Towards the end of the Baroque period, some composers were already setting off in new directions. The sons of Bach (CPE and JC) for example were already seeking new avenues away from the styles of their father, and a freer movement of artists and musicians between European countries helped to give them inspiration. During this classical period, the forms instigated by the church were still there, but for the most part the major composers of the day worked for the royalty or nobility of the time. Nevertheless public concerts were becoming more popular during this time, and concert halls and opera houses were attended in all major cities.
It is in this period that many familiar "for ...
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An orchestral arrangement of Handel's Sarabande in D Minor known for its use in the film Barry Lyndon…includes a build to end, Instrumental, Classical, Classical
A piano piece by the "Waltz King" Johann Strauss II arranged for orchestra… upbeat, bright, and often used as an encore in orchestral performances, Instrumental, Classical, Classical
Mozart created a set of 12 variations for piano on a French folk song commonly known as the melody for Twinkle, Twinkle Little Star… this arrangement includes the theme and 6 of the variations…. Instrumental, Classical, Classical
A string orchestra performance of Boccherini's Quintet, best known for its use in the film Ferris Bueller's Day Off…, Instrumental, Classical, Classical
An excerpt from Beethoven's Symphony No. 6 also known as the Pastoral Symphony because it reflects the mood of the composer on a walk in the countryside… This work was featured in the Disney film "Famtasia" 1940. Instrumental, Classical, Classical
This quartet by Joseph Haydn is probably the most popular of the 83 string quartets that he composed… It is referred to as "The Lark" because of its singing melody, Instrumental, Classical, Classical
A famous march by Johann Strauss Sr. the patriarch of a musical family that included Johann Strauss II known as the waltz king…, Instrumental, Classical, Classical
Public domain. Clementi's (1752-1832) charming work for piano. A typically elegant and intelligent work of the high classical era by Mozart & Haydn's less known contemporary. Light and cheerful, it's perfect as classical source music or background music for docs, historical pieces or advertising, Instrumental, Classical, Classical
Public domain. Clementi's (1752-1832) charming work for piano. A typically elegant and intelligent work of the high classical era by Mozart & Haydn's less known contemporary. Light and cheerful, it's perfect as classical source music or background music for docs, historical pieces or advertising, Instrumental, Classical, Classical
The elegantly charming and playful scherzo from Beethoven's 2nd piano sonata. Excellent as source music from radio, on-hold, concerts, etc. Sets mood without taking too much focus, Instrumental, Classical, Classical, Ludwig van Beethoven
The elegantly charming and playful scherzo from Beethoven's 3rd piano sonata. Excellent as source music from radio, on-hold, concerts, etc. Sets mood without taking too much focus, Instrumental, Classical, Classical, Ludwig van Beethoven
The exciting, playful finale from Beethoven's 6th piano sonata. Excellent as source music from radio, on-hold, concerts, etc. Sets mood without taking too much focus, Instrumental, Classical, Classical, Ludwig van Beethoven
The exciting rondo finale from Beethoven's famous 8th piano sonata - Pathétique. Excellent as source music from radio, on-hold, concerts, etc. Sets mood without taking too much focus, Instrumental, Classical, Classical, Ludwig van Beethoven
The elegantly charming and playful scherzo from Beethoven's 4th piano sonata. Excellent as source music from radio, on-hold, concerts, etc. Sets mood without taking too much focus. Performed on a soft upright piano. Instrumental, Classical, Classical, Ludwig van Beethoven
The exciting finale from Beethoven's first piano sonata. Excellent as source music from radio, on-hold, concerts, etc. Sets mood without taking too much focus, Instrumental, Classical, Classical, Ludwig van Beethoven
The elegantly charming & dynamic menuetto from Beethoven's seventh piano sonata. Performed on a soft piano. Excellent as source music from radio, on-hold, concerts, etc. Sets mood without taking too much focus, Instrumental, Classical, Classical, Ludwig van Beethoven
The elegantly charming and serious minuet from Beethoven's first piano sonata. Excellent as source music from radio, on-hold, concerts, etc. Sets mood without taking too much focus, Instrumental, Classical, Classical, Ludwig van Beethoven
Mozart's composition from his Requiem still packs a powerful emotional wallop. A large, lamenting choir matched with a classical era orchestra screams grief with elegance, Mixed Vocals, Classical, Classical, Wolfgang Amadeus Mozart
Trio for oboe, violin and harp. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar pick-up, The French court adapted the bourrée, like many such dances, for the purposes of concerts, Instrumental, Classical, Classical, George Frideric Handel
Trio for oboe, violin and harp. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar pick-up, The French court adapted the bourrée, like many such dances, for the purposes of concerts, Instrumental, Classical, Classical, George Frideric Handel
A short piano piece by the young Beethoven... especially familiar to anyone who has studied the piano. Instrumental, Classical, Classical, Ludwig van Beethoven
Excerpt from Beethoven's Piano Sonata No. 8 in C minor Opus 13. A moving and emotional piece, also known as Sonata Pathetique. Slow-medium tempo piece with a tinge of sadness. This arrangement for Piano and strings is perfect for radio and television commercials portraying quality and reliability. Instrumental, Classical, Classical, Ludwig van Beethoven
One of Luigi Boccherini's most famous pieces, this work is often used in dramatic and romantic productions in addition to advertisements, weddings and more. The minuet is the most played of this quintet and is often played by itself. Minuet and Trio from String Quintet in E major, Op. 11, No. 5, Instrumental, Classical, Classical, Luigi Boccherini
Mozart's Turkish March (Rondo alla Turca), the 3rd and last movement from the Piano Sonata No. 11 in A major, K. 331 (300i) for solo piano. It is one of the most popular classical piano piece. Exciting, brisk, suitable for lively moments where an energetic yet classy track is desired. Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Allegro All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Allegro All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Allegro All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Adagio. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Adagio. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Adagio. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Menuetto/Trio I All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Menuetto/Trio I All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garde, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Menuetto/Trio I All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Menuetto/Trio. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Menuetto/Trio. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1 Menuetto/Trio All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1Rondo. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1Rondo. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.1Rondo. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.2 Allegro. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.2 Allegro. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
Five Divertimenti, K.229 for Two Clarinets and Bassoon No.2 Allegro. All were unknown until 1800, when Mozart's widow Constanze wrote to a publisher that the famous clarinetist Anton Stadler still had in his possession 25 pieces by Mozart. It is thought that Mozart wrote this music for garden events, Instrumental, Classical, Classical, Wolfgang Amadeus Mozart
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Classical Period
