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Dexter Our Man in Paris.
Dexter Gordon played a Conn 10M 'Ladyface' tenor until it was stolen in a Paris airport in 1961. I sold him his Selmer Mark VI when I worked for Selmers. He loved the Hot Club style and so I have put together this tribute including both styles.
Dexter Gordon played a Conn 10M 'Ladyface' tenor until it was stolen in a Paris airport in 1961. I sold him his Selmer Mark VI when I worked for Selmers. He loved the Hot Club style and so I have put together this tribute including both styles. Instrumental, Jazz Music, Cabaret Music
Track Summary Music Track Title: Dexter Our Man in Paris. Catalog ID: 502417
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Description: Dexter Gordon played a Conn 10M 'Ladyface' tenor until it was stolen in a Paris airport in 1961. I sold him his Selmer Mark VI when I worked for Selmers. He loved the Hot Club style and so I have put together this tribute including both styles.
Styles: 1960s (Sixties), Dance / Night Club, Documentary, Entertainment, Experimental, Film Instrumental, Indie, Jazzy, Live Concert, TV Instrumental
Regions: France
Extended Keywords: Gordon was born and grew up in Los Angeles, where his father was a doctor who counted Duke Ellington and Lionel Hampton among his patients. He played clarinet from the age of 13, before switching to saxophone (initially alto, then tenor) at 15. While still at school, he was playing in bands with such contemporaries as Chico Hamilton and Buddy Collette.
Between 1940 and 1943, Gordon was a member of Lionel Hampton's band, playing in a saxophone section alongside Illinois Jacquet and Marshall Royal. In 1943 he made his first recordings under his own name, alongside Nat Cole and Harry Edison. During 1943-44 he featured in the Louis Armstrong and Fletcher Henderson bands, before joining Billy Eckstine. After that, he spent 15 years in Europe, mostly in Paris and Copenhagen, where he played regularly with fellow expatriate jazzmen such as Bud Powell, Ben Webster, Freddie Hubbard, Bobby Hutcherson, Kenny Drew, Horace Parlan and Billy Higgins.
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Dexter Our Man in Paris.
