Collin Thomas


Country: USA

Collin Thomas is a Kansas City based composer and musician. He has released numerous experimental albums to much acclaim in the blogosphere. After focusing on experimental music, he has taken those tonalities and techniques and adapted them to music for film and media, primarily concentrating on the mystery and horror genres. Atmospheric yet complex, Thomas' music would be a perfect choice for the producer looking to create a unique and oftentimes eerie mood.

CONTENT SUMMARY
GENRE INFO
MUSIC GENRES
DANGEROUS | ELECTRONIC | HORROR | LOUNGE |
   Artist-Ranked Tracks

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FOLLOWING LAURIE - (by Collin Thomas)  Year: 2016
Collin Thomas A John Carpenter Style horror theme with heavy emphasis on the synth soundtracks of the 80s. Halloween and Wendy Carlos influenced, perfect for a very retro sounding terror scene. The Shape stalks you during the day and he may be right around the corner in your nightmares. Instrumental, Horror, Horror Edgy
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Horror, Horror Edgy  
785284 1:30 Medium 110   


THEME FOR BAVA - (by Collin Thomas)  Year: 2016
Collin Thomas A modern Giallo track influenced by the 70s and 80s synth-heavy soundtracks. Think Mario Bava and Luicio Fulci, but with that contemporary sound you might hear in the horror movies of today. A perfect track for opening / closing credits or a general theme throughout a "Retro" horror flick. Instrumental, Horror, Horror Edgy
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Horror, Horror Edgy  
780856 1:31 Slow 70   


REQUIEM FOR VOORHEES - (by Collin Thomas)  Year: 2016
Collin Thomas A retro synth keeps the slow pulse, while a distant, simple piano plays an almost romantic melody. This juxtaposition of moods created tension and suspense, but is also strangely calm, keeping you down-to-earth but unsettled. Perfect for creating a tense mood (but not too much). Instrumental, Horror, Horror Contemplative
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Horror, Horror Contemplative  
784720 1:41 Med Slow 100   


FRANK'S PROWL - (by Collin Thomas)  Year: 2016
Collin Thomas Arpeggiated moog lines keep this piece at a steady, thrilling pace while pads and classic drum machines create a retro 80s horror feel. Could be used as chase scene, but also could be a great opening credits work. Think of the synth-heavy soundtracks of the seventies and eighties. Instrumental, Horror, Horror Chase
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Horror, Horror Chase  
782447 2:00 Very Fast 180   


CENOBITE'S LAMENT - (by Collin Thomas)  Year: 2016
Collin Thomas Slow and Creepy, this short piece involves a (possibly) satanic choir and distant flute (or is it a tribal horn?). Atmospheric and eerie, reminiscent of horror soundtracks of old but staying very relevant in the current culture of slow, building tension. Prefect for setting a terrifying mood. Instrumental, Horror, Horror Haunted Choirs
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Horror, Horror Haunted Choirs  
785287 1:42 Med Slow 86   


BEHIND THE BLACK DOOR - (by Collin Thomas)  Year: 2016
Collin Thomas The standard creepy sounds of a modern horror movie in a short one-minute piece. The strummed stings of the piano, atonal strings, and a menacing drum beat create an eerie and tense mood perfect for any slasher, paranormal or demonic presence. A theme for the evil lurking around the corner. Instrumental, Horror, Horror Edgy
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: 60sec - Horror, Horror Edgy  
786035 1:01 Very Slow 50   


MARCH INTO THE GLASS FOREST - (by Collin Thomas)  Year: 2016
Collin Thomas Piano, Vibraphone and Harp create a pulsating but melodic motion, while low ensembles and big drums create tension and impact. Dramatic and at time intense for a short piece, it would be perfect for a classic or modern horror scene, credits, or short films. Instrumental, Dangerous, Mysterious Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Mysterious Music  
782198 1:31 Very Fast 170   


ROOM 32 - (by Collin Thomas)  Year: 2016
Collin Thomas A soft, out-of-tune piano. Distant, eerie drones. Simple, yet creepy, this short piece would be perfectly suited to the horror scene where no one is sure what is going on. Slowly walking through the woods or the abandoned house, unable to decipher what is around the corner... Instrumental, Dangerous, Dark Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Dark Music  
780613 1:29 Very Slow 40   


POMEROY'S BALLET - (by Collin Thomas)  Year: 2016
Collin Thomas An out-of-tune piano plays a creepy folk song in the distance. As if you are walking around the abandoned insane asylum and the piano starts to play on it's own accord. The demonic child from the past wants to play a song to dance to! Instrumental, Horror, Dance Traditional
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: 60sec - Horror, Dance Traditional  
780612 1:02 Med Slow 90   


HATCHER'S SLOW PURSUIT - (by Collin Thomas)  Year: 2016
Collin Thomas Repetition and dissonance fill this track with unease. Great for a slow pursuit or a dark trip in the woods. The killer could be around the corner or he could have been gaining on you all this time. The constant piano tone is either comforting or terrifying as we wait to see who is around the corner, Instrumental, Dangerous, Dangerous Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Dangerous Music  
780611 2:00 Medium 110   


COMPASSIONATE GHOST - (by Collin Thomas)  Year: 2016
Collin Thomas The music box plays a dark melody, but all seem calms when the guitar plays a somber solo over it. As if Pat Metheny killed the demon and wants to relax. Perfect for after the terror subsides or the end credits. Somber, but strangely optimistic. Instrumental, Horror, Horror Contemplative
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Horror, Horror Contemplative  
780610 2:43 Slow 60   


BATHORY'S LOVE THEME - (by Collin Thomas)  Year: 2016
Collin Thomas The piano plays in steady harmonic motion while the strings accompany it. Creepy, contemplative and slightly dramatic, it would be a great "love theme" for two deranged individuals. At times pretty and beautiful. At others off-key and disturbing. A track for creating unsettling romance. Instrumental, Horror, Horror Contemplative
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Horror, Horror Contemplative  
780609 1:56 Slow 60   


THE DROWNING CLOCK - (by Collin Thomas)  Year: 2015
Collin Thomas The Clock Winds, or is it Raindrops? Auditory Mysteries are Strung Together with Abstract Electronics. Granular Textures, Natural Organic Sounds Manipulated by Digital and Mechanic Means. Great for any Experimental Media looking for a touch of the Strange. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724217 4:50 No Tempo   


THE DUMPSTER AND THE PIANO - (by Collin Thomas)  Year: 2015
Collin Thomas Microsound Textures mixed with Sparse Piano. Distant Rumblings, Close Insect-Like Sounds. Morton Feldman Meets David Tudor. Sound Art Collage of Auditory Paint Splatters. Perfect for any Experimental Media, Film or Images. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724216 5:42 No Tempo   


WHY THE ANIMALS PULSATE - (by Collin Thomas)  Year: 2015
Collin Thomas A Strange and Sparse Duet of Rhodes Piano and Abstract Electronics. Feels like you are Swimming in the Dark Recesses of a Deranged but Quieted Mind. Experimental, Glitch, Bizarre, as if you Slowed down Herbie Hancock and Dropped him in an Amon Tobin Concert in Slow Motion. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724050 4:10 No Tempo   


THE CRAB PROWLS THE BEACHES - (by Collin Thomas)  Year: 2015
Collin Thomas Rhythmic Pulses with Echoey Rhodes Piano Accompaniment. Lots of Delay and Reverb. A Dreamy Trip to Hell and Back, Great for Creating a Dark Atmosphere with just a touch of Tension. Instrumental, Dangerous, Psychedelic
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Psychedelic
724049 3:56 Medium 120   


AMY'S TRIP TO THE UNDERWORLD - (by Collin Thomas)  Year: 2015
Collin Thomas Chaotic Accordion Transformations With Bells and light Gongs on top. A Nightmarish Short piece for Experimental Images and Media. Fast, Crazy, Insanity. Think of Jacob's Ladder Head Shake Effect In Audio. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: 30sec - Electronic, Experimental
724048 0:41 Very Fast 180   


THE FROG GARDEN OF DREAMS - (by Collin Thomas)  Year: 2015
Collin Thomas An Underwater Dream Surrounded by Bugs and Frogs, but they aren't acting like they should. Something is wrong and you aren't sure what. A Soundscape of Digitally Rendered Elements along with Droning Tones and Sine-Waves. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724046 2:06 No Tempo   
Edit Type: Variation - Electronic, Experimental
724047 2:06 No Tempo   


THE MUSIC BOX THAT TIME FORGOT - (by Collin Thomas)  Year: 2015
Collin Thomas The Music Box starts and you descend into madness. Creepy and Ethereal, The Box Melts away into another world of Noise and Mysterious Beasts. Eerie, Hellraiser, Clive Barker, Nightmarish, Perfect for Experimental Horror. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724045 2:56 No Tempo   


FOR JEAN MICHEL BASQUIAT - (by Collin Thomas)  Year: 2015
Collin Thomas Experimental Free Jazz And Improvisation allude to Basquiat's paintings in Jazzy, Colorful blocks of Sound Paint. Changes in Tempos and Dynamics, Flowing through Abstract Electronics. Drums, Funky, Dissonant, Atonal. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724044 3:45 Med Fast 140   


FOR GIORGIO DE CHIRICO - (by Collin Thomas)  Year: 2015
Collin Thomas Sparse and Eerie With Minimal Musical Elements from Bass, Rhodes Piano, and Vibraphone. Like the Paintings of De Chirico creates a place of unease within a room of colorful characters. Experimental, Free Jazz, Electronics, Ambient. Surrounds the listener with slow mysterious elements. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724042 3:02 No Tempo   


OPENING THE UNMARKED BOX - (by Collin Thomas)  Year: 2015
Collin Thomas An Echoey Music Box Accompanied by Distant Heavy Drums. Polar Opposites though the Lighter is in the Forefront. Creepy, Reverb, Glitch, Perfect for creating a sense of Tense Wonder and Child-like Mystery, Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724041 2:10 Med Slow 80   


THE DARK LIGHT OF MADNESS - (by Collin Thomas)  Year: 2015
Collin Thomas Dark, Creepy, Other-Worldly. Sounds Emanating from Here and There. A Soundscape of Odd, Dangerous sounds created Organically, Digitally and Mechanically. A-Rhythmic but pulsating, Experimental Horror, Tense and Unnerving. Great for any media looking to create an Eerie Atmosphere. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724040 3:46 No Tempo   


TRYING TO SNEAK THROUGH THE LILY PADS - (by Collin Thomas)  Year: 2015
Collin Thomas Strange Bells, Granular Textures and Distant Drums make for an Atmospheric Trip. Free-Jazz with Ambient Electronics, Glitchy, Dissonant, Oddly Playful while still Eerie and Tense. Great for any Experimental Media. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724039 4:05 Very Slow 55   


BASKING IN THE DARK VOIDS OF THE BEEHIVE - (by Collin Thomas)  Year: 2015
Collin Thomas Distant Free-Jazz Drums accompany Strange Electronic Utterances. Tense, Reverb-Heavy, Psychedelic but Dissonant, perfect for experimental media with just a touch of groove. Dark, Brooding, Atonal, Creepy, Eerie. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724038 2:39 Slow 65   


THE GONGS RUMINATE ON THEIR EXISTENCE - (by Collin Thomas)  Year: 2015
Collin Thomas Slow Quiet Gongs and Glitchy Electronic Treatments lend an eerie atmosphere. Quiet yet tense, slow yet pensive, as if John Cage played with Autechre in Indonesia. Gamelan, Ethnic, Exotic, Great for Experimental Media with just a touch of World Music Influence. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724037 3:39 No Tempo   


FLOATING IN MALFUCTION - (by Collin Thomas)  Year: 2015
Collin Thomas An eerie ride with Double-Bass (both bowed and plucked), Rhodes Piano, and Glitchy Electronics. Questioning, Repetitive, and Awkward, perfect for any experimental short, trailer or other media. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724036 2:45 No Tempo   


CLOUD CITY - (by Collin Thomas)  Year: 2015
Collin Thomas A Dreamy Trip through the clouds with a soft, reverb-heavy drum beat, a sweeping synth drone and rhodes piano improvisation over the top. Chill and relaxing but not without experimentation, perfect for a mellow scene with just a touch of tension. Instrumental, Lounge, Chillout
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Lounge, Chillout
724035 5:46 Med Slow 90   


BOWING TO THE UNEARTHLY - (by Collin Thomas)  Year: 2015
Collin Thomas Bowed String Bass, Rhodes Piano and Glitchy Electronics lend a strange aura to this track. An otherworldly atmosphere for any number of experimental shorts, films, or other media. Percussive, atonal, eerie. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
724034 3:47 No Tempo   


FOR FABIAN MARCACCIO - (by Collin Thomas)  Year: 2015
Collin Thomas Dark and Brooding, a slowly progressing piece with little action. Funky and Simple Drumbeat accompanies Strange Electronics. Colorful Splashes of Sound Paint Around a Steady Groove. Dreamy, Almost Nightmarish, Great for Experimental films, images and Media. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
723944 3:34 Slow 60   


BALINESE TRAVELS THROUGH WONDERLAND - (by Collin Thomas)  Year: 2015
Collin Thomas A Short, Dreamy trip with electronic percussion and Balinese Gamelan. Features free improvisation and abstract, misty gongs. Would be great for short abstractions or avant-garde images and films. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
722797 1:47 Med Slow 90   


SLOWLY CUTTING THROUGH THE INTERIOR - (by Collin Thomas)  Year: 2015
Collin Thomas Slow, Atmospheric Drone with Rhodes Piano Accompaniment. Ambient, Quiet, Dark, Improvisational, Great for quiet moments with just a bit of tension. Tonal and Atonal all at the same time. Instrumental, Electronic, Experimental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Experimental
722784 5:54 Very Slow   


HENRY'S LAWS - (by Collin Thomas)  Year: 2016
Collin Thomas Emotional and intense, this piece is greatly influenced by the Wolf Creek Score by Francoi Tetaz, with just a bit of the standard dramatic hits thrown in. Droning bottom end, booming percussion, lush strings; the perfect theme for danger, mystery and horror. Instrumental, Dangerous, Edgy Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Edgy Music
786839 1:31 Med Slow 100   


THE SMELL OF THE BURNING EMBERS - (by Collin Thomas)  Year: 2020
Collin Thomas Silky smooth lofi track. Would fit right in with ChilledCow playlists and similar chill hip hop mixes on YouTube and Spotify. Rhodes piano, bass, slow (80 BPM) drum beats, and an ethereal melody off in the distance. Sitting by the fire, wine in hand, good times with other people. Instrumental, Electronic, Lo-Fi
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Lo-Fi  
1062725 2:21 Med Slow 80   
Edit Type: Variation A (Longer Version) - Electronic, Lo-Fi  
1062726 3:42 Med Slow 80   
Edit Type: Variation B (Part one of the full track) - Electronic, Lo-Fi  
1062727 1:21 Med Slow 80   
Edit Type: Variation C (Part two of the full track) - Electronic, Lo-Fi  
1062728 1:07 Med Slow 80   

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