Matthew Greasley


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Matthew Greasley
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Home > Artists > Matthew Greasley >

Matthew Greasley

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UK artist Matthew Greasley is an experienced Electronic music producer and VJ who also writes dynamic Orchestral and Dramatic pieces. He has written music for Film and TV, as well as for Theatre projects which have been performed in venues such as the Soho Theatre, Stratford Circus, and the ICA. Matthew also gives lectures on music and music technology at Bedford College, specializing in the use of technology in performance and composition for multimedia.

Matthew Greasley has developed his work as a video artist over the last 10 years, working regularly as a VJ at venues such as Londons’ Vibe Bar, and has performed at festivals such as Bestival & Shambala, providing visual stimulation for acts such as 808 State, Fabio & Grooverider, The Human League, and Lee ‘Scratch’ Perry.

Genres for This Artist Music Tracks (35)   
Music Genres For Matthew Greasley
Action | Classical | Dance | DnB | Dramatic | Electronic |

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CHOKE 2   (by Matthew Greasley )  Composed: 2012
An experimental ambient track a driving techo pulse. In the style of Amon Tobin / Ninja Tune. Begins with synth noises, tremolo bass synth and abstract drum rhythms before before becoming more rhythmic. Use for psychedelic and dream sequences. Crazy music for a horror soundtrack. Instrumental, Dance Music, Experimental
NAKED   (by Matthew Greasley )  Composed: 2012
Quirky electronica track with irregular rhythms and a driving pulse. Abstract sounds with a driving beat. Intense, contemporary & Urban. Instrumental, Electronic Music, IDM
SX1000   (by Matthew Greasley )  Composed: 2012
A building synth epic in the style of Brian Eno, Vangelis, Giorgio Moroder or John Carpenter. Beginning with analogue percussive sound, building with a classic brass chord pad and lifted to a crescendo with a soaring synth lead. Instrumental, Dramatic Music, Electronic Music
UTAH   (by Matthew Greasley )  Composed: 2012
Gentle crunching sounds, like footsteps in the snow accompanied by gentle pads lead to rhythmic sounds and bass-line before building to an intense big beat crescendo. Sort of like an ambient Fatboy Slim. Use in a thriller, sci-fi or action scene. Instrumental, Electronic Music, Big Beat
DRILLIN'   (by Matthew Greasley )  Composed: 2012
Quirky electronica track with irregular rhythms and a driving pulse. Abstract sounds with a driving beat. Intense, contemporary & Urban. Instrumental, Electronic Music, IDM
H20   (by Matthew Greasley )  Composed: 2012
A building watery intro to a quirky electronica track with irregular rhythms and a rolling bassline. Abstract sounds with a driving beat. Intense, contemporary & Urban. Instrumental, Electronic Music, IDM
CHOKE 1   (by Matthew Greasley )  Composed: 2012
An experimental ambient track with hints of dubstep and drum'n'bass. In the style of Amon Tobin / Ninja Tune. Begins with synth noises, tremolo bass synth and abstract drum rhythms before before becoming more rhythmic. Use for psychedelic and dream sequences. Crazy music for a horror soundtrack. Instrumental, Electronic Music, IDM
PENDULUM CHASE   (by Matthew Greasley )  Composed: 2012
Building intense drum'n'bass production. Pendulum meets Squarepusher meets The Prodigy. Track builds from bass and drums becoming more intense with synth leads and atmospheric pads. Good for retro car chases with a contemporary edge. Would make an excellent end credits track! Instrumental, Drum and Bass, Drum and Bass
CHOKE 2   (by Matthew Greasley )  Composed: 2012
An experimental ambient track a driving techo pulse. In the style of Amon Tobin / Ninja Tune. Begins with synth noises, tremolo bass synth and abstract drum rhythms before before becoming more rhythmic. Use for psychedelic and dream sequences. Crazy music for a horror soundtrack. Instrumental, Dance Music, Techno
SHOWDOWN CROSSOVER   (by Matthew Greasley )  Composed: 2012
Electro beats sprinkled with orchestral percussion and piano arpeggios. Use for a montage sequence, a romantic interlude or documentary use. Instrumental, Dramatic Music, Electronic Music
I'LL GET OVER IT   (by Matthew Greasley )  Composed: 2012
Dreamy electronica for a reminiscing scene. Memories of loved ones, past times. Use for films, documentaries and credits. Instrumental, Dramatic Music, Ethereal Music
MOURNFUL LULLABY   (by Matthew Greasley )  Composed: 2012
A short, sad orchestral track. Usage for war, remembering, melancholy. Woodwind melody with slow bass and strings countering. A simple glockenspiel melody completes the track. Possibly for the end of a romance. Slow and stately. Instrumental, Dramatic Music, Sad Music
PENDULUM CHASE   (by Matthew Greasley )  Composed: 2012
Building intense drum'n'bass production. Pendulum meets Squarepusher meets The Prodigy. Track builds from bass and drums becoming more intense with synth leads and atmospheric pads. Good for retro car chases with a contemporary edge. Would make an excellent end credits track! Instrumental, Action Music, Action Adventure Electronic
TEARFUL GOODBYE   (by Matthew Greasley )  Composed: 2012
Emotion, deep orchestral track with hints of dissonance adding tension. Use for sadness & relationship breakup, contemplative moments. Resolves into a gentle piano theme. Instrumental, Dramatic Music, Sad Music
TRUNK   (by Matthew Greasley )  Composed: 2009
Off the wall, quirky but funky, break-beat drums, descending bassline and synths, atmospheric. Great music for pacey off the wall scenes? Are there elephants hiding in there? Instrumental, Electronic Music, Experimental
NAKED   (by Matthew Greasley )  Composed: 2012
Quirky electronica track with irregular rhythms and a driving pulse. Abstract sounds with a driving beat. Intense, contemporary & Urban. Instrumental, Electronic Music, Experimental
RAZZLE   (by Matthew Greasley )  Composed: 2009
Quirky drum'n'bass with 8-bit chip sounds and effects! Syncopated drum programming with erratic synth patterns creating an exciting and tense mood. Breakdown section in middle adds tension building to the close. Instrumental, Electronic Music, Experimental
SX1000   (by Matthew Greasley )  Composed: 2012
A building synth epic in the style of Brian Eno, Vangelis, Giorgio Moroder or John Carpenter. Beginning with analogue percussive sound, building with a classic brass chord pad and lifted to a crescendo with a soaring synth lead. Instrumental, Electronic Music, Chill-out
UTAH   (by Matthew Greasley )  Composed: 2012
Gentle crunching sounds, like footsteps in the snow accompanied by gentle pads lead to rhythmic sounds and bass-line before building to an intense big beat crescendo. Sort of like an ambient Fatboy Slim. Use in a thriller, sci-fi or action scene. Instrumental, Dramatic Music, Electronic Music
TENSION AT MIDNIGHT   (by Matthew Greasley )  Composed: 2012
A sad and sombre track, but with light at the end of the tunnel, for those heartbreaking moments. Piano and strings begin, wood blocks and woodwind and bass are introduced later as well as a harpsichord arpeggio to add movement. Instrumental, Dramatic Music, Sad Music
THE GAMBLER   (by Matthew Greasley )  Composed: 2009
Contemporary dance with a hint of disco! Upbeat drums and synth intro leading to percussion and big, suspenseful brass chords, before a melodic string solo takes the lead. Heroic, triumphant, yet dark & mysterious with a disco funk undercurrent! Instrumental, Dance Music, Techno
VOID   (by Matthew Greasley )  Composed: 2009
Moody UK Dupstep track with driving bass. Urban, gritty & underground! Opening with bell sounds and an an atmospheric synth undercurrent, this track slowly transforms with a driving synth and percussive groove. Documentary use, Sci-fi, urban travel, Instrumental, Electronic Music, Experimental
H20   (by Matthew Greasley )  Composed: 2012
A building watery intro to a quirky electronica track with irregular rhythms and a rolling bassline. Abstract sounds with a driving beat. Intense, contemporary & Urban. Instrumental, Electronic Music, Experimental
MOONLIT GROOVE   (by Matthew Greasley )  Composed: 2012
A beautiful piano theme accompanied by a slow groove, modal and serene. Use for opening credits or romantic, thoughtful, reminiscing, montage scenes. Short films, Advertisements, Commercials. Reminiscent of music by Einaudi, Erik Satie or Debussy. Instrumental, Electronic Music, Chill-out
BATTLE OF ALS   (by Matthew Greasley )  Composed: 2009
Contemporary UK Urban Dupstep influenced track. Irregular bells and synth bass lead to grime inspired filtered drums and dirty bass line. Use for urban scenes, driving, hip hop culture. Fighting scenes, martial arts, teen culture, dj, clubs, turntables. Instrumental, Electronic Music, IDM
EMOTIONAL JOURNEY   (by Matthew Greasley )  Composed: 2012
Emotion piano composition with a rolling melody and chord progression. Use this for romantic scenes, reminiscing scenes, family memories and contemplation. Possibly for remembering what once was. Instrumental, Classical Music, Classical Piano
DRILLIN'   (by Matthew Greasley )  Composed: 2012
Quirky electronica track with irregular rhythms and a driving pulse. Abstract sounds with a driving beat. Intense, contemporary & Urban. Instrumental, Electronic Music, Experimental
SHOWDOWN   (by Matthew Greasley )  Composed: 2012
An atmospheric orchestral build with timpani and cymbals building to a piano climax. Suitable for drama, action & romance. Instrumental, Action Music, Action Impending Orchestral
SOLARGARD   (by Matthew Greasley )  Composed: 2009
Quirky dark dubstep synth track with urban appeal, Rhythmic sounds with dirty synth overlay leading to laid back groove with simple bassline. Irregular mid section with half-time breakdown leading back into a funky groove finale... Instrumental, Electronic Music, Experimental
MARCH OF THE WOOLLY MAMMOTH   (by Matthew Greasley )  Composed: 2012
Slow stately marching theme, mournful and sombre. Use in a slow marching, funeral procession like scene. Sounds almost primaeval, good for prehistoric, or dinosaur footage. Instrumental, Dramatic Music, Regal Music
PLASTICINE   (by Matthew Greasley )  Composed: 2009
An epic track. Beginning with slow string effects through dark synthesizer effects leading to an electro -style groove at the finale. A progressive masterpiece! Instrumental, Electronic Music, Progressive Electronic
SATIES CAKEWALK   (by Matthew Greasley )  Composed: 2012
Minimal, emotional piano composition with a rolling, swing melody and steady bass. Use for opening credits or romantic, thoughtful, reminiscing, montage scenes. Short films, Advertisements, Commercials. Reminiscent of music by Einaudi, Erik Satie or Debussy. Instrumental, Dramatic Music, Dramatic Solo Piano
CHOKE 1   (by Matthew Greasley )  Composed: 2012
An experimental ambient track with hints of dubstep and drum'n'bass. In the style of Amon Tobin / Ninja Tune. Begins with synth noises, tremolo bass synth and abstract drum rhythms before before becoming more rhythmic. Use for psychedelic and dream sequences. Crazy music for a horror soundtrack. Instrumental, Electronic Music, Experimental
MOONLIGHT   (by Matthew Greasley )  Composed: 2012
A beautiful piano theme, modal and srene. Use for opening credits or romantic, thoughtful, reminiscing, montage scenes. Short films, Advertisements, Commercials. Reminiscent of music by Einaudi, Erik Satie or Debussy. Instrumental, Dramatic Music, Contemplative Music
REFLECTIONS   (by Matthew Greasley )  Composed: 2012
Emotional modal piano composition with a delicate melody and chord progression. Use this for romantic scenes, reminiscing scenes, family memories and contemplation. Possibly for remembering what once was. A tearjearker. Instrumental, Dramatic Music, Dramatic Solo Piano
PEBBLES REDUX   (by Matthew Greasley )
Slow atmospheric piano, simple synth melody with laid back drums and electronic sounds. Great as an opening track for a romantic film or as end titles. Good for commercials, Instrumental, Dramatic Music, Electronic Music
SOLARGARD   (by Matthew Greasley )  Composed: 2009
Quirky dark dubstep synth track with urban appeal, Rhythmic sounds with dirty synth overlay leading to laid back groove with simple bassline. Irregular mid section with half-time breakdown leading back into a funky groove finale... Instrumental, Electronic Music, IDM
TRUNK   (by Matthew Greasley )  Composed: 2009
Off the wall, quirky but funky, break-beat drums, descending bassline and synths, atmospheric. Great music for pacey off the wall scenes? Are there elephants hiding in there? Instrumental, Dance Music, Techno
VOID   (by Matthew Greasley )  Composed: 2009
Moody UK Dupstep track with driving bass. Urban, gritty & underground! Opening with bell sounds and an an atmospheric synth undercurrent, this track slowly transforms with a driving synth and percussive groove. Documentary use, Sci-fi, urban travel, Instrumental, Electronic Music, IDM
THE LAST STAND   (by Matthew Greasley )  Composed: 2012
Soaring, anthemic synth rock epic. Perfect for a building climax. Elements of orchestral sounds build to a massive texture with synth lead to finish. Instrumental, Dramatic Music, Energizing Music
WONDERING WHY?   (by Matthew Greasley )  Composed: 2012
Slow stately marching theme, mournful and sombre, with a crescendo before dropping into silence. Use in a slow marching, funeral procession like scene. Sounds almost primaeval, good for prehistoric, or dinosaur footage. Instrumental, Dramatic Music, Sad Music
BATTLE OF ALS   (by Matthew Greasley )  Composed: 2009
Contemporary UK Urban Dupstep influenced track. Irregular bells and synth bass lead to grime inspired filtered drums and dirty bass line. Use for urban scenes, driving, hip hop culture. Fighting scenes, martial arts, teen culture, dj, clubs, turntables. Instrumental, Electronic Music, Experimental
GROKE   (by Matthew Greasley )  Composed: 2009
Slow syncopated rhythms with strings leading to guitar melody and a smooth drum'n'bass finale. Waves of sound pulse over the listener make this perfect as an intro to contemporary drama or thriller. Slowly builds downwards to a close. Instrumental, Electronic Music, Dark Ambient
PEBBLES II   (by Matthew Greasley )
Mid tempo emotional piano track in the style of Ludovico Einaudi, Erik Satie or Debussy. Atmospheric minimal piano conjuring up images of lost friends. Use in emotional film scenes or over nature sequences. Instrumental, Dramatic Music, Romantic Music
STEEP   (by Matthew Greasley )  Composed: 2009
Cool UK Dupstep track with 2-step garage drums, driving bass line & an intense overdriven electric piano sound on the finish. Urban, gritty & underground! Instrumental, Drum and Bass, Dubstep
PEBBLES I   (by Matthew Greasley )
Emotional piano track in the style of Ludovico Einaudi, Erik Satie or Debussy. Atmospheric minimal piano conjuring up images of lost friends. Use in emotional film scenes or over nature sequences. Instrumental, Dramatic Music, Romantic Music
RAZZLE   (by Matthew Greasley )  Composed: 2009
Quirky drum'n'bass with 8-bit chip sounds and effects! Syncopated drum programming with erratic synth patterns creating an exciting and tense mood. Breakdown section in middle adds tension building to the close. Instrumental, Electronic Music, IDM
BUBBLES   (by Matthew Greasley )  Composed: 2009
UK Urban and gritty banjo dubstep track. Intro building to duelling harp and banjos. Upbeat track good for documentary use. Driving and pulsing. Instrumental, Electronic Music, Experimental
THE GAMBLER   (by Matthew Greasley )  Composed: 2009
Contemporary dance with a hint of disco! Upbeat drums and synth intro leading to percussion and big, suspenseful brass chords, before a melodic string solo takes the lead. Heroic, triumphant, yet dark & mysterious with a disco funk undercurrent! Instrumental, Dance Music, Nu-Disco
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Matthew Greasley


download music clips,
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cellphone ringtones,
sprint ringtone,
electronica,
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music,
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film,
soundtracks,
orchestral,
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composer,
Matthew Greasley
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