Composer, Arranger and Producer Greg Patmore began his musical life in the brass band tradition of NW England, playing, conducting and composing for brass before going to Goldsmith's College, London, to study composition with Edward Gregson, Stanley Glasser and Melanie Daiken. His music has always drawn upon combined influences, traditions and cultures, and he has a true passion for live theatre, having produced scores for many of London’s West End/Fringe productions. Greg also writes and arranges for professional artists, TV and Film.
Greg Patmore's exciting, adventurous James Bond, aka Agent 007, Spy cue, "Secret Service," was just honored as our Editor's Choice Award for August! The track is perfect for action thrillers, espionage films, branding, and tough new product launch. Check it out!
Greg Patmore's sound design projects include the 2009/10 UK and US tour of The African Company Presents Richard III written by Carlyle Brown and directed by Chuck Mike; Grand Slam at Kings Head Theatre, London; the Fear installation at the Urbis Museum, Manchester; public address idents for the 2002 Commonwealth Games; The Diary of Anne Frank; Brassed Off.
Film and TV credits include Rent-a-Mate, Mummy’s Boys, La Patisserie, Antlers of Reason, Secret Agent, The Antique (UK/LA), Another Life (UK/LA), End of the Line. Music for Wigan Pier Theatre Company ‘The Way We Were’, 20th Century Liner (Discovery Channel), A Place by The Sea (Channel 4).
Live Theatre credits include Midsummer Night's Dream, Christopher Luscombe's adaptation of ‘Star Quality' by Noel Coward, the musical ‘Dorothy's Friends', and Martin McDonagh's ‘Beauty Queen of Leenane,' and has always had a true passion for music inspired by theatre. His most acclaimed scores include those produced for London’s West End/Fringe productions including ‘Spring Awakening' at the Courtyard Theatre and ‘The Shadowmaster' at the Kings Head Theatre.
Published works include ‘The Agitator’ for Double Bass
This song is about disillusionment and isolation but with sense that there is hope for the future. Lydia stands at the gates of tomorrow waiting to see if there will be hope or pain or sorrow... who can say. Great opening for indie film or closing credits. Its a song of our times for our times. Female Vocals, Indie Rock, Indie Rock
This song is about searching for the best in things and people and holding onto what is good. We are all looking for something beautiful to hold onto and call our own in this life. Great lyrics that would work well to picture-catchy and moving. Light and delicate yet with a rock feel. Female Vocals, Indie Rock, Indie Rock
Slow rock track full of emotion and regret but wanting to do something about it instead of feeling sorry for yourself. This has a great orchestral backing to the electric guitar and strings that move hauntingly throughout the melody. Very catchy chorus which would work as a great underscore. Female Vocals, Indie Rock, Indie Rock
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