Composer, Arranger and Producer Greg Patmore began his musical life in the brass band tradition of NW England, playing, conducting and composing for brass before going to Goldsmith's College, London, to study composition with Edward Gregson, Stanley Glasser and Melanie Daiken. His music has always drawn upon combined influences, traditions and cultures, and he has a true passion for live theatre, having produced scores for many of London’s West End/Fringe productions. Greg also writes and arranges for professional artists, TV and Film.
Greg Patmore's exciting, adventurous James Bond, aka Agent 007, Spy cue, "Secret Service," was just honored as our Editor's Choice Award for August! The track is perfect for action thrillers, espionage films, branding, and tough new product launch. Check it out!
Greg Patmore's sound design projects include the 2009/10 UK and US tour of The African Company Presents Richard III written by Carlyle Brown and directed by Chuck Mike; Grand Slam at Kings Head Theatre, London; the Fear installation at the Urbis Museum, Manchester; public address idents for the 2002 Commonwealth Games; The Diary of Anne Frank; Brassed Off.
Film and TV credits include Rent-a-Mate, Mummy’s Boys, La Patisserie, Antlers of Reason, Secret Agent, The Antique (UK/LA), Another Life (UK/LA), End of the Line. Music for Wigan Pier Theatre Company ‘The Way We Were’, 20th Century Liner (Discovery Channel), A Place by The Sea (Channel 4).
Live Theatre credits include Midsummer Night's Dream, Christopher Luscombe's adaptation of ‘Star Quality' by Noel Coward, the musical ‘Dorothy's Friends', and Martin McDonagh's ‘Beauty Queen of Leenane,' and has always had a true passion for music inspired by theatre. His most acclaimed scores include those produced for London’s West End/Fringe productions including ‘Spring Awakening' at the Courtyard Theatre and ‘The Shadowmaster' at the Kings Head Theatre.
Published works include ‘The Agitator’ for Double Bass
Passionate happy orchestral string adagio with solo cello, violin, brass. This intriguing quirky piece is based upon the well known folk melody 'For He's a Jolly Good Fellow'. It starts slow then builds and becomes lively, bouncy and gun ho. Great for a comedy hero, detective or romantic comedy. Instrumental, Folk, Folk Dramatic
Accordion squeezebox plays a jolly instrumental ditty. Imagine typical traditional Morris dancers quintessentially English dancing on the grass. Not to be taken seriously - ideal comedy routine which is very catchy - especially when the triangle, wood block & tinkle of ankle bells join in. Instrumental, Folk, British Folk
A bluesy bluegrass piece of acoustic guitar that has a hint of cowboys riding slowing out on the hot plains. A ballad that is laid back with a hint of the traditional roots of Irish folk tunes. You can picture the swagger, the hanging out on the veranda, the hillbillies, the heat, the outback, Instrumental, Folk, Finger-Picked Guitar
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