The Awakening

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The Awakening

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The Awakening
By: Vangelis Papageorgiou

An orchestral piece with emotional and dramatic character influenced by Stravinsky, John Williams and Wojciech Kilar (Dracula 1992). It is written for full orchestra. Suitable for an intro or a trailer.

THE AWAKENING (by Vangelis Papageorgiou ) Composed: 2010

An orchestral piece with emotional and dramatic character influenced by Stravinsky, John Williams and Wojciech Kilar (Dracula 1992). It is written for full orchestra. Suitable for an intro or a trailer. Instrumental, Dramatic Music, Dramatic Operatic

Type

Play

Track Info

Catalog ID

Min:Sec

Tempo & BPM

Price

Control

60sec - Dramatic, Dramatic Operatic

538319

1:00

Mixed

USD $108.95±

Track Summary
Music Track Title: The Awakening
Catalog ID: 538319

Description: An orchestral piece with emotional and dramatic character influenced by Stravinsky, John Williams and Wojciech Kilar (Dracula 1992). It is written for full orchestra. Suitable for an intro or a trailer.

Artist or Group: Vangelis Papageorgiou

Keywords: Instrumental, 20th century classical music, polyrythmic, expressionistic, The Rite of Spring, Stravinsky's Fire Bird

Music Genre > Sub-genre
Dramatic Music
Dramatic Operatic

Extended Properties
Duration: 1:00 Tempo: Mixed

   Arrangement: Orchestra, Full
   Instruments: Percussion, Piano, Strings, Brass section, Woodwinds
   Vocal Mix: Instrumental
   Language:

Moods: Brave, Dark, Dramatic, Driving, Dynamic, Elegant, Epic, Hectic, Heroic, Intense, Melancholic, Mysterious, Mystical, Scary, Sinister, Sophisticated, Strong, Tension, Tragic, Wondrous

Styles: Classical / Symphony, Dance / Ballet, Dramatic Soundtrack, Hollywood, Indie, Movie Trailer, Psychological Thriller, Sci-Fi / Psychological, Tragedy, TV Instrumental

Extended Keywords: Symphonic, action, psychology, manipulation, wonderment, mystery, mysteries, philosophy, philosophical, metaphysical, anxious, Charles Dickens, social critic, fictional characters, Soviet Union, Russian Revolution, Stalin, World War II, History.

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