Leland Thomas Faegre
NOVUS ORDO SECLORUM
By: Leland Thomas Faegre
Catalog ID: 233981   Duration: 6:12   Tempo: Medium   BPM: 120   Vocal: Instrumental
Genre: Dangerous Music | Danger, hazard and threatening music
Social Media Link: http://www.audiosparx.com/sa/archive/Dangerous/Dangerous-Music/Novus-Ordo-Seclorum/233981
Subtitled, The Orwellian Overture [the translation from Latin meaning 'new order of the ages'], the production for Novus Ordo Seclorum was necessarily experimental and subject to much trial and error in the course of three months and 56 tracks. Its mood seeks to reflect a serious interpretation o   Keywords: New World Order War Tyranny Terror Big Brother Apocalypse Armageddon Revolution Unrest Chaos Anarchy



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NOVUS ORDO SECLORUM - (by Leland Thomas Faegre)  Year: 1981
Leland Thomas Faegre Subtitled, The Orwellian Overture [the translation from Latin meaning 'new order of the ages'], the production for Novus Ordo Seclorum was necessarily experimental and subject to much trial and error in the course of three months and 56 tracks. Its mood seeks to reflect a serious interpretation o, Instrumental, Dangerous, Dangerous Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
18 Mixes Available
233981 6:12 Medium 120   




Long Description: Novus Ordo Seclorum, Dangerous Music, Dangerous Music, music for videos, royalty free music library and royalty free audio

Keywords: Description: Subtitled, The Orwellian Overture [the translation from Latin meaning 'new order of the ages'], the production for Novus Ordo Seclorum was necessarily experimental and subject to much trial and error in the course of three months and 56 tracks. Its mood seeks to reflect a serious interpretation of our post 9/11 world and the threat from an increasingly Leviathan, nanny-state encroachment upon our civil liberties; in addition to the obvious external threat of terror. Your papers please! Story Behind the Music: I seem to remember writing this as a more serious composition in response to Paul McCartney's '1985' from his 'Band on the Run' album. Although written several years after 'Band on the Run' was released, I quite liked his take on an Orwellian theme. This came to me as a piano track, although I knew that electric guitars would ultimately become a big part of the production..
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