Composer, Arranger and Producer Greg Patmore began his musical life in the brass band tradition of NW England, playing, conducting and composing for brass before going to Goldsmith's College, London, to study composition with Edward Gregson, Stanley Glasser and Melanie Daiken. His music has always drawn upon combined influences, traditions and cultures, and he has a true passion for live theatre, having produced scores for many of London’s West End/Fringe productions. Greg also writes and arranges for professional artists, TV and Film.
Greg Patmore's exciting, adventurous James Bond, aka Agent 007, Spy cue, "Secret Service," was just honored as our Editor's Choice Award for August! The track is perfect for action thrillers, espionage films, branding, and tough new product launch. Check it out!
Greg Patmore's sound design projects include the 2009/10 UK and US tour of The African Company Presents Richard III written by Carlyle Brown and directed by Chuck Mike; Grand Slam at Kings Head Theatre, London; the Fear installation at the Urbis Museum, Manchester; public address idents for the 2002 Commonwealth Games; The Diary of Anne Frank; Brassed Off.
Film and TV credits include Rent-a-Mate, Mummy’s Boys, La Patisserie, Antlers of Reason, Secret Agent, The Antique (UK/LA), Another Life (UK/LA), End of the Line. Music for Wigan Pier Theatre Company ‘The Way We Were’, 20th Century Liner (Discovery Channel), A Place by The Sea (Channel 4).
Live Theatre credits include Midsummer Night's Dream, Christopher Luscombe's adaptation of ‘Star Quality' by Noel Coward, the musical ‘Dorothy's Friends', and Martin McDonagh's ‘Beauty Queen of Leenane,' and has always had a true passion for music inspired by theatre. His most acclaimed scores include those produced for London’s West End/Fringe productions including ‘Spring Awakening' at the Courtyard Theatre and ‘The Shadowmaster' at the Kings Head Theatre.
Published works include ‘The Agitator’ for Double Bass
this is a short ethereal link - ideal for maybe a light and elegant entrance with a twist or maybe a theatrical performance that needs a link that is proud yet thoughtful. It would sit happily in a play themed like Midsummer Nights Dream. Multi-Sample, Classical
This harpsichord solo cue has a lovely lilt to it which is ideal for transitions within film or TV. It ends with a mystical electronic chime which gives it a bit of cheeky yet slightly mysterious edge to it. It leaves us wondering whats going to happen next. Multi-Sample, Classical
A short orchestral cue of 6 seconds. The harpsichord and violin give this a quirky period feel. Ideal link to take you quickly from one scene to another or gives a character time to think before taking any action. Multi-Sample, Classical
creeping quietly on tip toe. This orchestral loop is ideal to express someone or something quietly creeping on tip toe. Hush, don't make a sound.. yet it is quirky and lively at the same time. Multi-Sample, Classical
Quirky Harpsicord and Violin transition link. Very regal with a period lilt to it. Ideal for moving from one scene to another or allowing the character to think before making a move. Multi-Sample, Classical
This is wonderful Midsummer Nights Dream meets The Twilight Zone. It describes someone or something carefully looking here and there - great for animation or live theater. It would be ideal to describe the quirks of nature and how unpredictable mother nature is. Multi-Sample, Classical
A lovely little orchestral link that, despite being 17 seconds, it is so emotive - full of yearning and longing. Ideal link from a thought to and idea as there is a mischievous little chime at the end. It is reminiscent of something out of a Buster Keaton film. Multi-Sample, Classical
10 seconds which describes very elegant thief. A cheeky instrument loop that would work well in any era yet it has a very Edwardian and Tudor feel about it - a harpsichord ditty ideal for comedy or live performance or lighthearted mystery. Multi-Sample, Classical
A fabulous bouncy little orchestral loop. It would lend itself to describe creeping up on someone in a cheeky charlie way. With the use of harpsichord it also has a grand period sound to it. Ideal also for animation, cartoon and live theatre. Multi-Sample, Classical
This orchestral loop is dark and mysterious yet there is a magical spirit dancing around inside it. It is a bit eerie with the vibration of strings adding to the mystery. Despite all of this it can be used for something lighter or if you want to describe a Miss Marple moment of detection perhaps. Multi-Sample, Classical
A spooky loop that is full of anticipation ready for something or someone to jump out at you from the shadows. Great as a mystery and suspense underscore that is dark and foreboding whether on this earth or somewhere in outer space. Longer version of Again The Wood, Multi-Sample, Classical
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