocals, Classical Music, Romantic Period, Georges Bizet
"The Bishop"'s long version. Starts with a gregorian chant punctuated by an occasional bell. great for a church scene, like a confessional dialog. Then it blossoms into a full mixed choir and regal orchestra, with pizzicato basses and cellos, ideal score for the entrance of a king or a queen. Mixed Vocals, Classical Music, Medieval Period
Familiar piece bounces along with light combined with more powerful sections of male and female soloists and choruses. The Drinking Song from La Traviata, Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
This fourth movement was rearranged into what is known as the offical anthem of the European Union (Ode to Joy). This is a vocal section of the full track. Mixed Vocals, Classical Music, Romantic Period, Ludwig van Beethoven
Symphonic orchestral opera with full Italian vocals. After a fast and intricate opening, this leads into the popular theme. Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
Up-Tempo: Creating a unique atmosphere, this vocal fugue evokes a dignified, yet slightly festive ambience as beautifully smooth lines alternate with staccato passages. A Capella, Classical Music, Classical Miscellaneous
From Shakespeare’s “The tempest”, this catchy little tune has brilliant lyrics which capture the charm of living right in the heart of mother nature herself. Performed with female vocal and theorbo. Perfect for CD compilations, ad campaigns for natural products. Female Vocals, Classical Music, Renaissance Period
Elegant operatic waltz with flute, orchestra and female vocal. Flamenco tinged piece as element of Spain surfaces, Female Vocals, Classical Music, Opera, Georges Bizet
This is instantly recognizable ... A scary, ominous & famous choir cue!
Big drums and thrilling strings add to the power in this piece, if you need to scare your audience then look no further. Great for a blockbuster trailer and regularly heard on shows like the 'X Factor' this is THE requiem. Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
Duettino, or a short duet, from Mozart's opera The Marriage of Figaro, to a libretto by Lorenzo Da Ponte. In the duettino, Countess Almaviva (a soprano) dictates to Susanna (also a soprano) the invitation to a tryst addressed to the countess' husband in a plot to expose his infidelity. Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
Haunting musical soundtrack with dynamic, piano solo with the mermaid passionately bemoaning in melody the sadness of a life at sea and achingly lonely. For scenes of sadness, loss, futility, sad farewells or ominous discoveries about life or a loved one. Female Vocals, Classical Music, Classical Miscellaneous
Italian Romantic Pop/Opera Performed by Gabriele Previtera, Grand Melody, Elegant Full Symphony Orchestra. Full Of Sweet and Powerful Moments, The Promise Of Love. Dramatic, passionate, emotional, beautiful, tender and gentle. Everlasting love & devotion. Epic romance, TV, Film soundtrack or credits, Male Vocals, Classical Music, 21st Century
Poem, voice-overs, Contemporary modern Opera chamber music soprano singer, cello and electronic. Relaxed atmosphere evocative, intimate and nostalgic.
children choirs, children lullabies, Mixed Vocals, Classical Music, Opera
Bathed in 16th Century Minstrel music with harpsichord, glockenspiel, lier and harp, the male vocals sing a Fairy Tale story of a guy who meets the love of his life in a recurring nightly dream, only to have to leave each time to return to reality. Sweet and loving. Great for medieval productions. Male Vocals, Classical Music, Baroque Period
Duettino, or a short duet, from Mozart's opera The Marriage of Figaro, to a libretto by Lorenzo Da Ponte. In the duettino, Countess Almaviva (a soprano) dictates to Susanna (also a soprano) the invitation to a tryst addressed to the countess' husband in a plot to expose his infidelity. Female Vocals, Classical Music, Opera, Wolfgang Amadeus Mozart
A particularly demanding aria (The vengeance of Hell boils in my heart), referred to as Queen of the Night aria. It reaches a high F6, very rare in opera. Female Vocals, Classical Music, Classical Period, Wolfgang Amadeus Mozart
Nabucco established Verdi's reputation as a composer. This follows the plight of the Jews as they were assaulted and exiled from their homeland by King Nabucco, Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
Rousing and well known Anvil or Gypsy Chorus from Il Trovatore, depicts Spanish gypsies striking their anvils at dawn and singing the praises of hard work, good wine and gypsy women. Mixed Vocals, Classical Music, Opera, Giuseppe Verdi
Messiah is an oratorio by Handel based on a libretto by Charles Jennens. Composed in 1741 and premiered in Dublin in 1742, Messiah is Handel's most famous creation and is among the most popular works in Western choral literature. Comfort Ye is a serene orchestral track with male vocal. Male Vocals, Classical Music, Baroque Period, George Frideric Handel
Classic art song from 1877 by Arthur Sullivan, composed for his brother shortly before his death, sung by Caruso in 1912 at the Metropolitan Opera House as part of a benefit for victims of the Titanic disaster. This version features Paul Bezanson on vocals, and Suz Doyle on piano, strings, organ. Male Vocals, Classical Music, Opera
The Pavane is a slow processional dance common in Europe during the 16th century. This orchestral work and chorale ebbs and flows from a series of harmonic and melodic climaxes invoking a haunting elegance, Mixed Vocals, Classical Music, 20th Century, Gabriel Faure
The fourth movement of Faures Requiem. Pie Jesu is the title given to musical settings of the final couplet or the Dies Irae, a part of the Requiem Mass. Female Vocals, Classical Music, Romantic Period, Gabriel Faure
The centerpiece of the Childhood of Christ, this passage signifies the farewell to the Holy Family by the Shepherds. Gentle chorus, Mixed Vocals, Classical Music, Romantic Period, Hector Berlioz
This Oratorio along with The Messiah, was to form the staple of twelve performances at Covent Garden in London during the Lent season. It was revised adding several themes. The finale was reworked to add the ending of the opera with the joyful trumpet aria. Female Vocals, Classical Music, Baroque Period, George Frideric Handel
Carmen's famous aria with piano accompaniment. Carefree, swinging, lovely vocal building to high note at the end. A drinking song! The nineteenth century version of "come, let's have a drink!" a French Drinking Song! Female Vocals, Classical Music, Romantic Period, Georges Bizet
As the title and production suggests, this composition is an aural gift of nostalgia, and reminiscent of what a child would find entertaining. Orchestrally exciting with tympani and triangle, the puppets almost walk off on their own... Female Vocals, Classical Music, 21st Century