RFCM Symphony Orchestra brings us an amazing library of over 700 Classical pieces conducted by the world-renowned Keith J. Salmon. From brilliant choral works to world-famous operas, their catalog features all of the classics from legends like Bach, Beethoven, Mozart, Vivaldi, Strauss, and Wagner, performed by top-notch symphony orchestras. With music featured worldwide in Film, TV, Documentaries, Commercials, Video Games, and Multimedia, RFCM is second to none when it comes to Classical production music!
The second movement of Requiem, a slow, peaceful piece with mixed chorus, depicting a time set aside for personal worship while the Offeratory was done. Mixed Vocals, Classical Music, Romantic Period, Gabriel Faure
Duettino, or a short duet, from Mozart's opera The Marriage of Figaro, to a libretto by Lorenzo Da Ponte. In the duettino, Countess Almaviva (a soprano) dictates to Susanna (also a soprano) the invitation to a tryst addressed to the countess' husband in a plot to expose his infidelity. Female Vocals, Classical Music, Classical Opera, Wolfgang Amadeus Mozart
The Libera Me is the earliest composed music in the Requiem from 1877. This piece asks for deliverance on the Judgement Day, Mixed Vocals, Classical Music, Romantic Period, Gabriel Faure
The third movement of Requiem, the Sanctus is sung or said as the last portion of the preface of the Eucharistic Prayer. Mixed Vocals, Classical Music, Romantic Period, Gabriel Faure
From the great Masonic opera, Magic Flute, the operatic story of Osiris who was King on earth and Isis, his sister, adn ultimately wife and queen. Mixed Vocals, Classical Music, Classical Period, Wolfgang Amadeus Mozart
Chorus sung in Act 4 of I Lombardi. The crusaders and pilgrims are despairing that God has abandoned them in the desert.
Strong choral vocals, Mixed Vocals, Classical Music, Romantic Period, Giuseppe Verdi
Duettino, or a short duet, from Mozart's opera The Marriage of Figaro, to a libretto by Lorenzo Da Ponte. In the duettino, Countess Almaviva (a soprano) dictates to Susanna (also a soprano) the invitation to a tryst addressed to the countess' husband in a plot to expose his infidelity. Female Vocals, Classical Music, Classical Opera, Wolfgang Amadeus Mozart
Deep operatic vocals in thick harmony, melancholic and serene. Perfect for scenes of warm reverence, heartening religious awakening. Male Vocals, Classical Music, Classical Opera, Richard Wagner
Traditional Christmas song to the English tune "Forest Green", adapted by Ralph Vaughan Williams. Most used in the UK and especially in the US in the Episcopal Church, Mixed Vocals, Christmas Music, Christmas Vocals Choral
Hymn sung to the tune Passion Chorale, based on medieval Latin poem, addressing the various parts of Christ's body hanging on the cross. Mixed Vocals, Classical Music, Classical Opera, Johann Sebastian Bach
Duettino, or a short duet, from Mozart's opera The Marriage of Figaro, to a libretto by Lorenzo Da Ponte. In the duettino, Countess Almaviva (a soprano) dictates to Susanna (also a soprano) the invitation to a tryst addressed to the countess' husband in a plot to expose his infidelity. Female Vocals, Classical Music, Classical Opera, Wolfgang Amadeus Mozart
The centerpiece of the Childhood of Christ, this passage signifies the farewell to the Holy Family by the Shepherds. Gentle chorus, Mixed Vocals, Classical Music, Romantic Period, Hector Berlioz
This Oratorio along with The Messiah, was to form the staple of twelve performances at Covent Garden in London during the Lent season. It was revised adding several themes. The finale was reworked to add the ending of the opera with the joyful trumpet aria. Female Vocals, Classical Music, Baroque Period, George Frideric Handel
