Based in Lithuania, GarsuMene specializes in high-quality Classical, Pop, Rock, Electronica, Easy Listening, and Urban Contemporary production music. The stylistic palette of its creative output ranges from superb performances of Classical piano masterpieces (Beethoven, Chopin, Debussy, and many others), to popular mainstream genres. GarsuMene's tracks offer a wide and varied selection of audio content for TV, Film, Corporate, and New Multimedia projects, as well as cinematic soundscapes for diverse visual scenarios.
Belongs to Chopin's 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838-39 and where he had fled with George Sand and, Instrumental, Classical, Classical Piano
Belongs to Chopin's 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838-39 and where he had fled with George Sand and, Instrumental, Classical, Classical Piano
Belongs to Chopin's 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838-39 and where he had fled with George Sand and, Instrumental, Classical, Classical Piano
Belongs to Chopin's 24 Preludes, Op. 28, a set of short pieces for the piano, one in each of the twenty-four keys, originally published in 1839. Chopin wrote them between 1835 and 1839, partly at Valldemossa, Majorca, where he spent the winter of 1838-39 and where he had fled with George Sand and, Instrumental, Classical, Classical Piano
The Scherzo No. 2 in B-flat minor, Op. 31 was composed and published in 1837. Schumann compared this scherzo to a Byronic poem, "so overflowing with tenderness, boldness, love and contempt." The renowned sotto voce opening was a question and the second phrase the answer. For Chopin it was never, Instrumental, Classical, Classical Piano
The Scherzo No. 3, Op. 39, in C-sharp minor by Frédéric Chopin, completed in 1839, was written in the abandoned monastery of Valldemossa on the Balearic island of Majorca, Spain. This is the most terse, ironic, and tightly constructed of the four scherzos, with an almost Beethovenian grandeur. The, Instrumental, Classical, Classical Piano
The Scherzo No. 4 in E major, Op. 54 is different from the other scherzos by Chopin. Close to the fairytale sphere, though devoid of elves and goblins, it is brighter than the others, written with a finer, lighter pen, though it too occasionally reminds us of the existence of shadows and frights. Instrumental, Classical, Classical Piano
Frédéric Chopin’s Waltz in B minor, Op. 69, No. 2 is largely melancholic and changes to B major and again reverts to the original theme. It is not technically demanding and is one of Chopin's better known pieces. Instrumental, Classical, Classical Piano
Frédéric Chopin's Waltz in C-sharp minor, Op. 64, No. 2 is a masterpiece in its category – a gem of poetry, expressed in a concise, essential way. This Waltz takes the form of a dance with trio. The unforgettable opening theme is imbued with harmoniousness, sweetness and melancholy. The lyrical tone, Instrumental, Classical, Classical Piano
Frédéric Chopin's Waltz in D-flat major, Op. 64, No. 1 hearkens back to the style brillant. The dazzling, but insubstantial expression acquired new characteristics. Firstly, a succinctness of utterance, secondly, the somewhat melancholy tenderness with which the waltz’s trio is expressed. But the, Instrumental, Classical, Classical Piano
Frédéric Chopin composed his Waltz in E minor, Op. Posth c. 1830. The piece is characterized by youthful playfulness in the relaxed and delightful settings of the aristocratic salon. Instrumental, Classical, Classical Piano
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Châteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be, Instrumental, Classical, Classical Piano
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Châteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be, Instrumental, Classical, Classical Piano
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Châteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be, Instrumental, Classical, Classical Piano
Frédéric Chopin's Piano Sonata No. 2 in B-flat minor, Op. 35, popularly known as The Funeral March, was completed in 1839 at Nohant, near Châteauroux in France. However, the third movement, whence comes the sonata's common nickname, had been composed as early as 1837. The Sonata is considered to be, Instrumental, Classical, Classical Piano
The Sonata No. 3 in B minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition – rendered coherent by means of differences, contrast and end-weighting – comprises four movements. The, Instrumental, Classical, Classical Piano
The Sonata No. 3 in B minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition – rendered coherent by means of differences, contrast and end-weighting – comprises four movements. The, Instrumental, Classical, Classical Piano
The Sonata No. 3 in B minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition – rendered coherent by means of differences, contrast and end-weighting – comprises four movements. The, Instrumental, Classical, Classical Piano
The Sonata No. 3 in B minor, Op. 58 was composed in 1844 and published in 1845. It retains the dramatic structuring inherited from the Classics. Here, as in Mozart and Beethoven, the composition – rendered coherent by means of differences, contrast and end-weighting – comprises four movements. Instrumental, Classical, Classical Piano
An ominous instrumental stinger in the genre of cinematic and orchestral music, dark and foreboding in mood, well-suited for scenarios imbued with mystery, immanent danger, fateful premonition, and insecurity and uncertainty. Instrumental, Dramatic, Hollywood Orchestral Epic
A hi-tech track in the genres of electro lounge and dance music, spacious and visionary in mood, well-suited for visual scenarios imbued with futurism, far-reaching outlook, optimism, and creative imagination. Instrumental, Electronic, Electro-Industrial
A brave instrumental theme played with a fanfare brass-wind synthesizer for scenes of daring, determination, courage, fighting for good cause, defending justice, taking heroic action; evocative of the fierce battle between good and evil, invincible and victorious heroes, combating and ultimately, Instrumental, Action, Action Thriller RnB
An interplay of two energetic themes with funky organs and a jazzy electric piano for scenes of calm self-confident everyday city life, colorful, diverse urban environments, evocative of style, fashion, cool retro looks, originality. Instrumental, Dangerous, Mysterious Dark Magical
A creative theme in the genres of corporate music, driven by a fast rhythm section and a crisp vibraphone melody, curious and inventive in mood, well-suited for visual scenarios with a stress on smart problem solving and innovation. Instrumental, Corporate, Corp. Pop Easy Listening
A stately instrumental track in the genre of corporate music, energetic and resolute in mood, well-suited for scenarios imbued with formal confidence, optimism, determination, and assurance. Instrumental, Corporate, Corporate Classical
A light and graceful instrumental theme played with romantic piano and harp arpeggios for scenes of hopeful expectation, elegant fragility, graceful falling down and rising up, ballet-like plasticity, evocative of delicate, light, meandering movements in the air, a tree leaf dancing in the wind, a, Instrumental, Corporate, Corporate Piano
A suspenseful instrumental theme played with pizzicato strings and a piano for scenes of waiting, counting time, worrying, enduring uncertainty; expressive of anxiety, insecurity, and tension; with intermittent flashes of light and hope. Instrumental, Dramatic, Calm Hypnotic
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