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TROUBLED WATERS PEDAL GUTAR - (by Pete Bax)
Pete Bax Both lap and pedal steel guitars were closely associated with the development of country music and Western swing. The pedal steel's liquid, yearning sound has begun in recent years to be coveted by many modern musicians, beginning in jazz and blues. This solo for guitar brings out its haunting sound, Guitar,
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Full Track - Guitar,  
545361 3:25 Medium 110   


Track Summary
Instrument or Loop Title: Troubled Waters Pedal Gutar
Catalog ID: 545361  ISRC: US5UL1222363
Description: Both lap and pedal steel guitars were closely associated with the development of country music and Western swing. The pedal steel's liquid, yearning sound has begun in recent years to be coveted by many modern musicians, beginning in jazz and blues. This solo for guitar brings out its haunting sound

Social Media Link: http://www.audiosparx.com/sa/archive/Guitar/Steel-guitar/Troubled-Waters-Pedal-Gutar/545361

Artist or Group: Pete Bax

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Keywords: lonely adds to solitary a suggestion of longing for companionship while lonesome heightens the suggestion of sadness; forlorn and desolate troubled water

Instrument Category > Subcategory
    Guitar
       Guitar / steel guitar or pedal guitar
Extended Properties
  Duration: 3:25   Tempo: Medium   BPM: 110
   Arrangement: Solo
   Instruments: Steel Guitar
   Vocal Mix: Instrumental
   Language:
Extended Keywords: In about 1948, Paul Bigsby began making custom pedal steel guitars that featured pedals mounted to a rack between the front legs of the instrument. [1] Speedy West got the second of Bigsby's creations, the first of his guitars to feature pedals, and used it extensively in his work with Jimmy Bryant. Zane Beck began adding knee levers to console steel guitars, and in 1952, added a set of four knee levers to Ray Noren's console steel. [1] Beck's knee levers lowered the pitches of the strings they operated, which was an action opposite of what the pedals accomplished. [1] Around 1953, a console steel player named Bud Isaacs attached a pedal to one of the necks of his guitar. The function of the pedal was to change the pitch of two of the strings, whereby Isaacs would have two of the most common steel guitar tunings available on one neck. Today it offers a host of effects to the modern musician

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