Ludwig van Beethoven,
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Beethoven, Ludwig van
Ludwig van Beethoven (baptized December 17, 1770 – March 26, 1827) was a German composer and pianist. He is widely regarded as one of history's greatest composers, and was the predominant figure in the transitional period between the Classical and Romantic eras in Western classical music. His reputation and genius have inspired—and in many cases intimidated—ensuing generations of composers, musicians, and audiences.
Born in Bonn, Germany, he moved to Vienna, Austria, in his early twenties, and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. In his late twenties he began to lose his hearing, and yet continued to produce notable masterpieces throughout his life in the face of this personal disaster. Beethoven was one of the first composers who worked as a freelance - arranging subscription concerts, selling his compositions to publishers and gaining financial support from a number of wealthy patrons - rather than being permanently employed by the Church or by an aristocratic court.
Life and work Beethoven was born at 515 Bongasse in Bonn to Johann van Beethoven (1740–1792) and Magdalena Keverich van Beethoven (1744–1787). Beethoven was baptized on December 17, but his family and later teacher Johann Albrechtsberger celebrated his birthday on December 16.
Beethoven's first music teacher was his father, ... MORE
Fidelio (Op. 72) is an opera in two acts by Ludwig van Beethoven. It is Beethoven's only opera. The opera tells how Leonore, disguised as a prison guard named "Fidelio", rescues her husband Florestan from death in a political prison. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
Bagatelle in A minor, for solo piano. Well known piece begins in 3/8 with a right hand theme accompanied by arpeggios in the left hand. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
Beethovens 5th, the opening theme is answered by a contrasting them played by the winds and this sequence is repeated. The horns then loudly announce the main theme of the movement and the music proceeds from there. Instrumental, Classical Music, Romantic Period, Ludwig van Beethoven
One of the most familiar and famous of all symphony openings. Sonata form using sequences to expand theme with the movement ending in massive Coda. Beethoven's 5th symphony. Instrumental, Classical Music, Romantic Period, Ludwig van Beethoven
Beethoven's third symphony part 4 - dynamic, creeping, flowing. Known as Eroica meaning heroic marking the beginning of musical Romanticism and the end of the Classical Era, Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
Final movement played in typical concerto form with piano, followed by full orchestra. In last section, the theme varies before the concerto ends with short cadenza and robust orchestral reponse. Instrumental, Classical Music, Romantic Period, Ludwig van Beethoven
Deceptively complex, includes a second theme constructed of tonic and dominant notes and chords. Full orchesstral with cadenzas repeated throughout. Also known as the "Emporor Concerto". Instrumental, Classical Music, Romantic Period, Ludwig van Beethoven
The second movement is characteristally serene and peaceful. In E-flat like many slow movements it has ternary form, where the opening section introduces the themes and the middle section develops them. Instrumental, Classical Music, Romantic Period, Ludwig van Beethoven
From a set of incidental pieces writtne for the 1787 play of the same name. This overture, powerful and expressive, is one of the last works of his middle period. Instrumental, Classical Music, Classical Period, Ludwig van Beethoven
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Beethoven, Ludwig van
