Based in Canada, Don Garbutt is a master of Electronic/Orchestral hybrid tracks with pounding rhythms, high-tech tones, and fat cinematic sound production. His clients include the History Channel, TSN, Nat Geo, Vision TV, CBC, Military Channel, and BBC. A synthesis expert, Don has worked with legends like David Bowie, Pink Floyd, Chubby Checker, Oscar Peterson, and Procol Harum, and he is Head of Electronic Music at the Harris Institute for the Arts.
This is a retro-sounding groove reminiscent of Jean-Jacques Perrey or Kraftwerk. Drum machine and analog sweeps add vintage color to the early '70s robot vibe. Gliding choir gives this a campy sci-fi feel. Relentless groove is good for driving games. Great for science/tech documentary. Instrumental, Science Fiction, Space Disco
Creepy electronic tones hint of dark, futuristic drama, with an element of stress and motion. The percussion is grooving, but the squeeks and squawks are mysterious and alien. Bass pulsates throughout, and the space is cybernetic and full of imagery. This rhythmic mayhem would suit CSI or game play. Instrumental, Science Fiction, Sci-Fi Action Moderate
This track conjures up a bleak future cyber-world of dark discomfort. Electronic sounds swirl in 3-D sound, enveloping the listener in a cloud of moving shapes. Synth tones evoke images of machinery, metallic cyborgs and dystopian visions. Great for game drama, investigative scenes and sci-fi. Instrumental, Science Fiction, Sci-Fi Action Moderate
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