Matthew Reid


Country: Canada

Critically acclaimed, award-winning composer Matthew Reid has an impressive background. For ten years he created and performed his eclectic scores live for The Second City-Toronto, resulting in many award-winning reviews. Matthew's instrumental songs have been performed by top orchestras in North America to standing ovations. Matthew composes and creates his music for film, television, games, web series, art galleries, museum exhibits, and pyrotechnic events.
   Artist-Ranked Tracks

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WHY SO SERIAL FOR ELECTRIC ORCHESTRA - (by Matthew Reid)  Year: 2018
Matthew Reid A tense electro-acoustic hybrid underscore with a slight build good for adding an edge to thriller or suspense media without going too big. Amplified strings, bass clarinet, alto flute, piano & contrabassoon. Instrumental, Dangerous, Apprehensive Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Apprehensive Music
892268 1:34 Slow 60   


WATCHING THE ABYSS FOR ELECTRIC ORCHESTRA - (by Matthew Reid)  Year: 2018
Matthew Reid Starting sparse & tense with male chorus, brass and low, dark woodwinds and growing to huge & intense with swooping strings & massive percussion. Amplifying acoustic, orchestral instruments adds additional edge. Instrumental, Dangerous, Dramatic Chase
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Dramatic Chase
891641 2:09 Med Slow 100   


STALKERS FOR ELECTRO-ACOUSTIC ENSEMBLE - (by Matthew Reid)  Year: 2018
Matthew Reid A tense electro-acoustic hybrid underscore with a slight build good for adding an edge to thriller or suspense media without going too big. Amplified strings, bass clarinet, alto flute, piano & contrabassoon. Instrumental, Dangerous, Edgy Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Edgy Music
891286 1:36 Med Fast 131   


SMILES OF CHILDHOOD - (by Matthew Reid)  Year: 2018
Matthew Reid A pretty, simple pattern for piano, pizzicato strings, bassoon and harp. Nostalgic and lovely this piece conjures up the innocence and hope of childhood. Instrumental, Dramatic, Tender music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: 60sec - Dramatic, Tender music
891121 1:04 Med Slow 100   


BOUNCY STRING QUARTET - (by Matthew Reid)  Year: 2018
Matthew Reid A cute, quirky piece for string quartet full of curious good vibes. Innocent and sweet, great for media depicting light fun or mischief. Instrumental, Dramatic, Playful Curious
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dramatic, Playful Curious
891120 1:05 Medium 120   


DRIVING TRIBAL PERCUSSION - (by Matthew Reid)  Year: 2018
Matthew Reid Intense, pounding tribal drum ensemble. Booming and cinematic - great for action or adventure themed short media. Instrumental, Action, Intense Tribal
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Action, Intense Tribal
891016 0:20 Med Fast 140   


QUIRKY LATIN JAZZ - (by Matthew Reid)  Year: 2018
Matthew Reid A playful, sunny, Latin inspired jazz piece with teasing flutes, joking trombone and grooving piano. Upbeat and positive, good background for sunny city street scenes or travel. Instrumental, Jazz, Latin Jazz
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Jazz, Latin Jazz
891013 1:39 Med Slow 80   


PULSING AND DRIVING STRINGS - (by Matthew Reid)  Year: 2018
Matthew Reid Pulsing guitars, harpsichord and pizzicato strings build to a simple string quartet melody followed by rapid and exciting string runs punctuated with huge drums and swelling brass. Perfect for building positive excitement under media. Instrumental, Dramatic, Energizing Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dramatic, Energizing Music
890996 1:29 Med Fast 131   


FLESH & CIRCUITS - (by Matthew Reid)  Year: 2018
Matthew Reid Starting simple with minimalistic mallets and electronics and adding a low string melody, it grows to a soaring, swelling and driving piece. Great for high tech and science media requiring a simple build. Instrumental, Dramatic, Energizing Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dramatic, Energizing Music
890778 2:02 Medium 118   
Edit Type: Full Track A (electronics) - Dramatic, Energizing Music
1186625 2:02 Medium 118   
Edit Type: Full Track B (percussion) - Dramatic, Energizing Music
1186627 2:02 Medium 118   
Edit Type: Stem A (mallets) - Dramatic, Energizing Music
1186626 2:02 Medium 118   
Edit Type: Stem B (strings) - Dramatic, Energizing Music
1186628 2:02 Medium 118   


PRELUDE FOR PIANO, STRINGS AND MARIMBAS - (by Matthew Reid)  Year: 2018
Matthew Reid Beginning with a simple, pretty piano melody and following with the gentle pulse of marimbas and swells of strings. Good as background media with a slight build, Instrumental, Dramatic, Ethereal Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dramatic, Ethereal Music
890764 1:37 Med Fast 131   


A HEROIC MOMENT - (by Matthew Reid)  Year: 2018
Matthew Reid A moving, inspiring cinematic piece suitable for an Oscar winning speech. Starting quietly with solo brass and proudly and building to a majestic, triumphant climax. Instrumental, Dramatic, Patriotic Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dramatic, Patriotic Music
890757 2:06 Slow 67   


BORODIN POLOVTSIAN DANCE NO 3 - (by Matthew Reid)  Year: 2018
Matthew Reid Borodin's epic piece from the opera, Prince Igor. A huge, shimmering, ecstatic full orchestra piece suitable for any media depicting triumph or success. Pounding percussion, soaring strings and blaring brass. Instrumental, Classical, Romantic, Alexander Borodin
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Romantic
890755 0:43 Very Fast 200   


LET THE ROBOT DRIVE - (by Matthew Reid)  Year: 2017
Matthew Reid A throwback to the synth rock of the early 80's in the vein of Genesis. A syncopated, arpeggiated synth riff over a slamming boom slap rock beat and a fat rubber bass. Button stop. Strong edit points throughout. Instrumental, Rock, 80s Rock
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Rock, 80s Rock
865716 2:47 Med Slow 80   
Edit Type: Variation (no drums) - Pop, Synthpop
980430 2:45 Med Slow 80   
Edit Type: Bed (reduced) - Pop, Synthpop
980431 2:47 Med Slow 80   


THROUGH THE ENCHANTED FOREST - (by Matthew Reid)  Year: 2018
Matthew Reid An authentic sounding Renaissance inspired piece for harp, winds and percussion. Suitable for historical or fantasy pieces, Instrumental, Classical, Renaissance
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: (Pending) - Classical, Renaissance
885758 1:31 Slow 75   


GREGORIAN REQUIEM - (by Matthew Reid)  Year: 2017
Matthew Reid An authentic sounding Gregorian chant with Latin text. Shimmering, reverberant and mystical. Male Vocals, Classical, Medieval
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Medieval
878957 1:52 Med Slow 80   


GREGORIAN GLORIA - (by Matthew Reid)  Year: 2017
Matthew Reid An authentic sounding Gregorian chant with Latin text. Shimmering, reverberant and mystical. Male Vocals, Classical, Medieval
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Medieval
878956 1:25 Very Slow   


CACCINI - RENAISSANCE SONG - (by Matthew Reid)  Year: 1602
Matthew Reid Giulio Caccini's (1548-1618) beautiful Renaissance song Amarilli Mia Bella from 1602 arranged for English horn, cello and guitar. Serious & expressive, but quiet & unobtrusive. It's excellent for period pieces & histories, documentaries and source music - concerts, radio, on hold, etc. Instrumental, Classical, Renaissance
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Renaissance
1135724 2:16 Med Slow 91   
Edit Type: Bed - Classical, Renaissance
1135722 2:16 Med Slow 91   
Edit Type: Stem (melody) - Classical, Renaissance
1135723 2:16 Med Slow 91   


WALTZ ITALIANO - (by Matthew Reid)  Year: 2017
Matthew Reid A charming orchestral waltz in the Italian style with folksy guitar and mandolin melody creates an classy, evocative, background. Perfect for establishing Italian flavour to scenes for commercials, restaurants, travel shows, etc... Instrumental, European, Italy
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - European, Italy
874315 2:27 Medium 110   


BEETHOVEN SONATA NO. 2 - SCHERZO - (by Matthew Reid)  Year: 1796
Matthew Reid The elegantly charming and playful scherzo from Beethoven's 2nd piano sonata. Excellent as source music from radio, on-hold, concerts, etc. Sets mood without taking too much focus, Instrumental, Classical, Classical Piano, Ludwig van Beethoven
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Classical Piano
1153426 3:11 Med Fast 137   


ROUTE TO CHILL (CHILLHOP) - (by Matthew Reid)  Year: 2021
Matthew Reid Mellow chillhop tune with a laid back piano solo over lo-fi, vinyl drums and a moving upright bass. Ambient electronics, strings & horns add to the warm, late-night vibe. Jazz fusion with a chilled out hip-hop groove. Instrumental, Electronic, Lo-Fi
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Electronic, Lo-Fi
1065968 4:06 Slow 60   
Edit Type: Variation (no percussion) - Electronic, Lo-Fi
1065967 4:04 Slow 60   


A SUNNY DAY IN ITALY - (by Matthew Reid)  Year: 2017
Matthew Reid A charming orchestral waltz in the Italian style with folksy guitar and mandolin melody creates an classy, evocative, background. Perfect for establishing Italian flavour to scenes for commercials, restaurants, travel shows, etc... Instrumental, Classical, Romantic
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Romantic
873727 2:11 Medium 120   


ITALIAN ROMANCE - (by Matthew Reid)  Year: 2017
Matthew Reid Simple orchestral accompaniment with a guitar and mandolin melody creates an elegant, romantic, waltz. Perfect for establishing Italian flavour to scenes for commercials, restaurants, travel shows, etc... Instrumental, European, Italy
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - European, Italy
873603 3:15 Med Slow 90   


ROMANCE #2 FOR JAZZ QUARTET - (by Matthew Reid)  Year: 2017
Matthew Reid A slow, lyrical, romantic and flowing composition for piano, upright bass and alto saxophone. An impressionist style chord progression with a slow and sexy melody. A smoky tune to chill with by a fireplace with a scotch and a special someone. Instrumental, Jazz, Cool Jazz
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Jazz, Cool Jazz
872351 4:31 Slow 60   
Edit Type: Bed - Classical, 20th Century
872375 4:31 Slow 60   


ROMANCE FOR JAZZ QUARTET - (by Matthew Reid)  Year: 2017
Matthew Reid A lyrical, romantic and flowing composition for piano, upright bass and alto saxophone. A late romantic style chord progression with a slow and sexy melody. A smoky tune to chill with by a fireplace with a scotch and a special someone. Instrumental, Jazz, Cool Jazz
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Jazz, Cool Jazz
871621 3:31 Slow 70   
Edit Type: Bed - Jazz, Cool Jazz
871620 3:32 Slow 70   


BACH PRELUDE IN C SHARP MINOR - (by Matthew Reid)  Year: 1722
Matthew Reid Bach's beautifully expressive piece from book one of The Well Tempered Clavier played on a soft piano with ambient noises of the piano's inner workings. Ideal as music for relaxation, sleep or background in elegant or romantic moments. Instrumental, Classical, Baroque, Johann Sebastian Bach
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Baroque
1151318 3:49 Med Slow 82   


ROMANCE FOR PIANO - (by Matthew Reid)  Year: 2017
Matthew Reid A lyrical, romantic and flowing composition for piano. Impressionistic and nostalgic with an expressive, florid melody and peaceful accompaniment this peace evokes quiet introspection, new and lost loves. Instrumental, Classical, 20th Century
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, 20th Century
870805 4:53 Very Slow 50   


BACH SINFONIA IN F MINOR - (by Matthew Reid)  Year: 1722
Matthew Reid Bach's beautifully expressive piece from the three part Inventions played on a soft piano with ambient noises of the piano's inner workings. Ideal as music for relaxation, sleep or background in elegant or romantic moments. Instrumental, Classical, Baroque, Johann Sebastian Bach
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Baroque
1151440 4:40 Very Slow 50   


HANDEL SONATA IN C MAJOR - (by Matthew Reid)  Year: 1703
Matthew Reid A lively, joyful sonata by Handel (1685-1757) played on a soft piano. Excellent as source music on radio, background music with class, restaurants, chamber concerts, Instrumental, Classical, Classical Piano, George Frideric Handel
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Classical Piano
1151874 2:23 Med Slow 76   


A WARM SUMMER EVENING - (by Matthew Reid)  Year: 2017
Matthew Reid A laid back traditional samba/bossa-nova track led by saxophone. Evocative of Stan Getz and Astrud Gilberto's work. Easy going, smoky ittle sexy tune for a restaurant background, swinging sixties lounge, elevator muzak or retro-hip. Instrumental, Jazz, Lounge Jazz
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Jazz, Lounge Jazz
870001 3:11 Med Fast 140   


THE BEST - (by Matthew Reid)  Year: 2017
Matthew Reid Crashing, electro drums under a fat, funky bass, pulsing bass, pulsing synths and silky, affected vocals (often in four part harmony). A nod to the 80's with a modern mix. Cool, rhythmic verses lead to a big, full chorus and a bridge that both percolates and bursts with energy. Male Vocals, Indie Rock, Rocktronica
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Indie Rock, Rocktronica
868135 3:49 Med Slow 100   
Edit Type: Variation A (instrumental) - Electronic, Synthpop
868134 3:47 Med Slow 100   
Edit Type: Variation B (no intro - remaster) - Pop, Synthpop
1138718 2:56 Med Slow 100   


WILLBYE-AS FAIR AS MORN - (by Matthew Reid)  Year: 2022
Matthew Reid John Wilbye's (1574-1638) beautiful vocal madrigal arranged for renaissance instruments, including the iconic crumhorns of the period. Melodic, festive and very authentic sounding, great as source music for festivals, fairs, fantasy settings & medieval taverns, Instrumental, Classical, Renaissance
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Renaissance
1125832 1:44 Med Slow 80   


EUPHORIA - (by Matthew Reid)  Year: 2017
Matthew Reid Pounding rock drums under a fat, undulating synth bass, pulsing bass and silky, affected vocals (often in three part harmony). A nod to the 80's with a modern mix. Sexy, grinding verses lead to an explosive chorus and a bridge that both percolates and bursts with energy. Male Vocals, Indie Rock, Rocktronica
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Indie Rock, Rocktronica
867309 3:27 Slow 70   
Edit Type: Variation (instrumental) - Indie Rock, New Wave
867311 3:27 Slow 70   


MY IRISH GIRL - (by Matthew Reid)  Year: 1760
Matthew Reid An 18th Century folk song about love and loss done in a pared down, haunting style. Somewhat hypnotic and alluring. Good as source music or for docs, histories, fantasies or gaming. Male Vocals, Folk, British Folk
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Folk, British Folk
1136153 2:56 Very Slow 52   
Edit Type: Bed - Folk, British Folk
1136151 2:56 Very Slow 52   
Edit Type: Stem (melody) - Folk, British Folk
1136152 2:54 Very Slow 52   


GABRIELI CANZON FOR 8 BRASS INSTRUMENTS - (by Matthew Reid)  Year: 1597
Matthew Reid Giovanni Gabrieli's (1554-1612) rousing work for 8 instruments is a quintessential sound of the Renaissance. Regal, majestic & uplifting, it works excellently as source or background music especially for luxurious or historical media. Instrumental, Classical, Renaissance
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Classical, Renaissance
1135532 3:37 Very Fast 180   


PARTY 'TIL I FALL DOWN - (by Matthew Reid)  Year: 2017
Matthew Reid Part of the 80's synth rock/new wave revival. Silky, processed and robotic vocals over a throbbing rubber bass and a slamming boom smash rock-disco beat. Serious toned verses with subtly ironic lyrics lead to a celebratory chorus. Male Vocals, Indie Rock, Alt Dance
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Indie Rock, Alt Dance
866695 3:52 Medium 110   
Edit Type: Full Track (No intro - remaster) - Rock, 80s Rock
1138717 3:34 Medium 110   
Edit Type: Variation (instrumental) - Indie Rock, Alt Dance
866696 3:52 Medium 110   


TRAGIC ANCIENT MELODY - (by Matthew Reid)  Year: 1997
Matthew Reid A short, moving and ultimately heartbreaking piece with a traditional folk/Renaissance sounding flute melody accompanied by harp and light orchestration. Somewhat in the vein of Nino Rota's music for Romeo and Juliet. First theme is mournful, second theme shows a glimmer of warmth and hope. Instrumental, Dramatic, Sad Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dramatic, Sad Music
404804 2:02 Slow 62   
Edit Type: Bed - Classical, 20th Century
979880 2:02 Slow 62   
Edit Type: Stem A (harp) - Classical, 20th Century
979881 2:02 Slow 62   
Edit Type: Stem B (melody) - Classical, 20th Century
979882 2:02 Slow 62   


TOUGH AS NAILS - (by Matthew Reid)  Year: 2017
Matthew Reid Part of the 80's synth rock revival. Silky, soulful male and robotic vocals provoke over a throbbing synth bass and a slamming boom slap rock beat. Button stops for strong edit points throughout. Male Vocals, Rock, Electronic Rock
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Rock, Electronic Rock
865967 3:10 Slow 70   
Edit Type: Variation (instrumental) - Indie Rock, Rocktronica
865968 3:10 Slow 70   


ROCK AND A HARD PLACE - (by Matthew Reid)  Year: 2017
Matthew Reid A dirty garage rock riff in the vein of the White Stripes. Noisy, distorted guitar plays a classic rock riff over a thumping kick and snare. Great modern pump up piece for reality shows, commercials, etc. Gradual build toward the:30 mark, then comes in heavy. Instrumental, Rock, Modern Rock
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Rock, Modern Rock
865545 2:30 Slow 70   


PUNCH ROCK - (by Matthew Reid)  Year: 2015
Matthew Reid A dirty garage rock riff in the vein of the White Stripes. Noisy, distorted guitar plays a classic rock riff over a thumping kick and snare. Great modern pump up piece for reality shows, commercials, etc. Starts a little quiet then comes in heavy. Instrumental
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Tributes, White Stripes
865456 2:13 Slow 70   


MELT MY SUN - (by Matthew Reid)  Year: 2020
Matthew Reid A modern, trippy throwback to the psychedelic 60s. A groovy bass lick accompanied by affected guitars, a melting organ and spacey effects. Warm, sunny and feelgood. Repetitive with slight variations. Great for background montages with a summery feel. Instrumental, Rock, Psychedelic Rock
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Rock, Psychedelic Rock
1026659 4:02 Med Slow 80   


THE DARKEST PASSAGE - (by Matthew Reid)  Year: 2017
Matthew Reid Pizzicato basses play a spooky ostinato over a ghostly choir, chirping violin harmonics and a suffocated, percussive beat. Sometimes punctuated by a viola's stinging tremolo or a single boy's haunted voice. Very creepy, chilling background music for any scene requiring static, sustained tension. Instrumental, Dangerous, Edgy Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Edgy Music
865260 2:56 Slow 60   
Edit Type: Variation (no percussion) - Horror, Horror Edgy
865262 2:40 Very Slow 50   


THE DEATH AQUATIC (NO PERCUSSION) - (by Matthew Reid)  Year: 2017
Matthew Reid Hushed, mechanical percussion, slowly glossing strings, quietly squealing water phone over an eerie melody by cellos and violas. Piano quietly imitates the lower strings. Inspired by music from American Horror Story by James S Levine, this piece works well as background to any tense, scary media. Instrumental, Dangerous, Edgy Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Variation (no percussion) - Dangerous, Edgy Music
865255 2:48 Slow 60   


THE DEATH AQUATIC - (by Matthew Reid)  Year: 2017
Matthew Reid Hushed, mechanical percussion, slowly glossing strings, quietly squealing water phone over an eerie melody by cellos and violas. Piano quietly imitates the lower strings. Inspired by music from American Horror Story by James S Levine, this piece works well as background to any tense, scary media. Instrumental, Dangerous, Edgy Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Edgy Music
865248 2:48 Slow 60   


SOUNDS FROM THE ATTIC - (by Matthew Reid)  Year: 2017
Matthew Reid Ghostly, slightly out of tune strings play a slow, eerie melody over a suffocated, rhythmic thud sometimes punctuated by a very low piano and very high celeste. Distant clay pots echo bumps in the night. Very creepy, chilling background music for any scene requiring static, sustained tension. Instrumental, Dangerous, Edgy Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Edgy Music
864999 2:33 Slow 60   
Edit Type: Variation - Dangerous, Edgy Music
865023 2:32 Slow 60   


LURKING TERROR - (by Matthew Reid)  Year: 2017
Matthew Reid Hushed, mechanical percussion, slowly glossing strings, quietly squealing water phone over an eerie melody by cellos and violas. Piano quietly imitates the lower strings. Inspired by music from American Horror Story by James S Levine, this piece works well as background to any tense, scary media. Instrumental, Horror, Horror Edgy
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Horror, Horror Edgy
864695 2:32 Slow 60   
Edit Type: Bed - Horror, Horror Ambience
864694 2:32 Slow 60   


IT CAN HEAR YOU BREATHING - (by Matthew Reid)  Year: 2017
Matthew Reid A slow, dissonant melody by violas and cellos create a disturbing sound over muffled percussive thuds and quiet, high string moaning clusters. Inspired by music from American Horror Story by James S Levine, this piece works well as background to any tense, scary media. Instrumental, Dramatic, Calm Edgy
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dramatic, Calm Edgy
864650 2:49 Slow 60   


SOMETHING SINISTER - (by Matthew Reid)  Year: 2017
Matthew Reid Deep, droning bass and cellos and a slow, dissonant melody by violas and violins create a disturbing sound over muffled percussive thuds and eerie bowed bowls. Inspired by music from American Horror Story by James S Levine, this piece works well as background to any tense, scary media. Instrumental, Horror, Horror Edgy
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Horror, Horror Edgy
864575 2:44 Slow 60   


WE REAP WHAT WE HAVE SOWN - (by Matthew Reid)  Year: 2017
Matthew Reid An ominous, pulsating orchestral/electronic hybrid. Gamelan like marimba and piano percolates over a quiet, deep bass thud and chaotic glitches. Menacing basses and cellos drone under a swelling string and wood section. Ideal for modern thrillers, sci-fi and documentaries. Instrumental, Dangerous, Edgy Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dangerous, Edgy Music
863863 3:19 Slow 60   
Edit Type: Bed (no piano/marimba) - Dangerous, Edgy Music
863859 3:19 Slow 60   


GRAND PLANS FOR THE FUTURE - (by Matthew Reid)  Year: 2017
Matthew Reid A swirling electronic/orchestral hybrid. A bird-call like piano motif twitters over a droning bass while a phasing synth rapidly and rhythmically counterpoints. Rreminiscent of Terry Riley, Philip Glass and Johann Johannsson. Works well in both contemporary dramas, factual and science fiction. Instrumental, Science Fiction, First Contact
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Science Fiction, First Contact
863033 3:44 Slow 60   


ARRIVAL AT DISAPPOINTMENT - (by Matthew Reid)  Year: 2017
Matthew Reid An orchestral, electronic hybrid. An ambient piano melody accompanied by a pulsing electronic bass, glitchy percussion and orchestral and electronic swells. A quietly arpeggiating harp adds counterpoint to the main theme. Dark and melancholy great for sci-fi, factuals and psychological thrillers, Instrumental, Dramatic, Sad Music
Type Play Track Info Catalog ID Min:Sec Tempo & BPM Price Control
Edit Type: Full Track - Dramatic, Sad Music
862876 3:10 Slow 60   
Edit Type: Full Track - Dramatic, Contemplative Music
862881 3:10 Slow 60   




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